Kage Baker - Dark Mondays

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Dark Mondays: краткое содержание, описание и аннотация

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Kage Baker, celebrated creator of the Company novels and the standout collection
now brings together pirates, primates, eldritch horrors, maritime ghosts, and much more in
. This captivating new collection of fantastic short fiction is sure to cement her reputation as one of the most original storytellers working in the fantasy and speculative fiction genres today.
Whether spinning tales of the mysterious young woman and the dreadful pirate captain Henry Morgan in the original novella “The Maid on the Shore,” the tiny California beach community assaulted by Lovecraftian terrors in “Calamari Curls,” or the girl menaced by a haunting photograph and a trio of aspiring vampires at the heart of “Portrait, With Flames,” Kage Baker distinguishes herself throughout
as a storyteller extraordinaire, crafting intricately-woven plots, compelling characters, and captivating settings filled with convincing detail.
As likely to shock and surprise as it is to fill you with a sense of weird wonder and delight,
will entrance you with its inventive prose, astound you with its action, and seduce you with its style.

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These events are only as real as we make them.

He saw the boy, brilliant innocent of terrifying faith; he saw Ms. Washburn in all her harsh bravery and steely resolve. Monkeys who could envision a heaven full of glorious divinity, or a crystalline rational universe of ice and stars. Wonderful monkeys! Who could have made such creatures?

“Enough,” he said, in a voice not his own, and a blast of blue-white light and shockwave force moved out from him at high speed. It caught the little generic monkeys and blew them into oblivion like so many autumn leaves. The chimpanzees, the baboons and gorillas puffed out like smoke; and Kong itself became no more than a towering shadow, before dropping in a rain of black sand across the parking lot.

“Dude,” said Patrick, awed.

Father Souza looked at himself in disbelief. Little residual white flames were running down him like water, sinking into him as though he were so much spiritual blotting paper.

Only as real as we make them.

“Ms. Washburn, can I call you a tow truck?” he heard himself saying.

“No, thank you,” she replied, in a voice nearly as firm as was her accustomed wont. “Why would I need one?”

He looked up and watched as she got into her car. She ignored the broken glass and the fact that she had to crouch forward because the roof had been so badly dented. The engine started up and the Volvo limped away on three wheels, shedding cocoanuts and banana peels as it went. Ms. Washburn did not look back.

Real as we make them.

“That was so cool,” said Patrick. “Except, um, King Kong. He was too scary. But, see? You can, too, do spells. I would have stopped him myself, except he was so big. When I get my superpowers, though, it’ll be different.”

Father Souza stretched his shoulders, rolled his neck, felt all the little stresses and tensions of years of everyday life melting away.

“You know,” he said, “you’re going to have to swear to use your powers for good, right?”

“Okay,” said Patrick happily. “Does this mean I don’t have to take catechism classes anymore?”

“Oh, no way.” Father Souza leaned down and grinned, putting a hand on his shoulder. “They’re more important than ever, now.” His grin widened. “You belong to God, Patrick.”

“Okay,” said Patrick, grinning back. “I can pretend I’m taking secret ninja lessons, all right?”

A car rounded the corner and came up the hill into the parking lot. Mrs. Avila waved and honked the car’s horn, steering around the potholes left by the gorillas. Patrick ran to her and climbed into the car.

“Was he good?” Mrs. Avila called.

Father Souza smiled and nodded. He waved after them as they drove away down the hill. Then he went inside to have a long talk with the Almighty.

CALAMARI CURLS

The town had seen better days.

Its best year had probably been 1906, when displaced San Franciscans, fleeing south to find slightly less unstable real estate, discovered a bit of undeveloped coastline an inconvenient distance from the nearest train station.

No tracks ran past Nunas Beach. There wasn’t even a road to its golden sand dunes, and what few locals there were didn’t know why. There were rumors of long-ago pirates. There was a story that the fathers from the local mission had forbidden their parishioners to go there, back in the days of Spanish rule.

Enterprising Yankee developers laughed and built a road, and laid out lots for three little beach towns, and sold them like hotcakes. Two of the towns vanished like hotcakes at a Grange Breakfast, too; one was buried in a sandstorm and the other washed out to sea during the first winter flood.

But Nunas Beach remained, somehow, and for a brief season there were ice cream parlors and photographers’ studios, clam stands, Ferris wheels, drug stores and holiday cottages. Then, for no single reason, people began to leave. Some of the shops burned down; some of the cottages dwindled into shanties. Willow thickets and sand encroached on the edges. What was left rusted where it stood, with sand drifting along its three streets, yet somehow did not die.

People found their way there, now and then, especially after the wars. It was a cheap place to lie in the sun while your wounds healed and your shell-shock faded away. Some people stayed.

Pegasus Bright, who had had both his legs blown off by a land mine, had stayed, and opened the Chowder Palace. He was unpleasant when he drank and, for that matter, when he didn’t, but he could cook. The Chowder Palace was a long, low place on a street corner. It wasn’t well lit, its linoleum tiles were cracked and grubby, its windows dim with grease. Still, it was the only restaurant in town. Therefore all the locals ate at the Chowder Palace, and so, too, did those few vacationers who came to Nunas Beach.

Mr. Bright bullied a staff of illegal immigrants who worked for him as waiters and busboys; at closing time they faded like ghosts back to homeless camps in the willow thickets behind the dunes, and he rolled himself back to his cot in the rear of the Palace, and slept with a tire iron under his pillow.

* * *

One Monday morning the regulars were lined up on the row of stools at the counter, and Mr. Bright was pushing himself along the row topping up their mugs of coffee, when Charlie Cansanary said:

“I hear somebody’s bought the Hi-Ho Lounge.”

“No they ain’t, you stupid bastard,” said Mr. Bright. He disliked Charlie because Charlie had lost his right leg to a shark while surfing, instead of in service to his country.

“That’s what I heard too,” said Tom Avila, who was the town’s mayor.

“Why would anybody buy that place?” demanded Mr. Bright. “ Look at it!”

They all swiveled on their stools and looked out the window at the Hi-Ho Lounge, which sat right across the street on the opposite corner. It was a windowless stucco place painted gray, with martini glasses picked out in mosaic tile on either side of the blind slab of a door. On the roof was a rusting neon sign portraying another martini glass whose neon olive had once glowed like a green star against the sunset. But not in years; the Hi-Ho Lounge had never been open in living memory.

“Maybe somebody wants to open a bar,” said Leon Silva, wiping egg yolk out of his mustache. “It might be kind of nice to have a place to drink.”

“You can get drinks here,” said Mr. Bright quickly, stung.

“Yeah, but I mean legally. And in glasses and all,” said Leon.

“Well, if you want to go to those kinds of places and spend an arm and a leg—” said Mr. Bright contemptuously, and then stopped himself, for Leon, having had an accident on a fishing trawler, only had one arm. Since he’d lost it while earning a paycheck rather than in pursuit of frivolous sport, however, he was less a target for Mr. Bright’s scorn. Mr. Bright continued: “Anyway it’ll never happen. Who’s going to buy an old firetrap like that place?”

“Those guys,” said Charlie smugly, pointing to the pair of business-suited men who had just stepped out of a new car and were standing on the sidewalk in front of the Hi-Ho Lounge.

Mr. Bright set down the coffee pot. Scowling, he wheeled himself from behind the counter and up to the window.

“Developers,” he said. He watched as they walked around the Hi-Ho Lounge, talking to each other and shaking their heads. One took a key from an envelope and tried it in the padlock on the front door; the lock was a chunk of rust, however, and after a few minutes he drew back and shook his head.

“You ain’t never getting in that way, buddy,” said Tom. “You don’t know beach winters.”

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