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Kage Baker: Dark Mondays

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Kage Baker Dark Mondays

Dark Mondays: краткое содержание, описание и аннотация

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Kage Baker, celebrated creator of the Company novels and the standout collection now brings together pirates, primates, eldritch horrors, maritime ghosts, and much more in . This captivating new collection of fantastic short fiction is sure to cement her reputation as one of the most original storytellers working in the fantasy and speculative fiction genres today. Whether spinning tales of the mysterious young woman and the dreadful pirate captain Henry Morgan in the original novella “The Maid on the Shore,” the tiny California beach community assaulted by Lovecraftian terrors in “Calamari Curls,” or the girl menaced by a haunting photograph and a trio of aspiring vampires at the heart of “Portrait, With Flames,” Kage Baker distinguishes herself throughout as a storyteller extraordinaire, crafting intricately-woven plots, compelling characters, and captivating settings filled with convincing detail. As likely to shock and surprise as it is to fill you with a sense of weird wonder and delight, will entrance you with its inventive prose, astound you with its action, and seduce you with its style.

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“Good morning, Father Mark.” Kali Silva, who was six, like Patrick, wandered up with a tall fifth grader named Brittany Machado. The girls wore bandanas on their heads and carried rosaries. They were playing the other two Children of Fatima.

“Mrs. Okura says we’re supposed to walk in front of you,” Kali informed Father Souza.

“Are you?” Father Souza looked around in a helpless kind of way. “I guess so.”

“It’s on the schedule,” said Brittany. She looked at Patrick severely. “Where’s Our Lady?”

Patrick looked blank a moment and then shouted, “Oh my God, she’s still sitting in my mom’s car!” He tore off through the crowd.

“You’re going to go to Hell,” Kali shouted after him.

“You’re not supposed to say Hell,” Brittany told her.

“But he took the name of the Lord thy God in vain,” said Kali.

“Cool it, kids,” said Father Souza. “Six-year-olds don’t go to Hell.”

Both girls turned bright, speculative faces up to him.

“Really?” said Kali. “Not even if—”

“Here she is,” bellowed Patrick, charging up with Our Lady of Fatima, who resided that day in a ten-inch-tall plastic statue glued to a white pillow representing a cloud.

The schoolbuses bringing the bands arrived at about the same time as the van bearing the news crew from KCLM (K-CLAM News at Six!). The Knights of Columbus arrived shortly thereafter, with their swords and plumed hats. Patrick attempted to sidle over and get a better look at the swords.

“You’re supposed to stay here,” said Kali.

“Everybody else is moving around,” grumbled Patrick.

“Let’s just stay together, okay, kids?” said Father Souza.

“So, Father Mark?” Brittany tapped his elbow. “My grandma told me about this little girl, who took Communion only she spit the Host out into a Kleenex and took it outside and cut it open with a knife to see if it did anything, and it started really bleeding, and she went to Hell.”

“I heard that story, when I was your age,” said Father Souza. “But I think—”

At that moment the PA system was switched on, with a deafening squeal of feedback, and a DJ named Ron introduced himself at high volume. He led everyone in singing the national anthem, followed by the Portuguese national anthem. After that he called out the marching order of each group, as the fog burned off abruptly and everyone began to sweat.

Father Souza led the children to their place in line, just in front of the ox cart. There they waited, shifting from foot to foot on hot asphalt, until the parade stepped off.

The ox behind them started forward, and the cart began an ominous shrieking that grew louder as it moved slowly down Addie Street. By the time they rounded the corner onto Cypress Street, it was painful to hear. Brittany and Kali walked with their hands over their ears, rosaries held in their teeth. Patrick ignored it all, marching along cheerfully, happy to be moving. He spotted one set of his grandparents taking photos and raised Our Lady in a high sign for them, being unable to wave. “Cut it out!” hissed Brittany.

Patrick ignored her too. He spotted his parents and the other grandparents with them, video cameras whirring, and he shifted Our Lady to one hand and did the Macarena as he marched.

“You’re going to Hell,” said Brittany.

“Nuh uh,” said Patrick.

“Kids, that’s enough sending each other to Hell,” muttered Father Souza.

Someone came running out of the Lions Club kitchen with a bottle of Mazola and poured it over the cart’s screaming axle, and that helped a little.

“Thank you, God,” said Patrick

“You’re going to—” began Brittany, and then all three little faces turned up to Father Souza, as to a referee.

“If he said ‘Thank you, God,’ as a prayer of thanks from his heart, then it wasn’t a sin,” said Father Souza patiently. “Brittany, don’t get so angry about—”

“Yaay!” said Patrick.

“But ray grandma says—”

“Kali, look, it’s Ms. Washburn,” exclaimed Patrick, pointing.

“Hi, Ms. Washburn,” said Kali, waving with her rosary.

Ms. Washburn, who taught second grade at Cornelia Harloe Elementary, was seated at an outdoor table in front of the Surf Coffee Shop. She was watching the parade with a cool and amused smile, sipping her coffee, but there was a frown line between her eyes.

“My grandma says she’s going to Hell too,” said Brittany, unexpectedly. Both Patrick and Kali turned to stare at her.

“She can’t be going to Hell,” said Kali, “we’re going to be in her class this year.”

“Didn’t you know? She’s an—” said Brittany, but then the band behind them struck up “Louie, Louie” and drowned out further conversation. Father Souza wondered what Ms. Washburn might be, to have gotten on old Mrs. Machado’s comprehensive list of the damned.

The parade turned the corner and wound its way up the long hill. At the highway intersection, two cops stopped traffic in installments as the parade came across to the vast parking lot of the church. Father Souza moved in front to lead the children through, watching the highway traffic with his pale, worried face.

Someone parked the ox and got it a bucket of water, as the rest of the parade filed into St. Catherine of Alexandria’s. The band members crowded upright in red and blue rows. There were so many of them they had to leave their instruments in the garden, in gleaming piles. The trains of the Queens were gathered up awkwardly, layered over the backs of pews. Elevating the Host, Father Souza looked out over the packed house and sighed. Today, he had a congregation. Next Sunday’s attendance would drop back to the usual single row of grandmothers and three families.

After Mass, Father Souza administered a general blessing, invoked St. Anthony, and said a few hopeful words about donations for the Earthquake Retrofitting Fund for St. Catherine’s School. Nobody pulled out their wallets, though.

The teenagers changed out of their band uniforms or Queen ensembles, grabbed surfboards, and raced back down the hill to the beach. Mothers and aunts collected the abandoned robes and packed them carefully away. The other adults and children went into St. Anthony’s carnival, which had been set up on the empty schoolground, and threw beanbags through holes or ping-pong balls into fish bowls. They won goldfish, black eyepatches, rolls of Smarties candy and tiny pink plastic cars.

* * *

School started a month later, though not at St. Catherine’s Elementary. No ABC cards were tacked up above the first grade blackboard. At Halloween there were no drawings of pumpkins; at Thanksgiving, no turkeys made from paper plates and construction paper, nor drawings of Indians and Pilgrims. The day on which Christmas vacation had begun came and went without hysteria, cheers or the janitor dressing up as Santa Claus. Mr. Espinoza had been dead for five years, anyway. Valentine’s Day approached, and there were no red construction paper hearts.

The rituals of life went on, or they didn’t; when they ceased, it was astonishing how quickly they were forgotten. St. Anthony still had his day, but for how many more years?

Father Souza sat in his office and looked out at the vacant school building, at the rows of empty windows. His gaze settled inevitably on the jagged cracks that had shot up through the old brickwork, like black lightning out of the earth, on the morning the earthquake had hit. He had long since learned to accept acts of God, but this one had rather surprised him.

Phantom children moved on the weedy playground, in the plaid woolen uniforms or salt-and-pepper corduroy of a generation past. A tetherball swung listlessly against its post, as the fog blew by.

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