"Can they hurry?"
"They are, sweetheart. The roads are bad."
"Okay."
"You keep your chin up, girl. And don't worry too much. Nick Colt is a resourceful young man. A real keeper, that boy. You hear me?"
I bite my lip.
"You hear me?" she asks again.
"Yep."
"Damn. I have another call. You sit tight, Zara."
What else am I suppose to do? "Yep."
Useless and sighing, I hang up the phone, stare at the dirty white thread I'd knotted around my finger.
My dad would tell me to calm down, that it was my overactive imagination making mountains out of molehills, or some other silly dad cliche.
I miss silly dad cliches.
"Everything will be fine," I tell the kitchen. A huge gust of wind slams against the house, howling. The lights flicker, turn off for about three seconds, and then come back on again.
The digital display on the microwave flashes the green neon time as 00:00, which seems appropriate. A tree branch scrapes across the window. I jump and grit my teeth.
That is it.
I am going to have to go back out there and look for Nick, but this time I am going to be prepared.
Watch out, potential psycho freaks, competent Zara is ready.
I haul open the door to the basement so I can grab some of Grandma Betty's old boots and a good winter parka, and maybe some wood in case the power goes out for good and I have to start a fire. In my crazed rush, I stub my toe on one of the trillion railroad ties that Betty's got stored down there, and then I slam on one boot, then another, and shove a hat on my head. I pound back up the stairs again, boots making me sound heavy and big against the pale wooden stairs. I bite my lip and put the parka on inside out. I have to reach inside and down to zip it up. The thread on my finger catches on the zipper and pulls a little, loosening it. It's starting to fray.
"I should not be worrying about a string," I announce to the house.
The house creaks with the wind, which probably means it agrees.
I haul up three logs and balance them in one arm against my side. Wood scrapes stick to the parka.
With my other hand I grab the flashlight just as the lights flicker again and go off.
With my luck it wouldn't be all that surprising if the batteries don't work, but the light clicks on with a powerful beam.
"Thanks, Betty," I whisper.
Grandma Betty is the type of prepared lady who would always have fresh batteries in her flashlight.
I stomp up the rest of the stairs and dump the wood on the kitchen counter. The air smells of mashed potatoes and something else, something raw and woodsy.
Fear shivers against my skin, like spiders crawling. Heart racing, I swing the flashlight around the kitchen, terrified of what I might find. The microwave's digital display doesn't flash anything now. It's dark and silent and dead.
I back up and open the silverware drawer, pulling out the biggest knife I can find, the one you cut big vegetables with. It has a large sharp silver blade and a black heavy handle.
A sound comes from the living room. My fingers tightens around the handle. Maybe it's just the dog.
Or maybe it isn't.
I slide my feet across the wood floor trying to make as little noise as possible, but it's hard in Gram's clodhopper boots. One hand clutches the knife, ready to stab. The other hand holds the flashlight, which is long and heavy and could probably be a good weapon.
Right?
One step forward, another, and then I swing the light around the room and right into the eyes of a large naked guy wrapped in a blanket.
Hormephobia fear of shock I scream. The flashlight bangs to the floor and rolls away, shutting itself off on impact.
"Zara?" His voice breaks through the darkness.
"Nick, Jesus. You scared the hell out of me," I say, kneeling down on the floor and trying to find the flashlight. I grab it and turn it back on, my heart beating a million times a minute. How can a heart stand it? "You're naked."
"Really, I couldn't tell," he jokes weakly.
"Why are you naked?"
I shine the light on his face, not the lower parts, I swear. He raises his arm to shield his eyes, so I lower the beam a little, hitting the smooth lines of his chest and abs. He has the blanket that I'd put on the dog draped around him toga style, so I can only see half of his very fine physique.
That is not the point.
He nods slowly as I stalk toward him. I stand below him and soften. The way his eyes shadow is pitiful.
"Are you cold?"
I reach out and touch him with the hand that still holds the knife.
"You're warm." My voice comes out frightened and I back up a step. I flash the light onto the doorknob.
I locked it. I know I locked it. "How did you get in here?"
"The door," he says.
I back up some more. "I locked the door."
He doesn't say anything. His tired brown eyes meet mine.
I Hash the light along the floorboards. It skitters and jumps.
"Where's the dog?" I demand.
He doesn't answer me.
"The dog," I repeat like he doesn't understand the first time. "There was a dog here. He's hurt. That blanket you're wearing, where did you get it? Did you steal it from the dog? Because that was really uncool. He's hurt."
He doesn't answer.
I whirl on him, flashlight zigzagging along with me. "Why are you naked?"
He lifts his eyebrows and walks to the white leather chair that sits beneath the front windows. He sinks into it, wincing. I soften a little, but only a little.
"Are you hurt?" I ask, clomping over.
"I'm okay."
His voice tells me this is a lie. I don't know what's going on, but I decide to pretend to trust him, try to draw whatever it is he's hiding out into the open.
"Nick, I'll stop being mad. I'm sorry," I say, placing the knife down on the floor, and the flashlight on the end table. I reach out toward him. "I was worried about you. Strange stuff happened. I went looking for you in the woods and some guy followed me."
He catches my hand in his. His grip crushes my fingers. "I told you to stay inside."
"I was worried about you," I say, trying to be patient. "And I was right to worry."
His hand loosens and suddenly feels nice around mine, and I bring it to my lips and kiss it, just once, like a peck my mom would give me when I didn't feel well. I don't care if he's naked, I'm glad he's safe and that I'm not alone.
"And there was this dog," I say, trying to sec what his reaction will be. "He was huge and someone shot him in the shoulder. Did you see him? Maybe he went up the stairs."
Nick shakes his head.
"I don't think so," he says slowly.
"Uh-huh. Okay. I'm not worried about the dog right now," I explain, taking my fingers out of his. "I'm worried about you.
"I'm fine. I'm healing already."
"Oh. Right. Healing from what?" I asked.
He looks away.
"You stay there," I say, pulling myself away. "I'm going to build a fire in the stove."
I start walking away and then think better of it. "Promise not to move."
He coughs. "I promise."
"Swear?"
"I swear." He laughs lightly like I'm amusing.
Grabbing the flashlight, I hustle back to the kitchen and bring in the logs. I crumple some newspaper in the big black Franklin stove, toss some kindling on, and find one of the long matches Betty keeps in an iron basket thing near the stove. Once the fire starts I put a log on. The flames light the center of the room with a soft, warm glow, but the edges are still dark and mysterious.
The burning wood smell seems comfortable and comforting, like everything is normal, like I didn't get chased by some crazy guy in the woods or pull an arrow out of a dog's shoulder or have a naked guy sitting on the chair.
"I can't believe you can build a fire," he says.
I wipe my hands on my pants. "I'm not completely hopeless, you know."
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