Jonathan Strahan - The Best Science Fiction & Fantasy of the Year Volume 5 An anthology of stories
Здесь есть возможность читать онлайн «Jonathan Strahan - The Best Science Fiction & Fantasy of the Year Volume 5 An anthology of stories» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Фэнтези, Фантастика и фэнтези, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.
- Название:The Best Science Fiction & Fantasy of the Year Volume 5 An anthology of stories
- Автор:
- Жанр:
- Год:неизвестен
- ISBN:нет данных
- Рейтинг книги:4 / 5. Голосов: 1
-
Избранное:Добавить в избранное
- Отзывы:
-
Ваша оценка:
- 80
- 1
- 2
- 3
- 4
- 5
The Best Science Fiction & Fantasy of the Year Volume 5 An anthology of stories: краткое содержание, описание и аннотация
Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «The Best Science Fiction & Fantasy of the Year Volume 5 An anthology of stories»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.
The Best Science Fiction & Fantasy of the Year Volume 5 An anthology of stories — читать онлайн бесплатно полную книгу (весь текст) целиком
Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «The Best Science Fiction & Fantasy of the Year Volume 5 An anthology of stories», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.
Интервал:
Закладка:
“It doesn’t exist.” Gennasius snapped out the words with a degree of passion the Precentor wouldn’t have believed him capable of. “It’s a legend. A fairy tale. There are some things that simply aren’t possible. Lorica’s one of them.”
There was a short, rather painful silence. Raw emotion, like raw chicken, upset elderly gentlemen of regular habits. Then the Preceptor said gently, “Ninety-nine out of a hundred human beings would say exactly the same thing about magic .” He allowed himself to dwell on the word, because Gennasius hated it so. “And of course, they would be right. There is no such thing as magic. Instead, there is a branch of natural philosophy of which we are adepts and the rest of the world is blissfully ignorant. Gentlemen, think about it, please. It may well not be Lorica. But if it is, if there’s the slightest chance it could be, we have to do something about it. Now .”
“I’m sorry,” the young man said. “I’ve never heard of it.”
The Precentor smiled. “Of course you haven’t.” He half-filled two of his notoriously small glasses with wine and handed one to the young man, who took it as if the stem was red-hot. “For one thing, it doesn’t exist.”
The young man looked at him unhappily. “Ah,” he said.
“At least,”the Precentor went on, “we believe it doesn’t exist. We hope like hell it doesn’t exist. If it does—” He produced a synthetic shudder of horror that actually became a real one.
The young man put his glass down carefully on the table. “Is it some kind of weapon?”
The Precentor couldn’t help smiling. “Quite the reverse,” he said. “That’s the whole point. Lorica’s completely harmless, you might say. It’s a defense.”
“Ah.”
“A total defense.” The Preceptor paused and watched. He’d chosen young Framea for his intelligence and perceptiveness. This could be a test for him.
He passed. “A total defense,” he said. “Against everything? All known forms?”
The Preceptor nodded slowly. “All known forms. And physical weapons too. And fire, water, death by suffocation and falling from a great height. Possibly some diseases too, we don’t know.”
“That would be—”Framea frowned, and the Preceptor imagined a great swelling cloud of implications filling the young man’s mind. He didn’t envy him that. “That could be bad,” he said.
“Extremely. An individual we couldn’t harm or kill; therefore outside our control. Even if he was a mediocre adept with limited power, knowledge of the basic offensive forms together with absolute invulnerability, it doesn’t bear thinking about. Even if his intentions were benign to begin with, the mere possession of such power would inevitably turn him into a monster. Hence,” he added gently, “our concern.”
“But I still don’t quite—” Framea looked at him, reminding him vaguely of a sheep. “If it doesn’t exist—”
“Ah.” The Preceptor held up a hand. “That’s the question, isn’t it? All we know is that it could exist. Blemmyes, a hundred and seventy years ago, proved that it could exist; his reasoning and his mathematics have been rigorously examined and found to be perfect. There is a potential for such a form. Of course, nobody has yet been able to produce it—”
“You mean people have tried?”
The Preceptor nodded slowly. “Unofficially, you might say, but yes. Well, you can imagine, the temptation would be irresistible. Some of the finest minds—But, thankfully, none of them succeeded. Several of them, indeed, wrote papers outlining their researches, basically arguing that if they couldn’t do it, nobody could—flawed logic, you’ll agree, but when you’re dealing with men of such exceptional vanity—”
“I think I see,” Framea interrupted. “Trained adepts have tried, using proper scientific method, and they’ve all failed. But an untrained—”
“Exactly.” The Preceptor was relieved; he’d been right about the boy after all. “An untrained might well succeed where an adept would fail, because the untrained often possess a degree of intuitive power that tends to atrophy during the course of formal education. An untrained might be able to do it, simply because he doesn’t know it’s impossible.”
Framea nodded eagerly. “And an untrained, by definition—”
“Quite. Unstable, probably mentally disturbed by the power inside him which he doesn’t understand or know how to control; if not already malignant by nature, he would rapidly become so. And with Lorica—Really, it doesn’t bear thinking about.”
Framea hadn’t been cold for as long as he could remember. It was always warm in the Studium; warm, unpleasantly warm or downright hot,depending on who’d been nagging the Magister ad Necessariis most recently. Old men feel the cold, and the adepts of the Studium didn’t have to worry about the cost of fuel.
He pulled his coat up round his ears and quickened his pace. He hadn’t been out in the dark for a long time, either. It didn’t frighten him (“an adept of the Studium fears nothing, because he has nothing to fear;” first term, first day, first lecture) but it made him feel uncomfortable. As did the task that lay ahead of him.
You will, of course, have to seduce a woman —
Well, fine. And the rest of the day’s your own. He winced as he recalled his reaction.
(“I see,” he’d said, after a moment of complete silence. “I don’t know how.”
“Oh, it’s quite straightforward. So I’m told.”
“Is there, um, a book I could—?”
“Several.”)
More than several, in fact; from Flaminian’s Art of Seduction , three hundred years old, eight thousand lines of impeccable hexametric verse, to Bonosius Brunellus’ On the Seduction of Women , three hundred pages with notes and appendices, entirely drawn from the works of earlier authors. The librarian had given him a not-you-as-well look when he’d asked for them, and they’d been no help at all. He’d asked Porphyrius, the only adept in the Studium who might possibly have had first-hand experience of such things, but he’d just laughed like a drain and walked away.
Lorica, he reminded himself.
The inn was, in fact, just another farmhouse, where the farmer’s wife sold beer and cider in her kitchen, and you could pay a half-turner and sleep in the hayloft; not the sort of inn where you could rely on finding a prostitute at any hour of the day or night. In fact, he doubted very much whether they had prostitutes out here in the sticks. Probably, it was one of those areas of activity like brewing or laundry; you only got specialist professionals in the towns. Still, it couldn’t hurt to ask.
“You what?” the woman demanded.
He repeated the question. It was unambiguous and politely phrased. The woman scowled at him and walked away.
He took his mug of beer, which he had no intention of drinking, and sat down in a corner of the room. Everybody had turned to look at him when he came in, and again when he asked the question, but they’d lost interest. He stretched out his legs under the table, closed his eyes and tried to think.
(“You will, of course, have to seduce a woman,” the Preceptor had said. “To use as a source.”
The second statement was infinitely more shocking than the first. “That’s illegal,” he said.
“Yes, well.”The Preceptor had frowned at him.“I hereby authorise you to use all means necessary. I suppose you’ll want that in writing.”
“Yes, please. Also,” he’d added, “I don’t know how.”)
He reached into his pocket and took out the book. It was only just light enough for reading, even with Bia Kai Kratos to enhance his eyesight. He wondered if anybody had ever read a book in this room before and decided no, almost certainly not. He tried to concentrate on the analysis of the necessary forms, which were difficult, abstruse and in some cases downright bizarre; not all that different from the exercises he’d read about in Flaminian and Brunellus, come to that. The thought that he was going to have to perform both the forms and the other stuff simultaneously made him feel quite ill.
Читать дальшеИнтервал:
Закладка:
Похожие книги на «The Best Science Fiction & Fantasy of the Year Volume 5 An anthology of stories»
Представляем Вашему вниманию похожие книги на «The Best Science Fiction & Fantasy of the Year Volume 5 An anthology of stories» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.
Обсуждение, отзывы о книге «The Best Science Fiction & Fantasy of the Year Volume 5 An anthology of stories» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.