Piers Anthony - On a Pale Horse

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When Zane shot Death, he learned, too late, that he would have to assume his place, speeding over the world riding his pale horse, and ending the lives of others. Sooner than he would have thought possible, Zane found himself being drawn to Satan's plot. Already the Prince of Evil was forging a trap in which Zane must act to destroy Luna, the woman he loved…unless he could discover the only way out….
The first novel of the INCARNATIONS OF IMMORTALITY series.

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"One time when I was visiting and she saw the nurses were away, she whispered to me the truth. She was hurting physically and mentally and emotionally, she felt degraded by all the paraphernalia, and she just wanted to die before she ran down her estate entirely with the medical bills, so I would have something to inherit. I didn't tell her that all the money was already gone and that the debt was mounting horrendously; even her life insurance would hardly cover it. She begged me to make them let her die so she could be in peace at last. She had come to hate life. She was in such misery and so urgent about it that I promised. Then she lapsed into more hallucinations — I think she was reliving something that happened a long time ago, in her childhood — and talked of picking flowers and getting stung by a bee — and I had to go. I knew the doctors would never let her die in peace; it was part of their code to make a patient suffer as long as humanly possible. So I bought a penny curse — it was all I could afford — and set it on the heart machine where it wouldn't be seen and left. Two hours later I had the call: she was dead because of equipment failure.

"The hospital thought it was at fault and offered to settle out of court, and I let them think that, because it eased the medical bill considerably. But I knew I had killed my mother and that my soul was damned. I tried to pay off the remaining bill by gambling, hoping to multiply the money I was supposed to use for those debts, but I lost it all and tried to steal from my employer to gamble into enough to square everything, but I was caught, so I lost my job and had still more sin on my soul and debts on my account. I skipped town, went to Kilvarough, set up a new identity, and sort of scraped along for several years with my guilt and grief, still hoping for some source of money to square things, hoping maybe to marry money, until this other business — "

He stopped. "I think I've said too much."

Luna was watching him intently. "That Truthstone never flickered."

"Why should it?" Zane asked, glancing at the gem in his hand. "This is the gutter of my life. I have had nightmares about it, until the dreams become more real than reality, and I try to wash off the blood on my arm or to blind myself so I can no longer see my mother's face as she died."

"But you weren't there when she died!"

"In my dreams I was there." Zane rubbed his arm, feeling the blood again, the horrible dream-blood.

"Your mother — it was a mercy killing."

"Killing is a sin. I know that now; I knew it then. All else is rationalization."

"That's not the way you were judging me a moment ago."

"Why should I judge you? I hardly know you."

Luna set down her stones, then took his stones and put them away. "I think you have earned the privilege of making my acquaintance, Zane. Come this way."

She showed him into what appeared to be an artist's studio. There were a number of professional paintings and several half-finished ones on easels. The subjects were ordinary people, places, and things — but the treatment was extraordinary. Each outline was fuzzed by a faint wash of color, as if each person stood within his own private fog. "What do you make of this?" Luna asked.

Zane felt a growing excitement as he gazed at the paintings. "These are yours?"

"My father wanted me to be an artist," she said. "Now I know why he brought me to you!" Again she cocked her head, prettily. "Why?"

"He surely knew my interest! You said he must have researched me and known a lot about me. And he arranged to die, at half-and-half, when I was Death. He could have lived longer if he had wanted to, couldn't he?"

"Yes," she agreed. "He told me the timing was important, but he wouldn't say why."

"To summon me, not the prior Death! Because I have artistic aspirations. I am an aural photographer — or was, or tried to be, before I became Death. I really didn't have the proper equipment. That's why I needed money right then — but that's another dull story."

"You recognize my theme?" she asked, brightening.

"Of course I recognize it! I've been photographing auras all my life! Most people can't see them, but I can, with my equipment, and now I know you can. Your paintings are beautiful! I never was able to get the full effect on film. When I tried to sell my pictures, the best offers I got were from the porn publishers, because my technique fuzzed out the clothing of women, but that wasn't the point at all."

"Not the point at all," she concurred. "But this still doesn't add up. If my father knew about you, he could have invited you to visit, or simply conjured you here, and dosed you with a spell of amnesia if not satisfied. He hardly needed to die."

Zane's revelation collapsed. "That's right! But he must have had some reason."

"He must have," she agreed soberly. "He was a most intelligent and sensible man. There is obviously more here than we know."

"You — you said you have gone into black magic. Could you find out?"

Luna considered. "I have learned to use many of the stones my father crafted. Some do enable the user to ascertain the motives of others. But black magic is the power of Satan, and Satan knows when any of it is used. I don't want his baleful eye on me unless there is no other way."

"Don't you have any white-magic stones?"

"The beatific eye of God is on white magic. I'm not sure I want that gaze either. Not when I'm investigating my father, whose Eternal fate remains uncertain."

"What's the difference, really? Isn't magic the same, whether it's black or white?"

"The power is the same, but the aspect differs. Magic is like magnetism, with a white pole and a black pole. If you orient on the white pole, you are aligning with God; the black pole draws you to Satan."

"Then why doesn't everyone stick to white magic?"

"Only good people can do that. Evil people relate more to the black pole. It's — this is not exact, of course, as the science of magic is as complex as the magic of electronics — it's like traveling past a mountain. The white pole is at the apex, and it is an exhilarating height, but it takes a lot of work and few missteps to ascend to it. The black pole is at the nadir, and it is easy to walk downhill; sometimes you can just sit down and slide or roll and, if you fall, you can get there very fast indeed. If you don't pay attention to where you're going, you'll tend to go down, because it is the course of least resistance. Since the average person has only the vaguest notion where he is going and tends to shut out awareness of the consequence of evil, he inevitably drifts downward. There is much more space at the base of the mountain than at the peak! Even those of us who know the situation can find ourselves in difficulty, as you did when you had to use bad means to do something good for your mother. When I became evil, white magic lost its effectiveness, while black magic became proportionately stronger. Remember the magnetic poles: the closer you get to one, the more strongly it attracts. So it is much harder for an evil person to become good than for a good person to stay good. Now I can accomplish much more through the black."

"But if black magic draws you to Satan — "

"Precisely. Evil facilitates evil, accelerating the slide. I don't dare use any more black magic, if I want to achieve eventual salvation. I'm almost too deep already."

"So you can't use magic to find out what your father really wanted."

"I already know that — to introduce the two of us to each other. I don't know why."

Zane nodded agreement. "It's a puzzle. Let's meet again; maybe we can figure it out."

She smiled. "Yes. I think we understand each other better now. We have plumbed the depths of each other's evil and not been repelled."

How true that was! Zane had told no one before of his guilty secret of murder and he was sure Luna had not let any other person know hers. As it had turned out, there was a certain similarity in those secrets, for each of them had descended into evil in order to help a respected parent. No, there would not be condemnation from either. That, and the aural art, showed affinity between them. Still, it did not seem to warrant the extraordinary measure the Magician had taken in sacrificing his own life.

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