Люциус Шепард - The Best of Lucius Shepard

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The Best of Lucius Shepard: краткое содержание, описание и аннотация

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Lucius Shepard writes from the darkest, truest heart of America—not the heart of the United States or of North America, but all of America—and he writes of it with rare passion, honesty and intelligence. His earliest stories, the ones that made his name a quarter of a century ago were set in the jungles of South America and filled with creatures dark and fantastical. Stories like “Salvador”, “The Jaguar Hunter”, and the excoriatingly brilliant “R&R” deconstructed war and peace in South America, in both the past and the future, like no other writer of the fantastic.
A writer of great talent and equally great scope, Shepard has also written of the seamier side of the United States at home in classic stories like “Life of Buddha” and “Dead Money”, and in “Only Partly Here” has written one of the finest post-9/11 stories yet. Perhaps strangest of all, Shepard created one of the greatest sequence of “dragon” stories we’ve seen in the tales featuring the enormous dragon, Griaule.
The Best of Lucius Shepard is the first ever career retrospective collection from one of the finest writers of the fantastic to emerge in the United States over the past quarter century. It contains nearly 300,000 words of his best short fiction and is destined to be recognized as a true classic of the field. From Publishers Weekly

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Shouts behind me. I turned and saw Fierman, Tuu, Witcover, and various of the gooks standing at the edge of the village. Tuu beckoned to me, and I wanted to comply, to run, but I wasn’t sure I had the strength. And, too, I didn’t think Stoner would let me. His power surged around me, a cold windy voltage that whipped my clothes and set static charges crackling in my hair. “Turn it off!” I shouted, pointing at the tin-roofed building. They shook their heads, shouting in return, “…can’t,” I heard, and something about “…feedback.”

Then Stoner spoke. “Puleo,” he said. His voice wasn’t loud, but it was all-encompassing. I seemed to be inside it, balanced on a tongue of red dirt, within a throat of sky and jungle and yellow stone. I turned back to him. Looked into his eyes…fell into them, into a world of cold brilliance where a thousand fiery forms were materialized and dispersed every second, forms both of such beauty and hideousness that their effect on me, their beholder, was identical, a confusion of terror and exaltation. Whatever they were, the forms of Stoner’s spirit, his potentials, or even of his thoughts, they were in their momentary life more vital and consequential than I could ever hope to be. Compelled by them, I walked over to him. I must have been afraid—I could feel wetness on my thighs and realized that my bladder had emptied—but he so dominated me that I knew only the need to obey. He did not stand, yet with each expansion his image would loom up before my eyes and I would stare into that dead face seamed by rivulets of molten diamond, its expression losing coherence, features splitting apart. Then he would shrink, leaving me gazing dumbly down at the top of his helmet. Dust stung my eyelids, my cheeks.

“What—” I began, intending to ask what he wanted; but before I could finish, he seized my wrist. Ice flowed up my arm, shocking my heart, and I heard myself…not screaming. No, this was the sound life makes leaving the body, like the squealing of gas released from a balloon that’s half pinched shut.

Within seconds, drained of strength, I slumped to the ground, my vision reduced to a darkening fog. If he had maintained his hold much longer, I’m sure I would have died…and I was resigned to the idea. I had no weapon with which to fight him. But then I realized that the cold had receded from my limbs. Dazed, I looked around, and when I spotted him, I tried to stand, to run. Neither my arms nor legs would support me, and—desperate—I flopped on the red dirt, trying to crawl to safety; but after that initial burst of panic, the gland that governed my reactions must have overloaded, because I stopped crawling, rolled onto my back and stayed put, feeling stunned, weak, transfixed by what I saw. Yet not in the least afraid.

Stoner’s inner man, now twice human-size, had broken free and was standing at the center of the village, some twenty feet off a bipedal silhouette through which it seemed you could look forever into a dimension of fire and crystal, like a hole burned in the fabric of the world. His movements were slow, tentative, as if he hadn’t quite adapted to his new form, and penetrating him, arcing through the air from the tin-roofed building, their substance flowing toward him, were what appeared to be thousands of translucent wires, the structures of the fields. As I watched, they began to glow with Stoner’s blue-white-diamond color, their substance to reverse its flow and pour back toward the building, and to emit a bass hum. Dents popped in the tin roof, the walls bulged inward, and with a grinding noise, a narrow fissure forked open in the earth beside it. The glowing wires grew brighter and brighter, and the building started to crumple, never collapsing, but—as if giant hands were pushing at it from every direction—compacting with terrible slowness until it had been squashed to perhaps a quarter of its original height. The hum died away. A fire broke out in the wreckage, pale flames leaping high and winnowing into black smoke.

Somebody clutched my shoulder, hands hauled me to my feet. It was Tuu and one of his soldiers. Their faces were knitted by lines of concern, and that concern rekindled my fear. I clawed at them, full of gratitude, and let them hustle me away. We took our places among the other observers, the smoking building at our backs, all gazing at the yellow houses and the burning giant in their midst.

The air around Stoner had become murky, turbulent, and this turbulence spread to obscure the center of the village. He stood unmoving, while small dust devils kicked up at his heels and went zipping about like a god’s zany pets. One of the houses caved in with a whump, and pieces of yellow concrete began to lift from the ruins, to float toward Stoner; drawing near him, they acquired some of his brightness, glowing in their own right, and then vanished into the turbulence. Another house imploded, and the same process was initiated. The fact that all this was happening in dead silence—except for the caving in of the houses—made it seem even more eerie and menacing than if there had been sound.

The turbulence eddied faster and faster, thickening, and at last a strange vista faded in from the dark air, taking its place the way the picture melts up from the screen of an old television set. Four or five minutes must have passed before it became completely clear, and then it seemed sharper and more in focus than did the jungle and the houses, more even than the blazing figure who had summoned it: an acre-sized patch of hell or heaven or something in between, shining through the dilapidated structures and shabby colors of the ordinary, paling them. Beyond Stoner lay a vast forested plain dotted with fires…or maybe they weren’t fires but some less chaotic form of energy, for though they gave off smoke, the flames maintained rigorous stylized shapes, showing like red fountains and poinsettias and other shapes yet against the poisonous green of the trees. Smoke hung like a gray pall over the plain and now and again beams of radiance—all so complexly figured, they appeared to be pillars of crystal—would shoot up from the forest into the grayness and resolve into a burst of light; and at the far limit of the plain, beyond a string of ragged hills, the dark sky would intermittently flash reddish orange as if great batteries of artillery were homing in upon some target there.

I had thought that Stoner would set forth at once into this other world, but instead he backed a step away and I felt despair for him, fear that he wouldn’t seize his opportunity to escape. It may seem odd that I still thought of him as Stoner, and it may be that prior to that moment I had forgotten his human past; but now, sensing his trepidation, I understood that what enlivened this awesome figure was some scrap of soul belonging to the man-child I once had known. Silently, I urged him on. Yet he continued to hesitate.

It wasn’t until someone tried to pull me back that I realized I was moving toward Stoner. I shook off whoever it was, walked to the edge of the village, and called Stoner’s name. I didn’t really expect him to acknowledge me, and I’m not clear as to what my motivations were: maybe it was just that since I had come this far with him I didn’t want my efforts wasted. But I think it was something more, some old loyalty resurrected, one I had denied while he was alive.

“Get outta here!” I shouted. “Go on! Get out!”

He turned that blind, fiery face toward me and despite its featurelessness, I could read therein the record of his solitude, his fears concerning its resolution. It was, I knew, a final sending. I sensed again his emptiness, but it wasn’t so harrowing and hopeless as before; in it there was a measure of determination, of purpose, and, too, a kind of…I’m tempted to say gratitude, but in truth it was more a simple acknowledgment, like the wave of a hand given by one workman to another after the completion of a difficult task.

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