Люциус Шепард - The Best of Lucius Shepard

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The Best of Lucius Shepard: краткое содержание, описание и аннотация

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Lucius Shepard writes from the darkest, truest heart of America—not the heart of the United States or of North America, but all of America—and he writes of it with rare passion, honesty and intelligence. His earliest stories, the ones that made his name a quarter of a century ago were set in the jungles of South America and filled with creatures dark and fantastical. Stories like “Salvador”, “The Jaguar Hunter”, and the excoriatingly brilliant “R&R” deconstructed war and peace in South America, in both the past and the future, like no other writer of the fantastic.
A writer of great talent and equally great scope, Shepard has also written of the seamier side of the United States at home in classic stories like “Life of Buddha” and “Dead Money”, and in “Only Partly Here” has written one of the finest post-9/11 stories yet. Perhaps strangest of all, Shepard created one of the greatest sequence of “dragon” stories we’ve seen in the tales featuring the enormous dragon, Griaule.
The Best of Lucius Shepard is the first ever career retrospective collection from one of the finest writers of the fantastic to emerge in the United States over the past quarter century. It contains nearly 300,000 words of his best short fiction and is destined to be recognized as a true classic of the field. From Publishers Weekly

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“Hey, check that out!” Gilbey slid onto an adjoining stool and jerked his thumb toward a whore at the end of the bar. Her skirt was hiked to mid-thigh, and her breasts, judging by their fullness and lack of sag, were likely the product of elective surgery.

“Nice,” said Mingolla, disinterested. The bartender set a bottle of beer in front of him, and he had a swig; it tasted sour, watery, like a distillation of the stale air.

Baylor slumped onto the stool next to Gilbey and buried his face in his hands. Gilbey said something to him that Mingolla didn’t catch, and Baylor lifted his hand. “I ain’t going back,” he said.

“Aw, Jesus!” said Gilbey. “Don’t start that crap.”

In the half-dark Baylor’s eye sockets were clotted with shadows. His stare locked onto Mingolla. “They’ll get us next time,” he said. “We should head downriver. They got boats in Livingston that’ll take you to Panama.”

“Panama!” sneered Gilbey. “Nothin’ there ’cept more beaners.”

“We’ll be okay at the Farm,” offered Mingolla. “Things get too heavy, they’ll pull us back.”

“Too heavy?” A vein throbbed in Baylor’s temple. “What the fuck you call ‘too heavy?’ “

“Screw this!” Gilbey heaved up from his stool. “You deal with him, man,” he said to Mingolla; he gestured at the big-breasted whore. “I’m gonna climb Mount Silicon.”

“Nine o’clock,” said Mingolla. “The PX. Okay?”

Gilbey said, “Yeah,” and moved off. Baylor took over his stool and leaned close to Mingolla. “You know I’m right,” he said in an urgent whisper. “They almost got us this time.”

“Air Cav’ll handle ’em,” said Mingolla, affecting nonchalance. He opened the box of stationery and undipped a pen from his shirt pocket.

“You know I’m right,” Baylor repeated.

Mingolla tapped the pen against his lips, pretending to be distracted.

“Air Cav!” said Baylor with a despairing laugh. “Air Cav ain’t gonna do squat!”

“Why don’t you put on some decent tunes?” Mingolla suggested. “See if they got any Prowler on the box.”

“Dammit!” Baylor grabbed his wrist. “Don’t you understand, man? This shit ain’t workin’ no more!”

Mingolla shook him off. “Maybe you need some change,” he said coldly; he dug out a handful of coins and tossed them on the counter. “There! There’s some change.”

“I’m telling you…”

“I don’t wanna hear it!” snapped Mingolla.

“You don’t wanna hear it?” said Baylor, incredulous. He was on the verge of losing control. His dark face slick with sweat, one eyelid fluttering. He pounded the countertop for emphasis. “Man, you better hear it! ‘Cause we don’t pull somethin’ together soon, real soon, we’re gonna die! You hear that, don’tcha?”

Mingolla caught him by the shirtfront. “Shut up!”

“I ain’t shuttin’ up!” Baylor shrilled. “You and Gilbey, man, you think you can save your ass by stickin’ your head in the sand. But I’m gonna make you listen.” He threw back his head, his voice rose to a shout. “We’re gonna die!”

The way he shouted it—almost gleefully, like a kid yelling a dirty word to spite his parents—pissed Mingolla off. He was sick of Baylor’s scenes. Without planning it, he punched him, pulling the punch at the last instant. Kept a hold of his shirt and clipped him on the jaw, just enough to rock back his head. Baylor blinked at him, stunned, his mouth open. Blood seeped from his gums. At the opposite end of the counter, the bartender was leaning beside a choirlike arrangement of liquor bottles, watching Mingolla and Baylor, and some of the soldiers were watching, too: they looked pleased, as if they had been hoping for a spot of violence to liven things up. Mingolla felt debased by their attentiveness, ashamed of his bullying. “Hey, I’m sorry, man,” he said. “I…”

“I don’t give a shit ’bout you’re sorry,” said Baylor, rubbing his mouth. “Don’t give a shit ’bout nothin’ ’cept gettin’ the hell outta here.”

“Leave it alone, all right?”

But Baylor wouldn’t leave it alone. He continued to argue, adopting the long-suffering tone of someone carrying on bravely in the face of great injustice. Mingolla tried to ignore him by studying the label on his beer bottle: a red and black graphic portraying a Guatemalan soldier, his rifle upheld in victory. It was an attractive design, putting him in mind of the poster work he had done before being drafted; but considering the unreliability of Guatemalan troops, the heroic pose was a joke. He gouged a trench through the center of the label with his thumbnail.

At last Baylor gave it up and sat staring down at the warped veneer of the counter. Mingolla let him sit a minute; then, without shifting his gaze from the bottle, he said, “Why don’t you put on some decent tunes?”

Baylor tucked his chin onto his chest, maintaining a stubborn silence.

“It’s your only option, man,” Mingolla went on. “What else you gonna do?”

“You’re crazy,” said Baylor; he flicked his eyes toward Mingolla and hissed it like a curse. “Crazy!”

“You gonna take off for Panama by yourself? Uh-unh. You know the three of us got something going. We come this far together, and if you just hang tough, we’ll go home together.”

“I don’t know,” said Baylor. “I don’t know anymore.”

“Look at it this way,” said Mingolla. “Maybe we’re all three of us right. Maybe Panama is the answer, but the time just isn’t ripe. If that’s true, me and Gilbey will see it sooner or later.”

With a heavy sigh, Baylor got to his feet. “You ain’t never gonna see it, man,” he said dejectedly.

Mingolla had a swallow of beer. “Check if they got any Prowler on the box. I could relate to some Prowler.”

Baylor stood for a moment, indecisive. He started for the jukebox, then veered toward the door. Mingolla tensed, preparing to run after him. But Baylor stopped and walked back over to the bar. Lines of strain were etched deep in his forehead. “Okay,” he said, a catch in his voice. “Okay. What time tomorrow? Nine o’clock?”

“Right,” said Mingolla, turning away. “The PX.”

Out of the corner of his eye he saw Baylor cross the room and bend over the jukebox to inspect the selections. He felt relieved. This was the way all their r&r had begun, with Gilbey chasing a whore and Baylor feeding the jukebox, while he wrote a letter home. On their first r&r he had written his parents about the war and its bizarre forms of attrition; then, realizing that the letter would alarm his mother, he had torn it up and written another, saying merely that he was fine. He would tear this letter up as well, but he wondered how his father would react if he were to read it. Most likely with anger. His father was a firm believer in God and country, and though Mingolla understood the futility of adhering to any moral code in light of the insanity around him, he had found that something of his father’s tenets had been ingrained in him: he would never be able to desert as Baylor kept insisting. He knew it wasn’t that simple, that other factors, too, were responsible for his devotion to duty; but since his father would have been happy to accept the responsibility, Mingolla tended to blame it on him. He tried to picture what his parents were doing at that moment—father watching the Mets on TV, mother puttering in the garden—and then, holding those images in mind, he began to write.

“Dear Mom and Dad,

In your last letter you asked if I thought we were winning the war. Down here you’d get a lot of blank stares in response to that question, because most people have a perspective on the war to which the overall result isn’t relevant. Like there’s a guy I know who has this rap about how the war is a magical operation of immense proportions, how the movements of the planes and troops are inscribing a mystical sign on the surface of reality, and to survive you have to figure out your location within the design and move accordingly. I’m sure that sounds crazy to you, but down here everyone’s crazy the same way (some shrink’s actually done a study on the incidence of superstition among the occupation forces). They’re looking for a magic that will ensure their survival. You may find it hard to believe that I subscribe to this sort of thing, but I do. I carve my initials on the shell casings, wear parrot feathers inside my helmet… and a lot more.

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