Люциус Шепард - The Best of Lucius Shepard

Like advance men for pharaoh, Billy Pitch’s retinue arrived before him. Security people, chef, barber, bed fluffer, and various other functionaries filtered into the compound over the next day and a half. A seaplane brought in Billy the following morning and, after freshening up, accompanied by an enormous bodyguard with the coarse features of an acromegalic giant, he swept into the foyer of the main wing, the most grotesquely decorated room of all, dominated by a fountain transplanted from nineteenth century Italy, with floors covered by pink and purple linoleum and vinyl furniture to match. It had been over a year since I had seen Billy in the flesh, but I had known him for almost a decade and he had always seemed ageless in a measly, unprepossessing way—I was thus pleased to note a pair of bifocals hanging about his neck and that his fringe of hair was turning gray. He wore a garish cabana set that left his bony knees and skinny forearms bare. The outfit looked ridiculous, but amplified his air of insectile menace. He directed a cursory glance toward Pellerin, sitting on a plum-colored sofa, but his gaze lingered on Jo, who stood behind him.

“My, my! Aren’t you the sweet thing?” Billy wagged a forefinger at her. “Who’s she remind me of, Clayton?”

The bodyguard, a mighty android in a blue silk T-shirt and white linen jacket, rumbled that he couldn’t say, but she did look familiar.

“It’ll come to me.” He tipped his head pertly to one side and said to me, “Let’s talk.”

He led me into a room containing a functional modern desk and chairs and one of the ubiquitous flat screens, where I delivered my report. When I had done, he said, “Good job. Very good job.” He drummed his fingers on the desk. “Do you believe her? You think that boy is a miracle worker? Or you think maybe that girl in there’s gone crazy?”

“It sounds crazy,” I said. “But everything I’ve seen so far backs her up.”

He nodded like he wasn’t so much agreeing with me, but rather was mulling something over. “Let me show you a piece of tape I landed. Part of the Ezawa project at Tulane. The sound’s no good, but the picture speaks volumes.”

He switched on the TV and the tape began to play. The original of the tape had been a piece of film. It had an old-fashioned countdown—10, 9, 8, etc.—and then the tape went white, flickered, and settled into a grainy color shot of an orderly removing electrodes from the chest of man wearing a hospital gown. He appeared to be semi-conscious and was sitting in a wheelchair. Rail-thin, with scraggly dark hair and rawboned hillbilly face. A woman in a nurse’s uniform came into view, her back to the camera, and there was a blurt of sound. The legend “Tucker Mayhew” was briefly superimposed over the picture. Another blurt of sound, the woman speaking to the orderly, who left the room. Then the woman moved behind the wheelchair and I saw it was a younger, less buxom Jo, her make-up so liberally applied as to seem almost grotesque.

Billy asked why the heavy make-up and I replied, “She said they don’t see very well at first. Must be to help with that.”

Jo began to touch the man’s shoulders and neck. Initially he was unresponsive, but soon the touches came to act like shocks on him, though he was still out of it. He twitched and stiffened as if being jabbed with needles. His eyelids fluttered open and his eyes showed green flashes, already brighter than Pellerin’s.

“The part where she’s touching him went on longer,” Billy said. “I had it edited down.”

The man’s eyes opened. Jo left off touching him and moved away. He gaped, glanced around, his face a parody of loss. Jo spoke to him and he located her again. The change in his expression, from woebegone to gratified, was so abrupt as to be laughable. The sound came and went in spurts, and what I could hear was garbled, but I caught enough to know she was teasing out his life story, one he was inventing in order to please her, one that fit the absence in his mind. His eyes tracked her as she performed movements that in their grace and ritual elegance reminded me of Balinese dancers, yet had something as well of the blatant sexuality of bartop strippers you see in clubs on the edge of the Quarter. She passed behind the wheelchair and again touched him on the back of the neck.

Billy paused the tape. “There. Look at that.”

The man had his head back and mouth open, searching for Jo, and she was about to touch him again, her long fingers extended toward the nape of his neck. Her smile was, I thought, unreadable, yet the longer I stared at it, the more self-satisfied it seemed. The image trembled slightly.

“Anybody doing that job is going to look bad from time to time.” I said.

“But that’s the job she does, honey,” Billy said. “You can’t get around that.” He unpaused the tape and muted the sound. “Know what it puts me in mind of ? Those women who marry men on death row. It’s all about being in control for them. They control the visits, letters… everything. They don’t have to have sex, yet they have all the emotional content of a real relationship and none of the fuss. And it’s got a built-in expiration date. It’s a hell of a deal, really. Of course our Miz Verret, she took it farther than most.”

A jump in the film, another edit. The man’s eyes blazed a fiery green that appeared to overflow his sockets. His coordination had improved, he made coherent gestures and talked non-stop. He struggled to stand and nearly succeeded. Then, after making an obviously impassioned statement, he fell back, dead for the second time. Jo stood beside the body for almost a minute before closing his eyes. A faint radiance shone through the lids. An orderly removed the body as Jo made notes on a clipboard. The screen whited out and another countdown started. Billy switched off the TV.

“Forty-seven minutes,” he said. “Scratch one zombie. You got to be careful around that girl.”

“Billy, I was…”

“I know. You were trying to get a little. But I’d hate to see you screw this up over a piece of ass.” His voice acquired a pinched nastiness. “Especially since the bitch is such a freak!” He peered at me over the top of his glasses, as if assessing the impact of his words. He sighed. “Let’s go have a chat with them, shall we?”

We went back into the living room. Clayton and the other bodyguard stood at ease. Billy took a chair opposite the sofa where Pellerin was sitting and I hovered at his shoulder. Behind Pellerin, Jo tried to make eye contact with me, but I pretended not to notice.

“Mister Pellerin,” said Billy. “I have a question for you.”

Pellerin looked at me and said, “This dab of cream cheese is the badass you warned us about?”

“Clayton?” said Billy. “Would you mind?”

Two strides carried Clayton to the sofa. He backhanded Pellerin viciously, knocking his sunglasses off. Jo shrieked and Clayton stood poised to deliver another blow.

“In the stomach,” Billy said.

Clayton drove his fist into Pellerin’s belly, and Billy signaled him to step back. Jo hurried around the couch to minister to Pellerin, who was trying to breathe, bleeding from a cut on his cheek.

“I’m not a very good businessman,” said Billy sadly. “I let things get personal. I miss out on a lot of opportunities that way, but I’ve learned if you can’t have fun with an enterprise, it’s best to cut your losses. Do you need a moment, Mister Pellerin?”

“You could have killed him!” Jo said, glancing up from Pellerin.

“Precisely.” Billy church-and-steepled his fingers. “Your boy there’s a valuable commodity, yet because of my intemperate nature I might have done the unthinkable. Do we understand each other? Mister Pellerin?”