Люциус Шепард - The Best of Lucius Shepard

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The Best of Lucius Shepard: краткое содержание, описание и аннотация

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Lucius Shepard writes from the darkest, truest heart of America—not the heart of the United States or of North America, but all of America—and he writes of it with rare passion, honesty and intelligence. His earliest stories, the ones that made his name a quarter of a century ago were set in the jungles of South America and filled with creatures dark and fantastical. Stories like “Salvador”, “The Jaguar Hunter”, and the excoriatingly brilliant “R&R” deconstructed war and peace in South America, in both the past and the future, like no other writer of the fantastic.
A writer of great talent and equally great scope, Shepard has also written of the seamier side of the United States at home in classic stories like “Life of Buddha” and “Dead Money”, and in “Only Partly Here” has written one of the finest post-9/11 stories yet. Perhaps strangest of all, Shepard created one of the greatest sequence of “dragon” stories we’ve seen in the tales featuring the enormous dragon, Griaule.
The Best of Lucius Shepard is the first ever career retrospective collection from one of the finest writers of the fantastic to emerge in the United States over the past quarter century. It contains nearly 300,000 words of his best short fiction and is destined to be recognized as a true classic of the field. From Publishers Weekly

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* * *

I spent the remainder of the day and half the night staring at the discolorations on the wall opposite my bunk—they had never come in fully, never developed into a complicated abstraction as had the walls of my fellow prisoners, possibly because the walls upon which I expended most of my energy were the ones in the anteroom of the new wing. Yet during those hours I saw in their sparse scatter intimations of the scriptlike fungus inscribed upon the walls of the chamber at the heart of the law, indecipherable to me now as Arabic or Mandarin, tantalizingly inscrutable—I suspected they were the regulations by which we lived and contemplating them soothed me. I could not avoid recalling the chamber and the man suspended therein, but my thoughts concerning these things were speculative, funded by neither fear nor regret. If it had been Quires, one hundred and sixty years old and more, tortured for half that span, this lent credence to Causey’s assertion that Czerny, LeGary, Ashford, and Holmes were the original board of Diamond Bar who had been photographed with the warden in 1917… and what did that say about the potentials of the prison? Time and again I returned to the truths I had sensed as Quires cried out from his chains, the dualities of punishment and sacrifice he seemed to incorporate. It was as if he were a battery through which the animating principle of the place was channeled. This was a simplistic analogy, yet when coupled with the image of a Christlike figure in torment, simplicity took on mythic potency and was difficult to deny. Now that I had proved myself unequal to traditional freedom, I was tempted to believe in the promised freedom of the new wing, in all the tenuous promise of Diamond Bar. The illusion of freedom, I realized, was the harshest of prisons, the most difficult to escape. Ristelli, Causey, Czerny, and Bianca had each in their way attempted to lead me to this knowledge, to demonstrate that only in a place like Diamond Bar, where walls kept that illusion at bay, was the road to freedom discernable. I had been a fool to disregard them.

Near midnight, a skinny, towheaded man stopped in front of my cell door and blew cigarette smoke through the bars from his shadowed mouth. I did not know him, but his arrogance and deferential attitude made me suspect he was a familiar of the board. “You’re wanted at the annex gate, Penhaligon,” he said, and blew another stream of smoke toward me. He looked off along the corridor, and in the half-light I saw the slant of a cheekbone, skin pitted with old acne scars.

In no mood to be disturbed, I asked, “What for?”

“Man’s being transferred. Guess they need a witness.”

I could not imagine why a transfer would require witnesses, and I felt the creep of paranoia; but I did not think the board would resort to trickery in the exercise of their power, and, reluctantly, I let the man escort me down through the annex.

The gate was open, and gathered by the entranceway, in partial silhouette against the moonstruck river, was a group of men, ten or twelve in all, consisting of the board and their spokesmen. Their silence unsettled me, and once again I grew paranoid, thinking that I was to be transferred; but then I spotted Colangelo off to one side, hemmed in against the wall by several men. His head twitched anxiously this way and that. The air was cool, but he was perspiring. He glanced at me, betraying no reaction—either he did not register me or else he had concluded that I was only a minor functionary of his troubles.

Czerny, along with LeGary, Ashford, and Holmes, was positioned to the left of the entrance. As I waited for whatever ritual was to occur, still uncertain why I had been invited, he came a tottering step toward me, eyes down, hands fingering his belt, and addressed me in his usual muttering cadence. I did not understand a single word, but the towheaded man, who was sticking to my elbow, said in a snide tone, “You been a bad boy, Penhaligon. That’s what the man’s telling you. You seen things few men have seen. Maybe you needed to see them, but you weren’t prepared.”

The towheaded man paused and Czerny spoke again. I could find nothing in his face to support the sternness of his previous words—he seemed to be babbling brokenly, as if speaking to a memory, giving voice to an imaginary dialog, and thinking this, I wondered if that was what we were to him, memories and creatures of the imagination: if he had gone so far along the path to freedom that even those who lived in Diamond Bar had come to be no more than shadows in his mind.

“This is the edge of the pit,” the towheaded man said when Czerny had finished. “The one you saw below is only its metaphor. Here you were closest to peril. That’s why we have summoned you, so you can watch and understand.”

Another spate of muttering and then the towheaded man said, “This is your final instruction, Penhaligon. There are no further lessons to be learned. From now on we will not protect you.”

Czerny turned away, the audience ended, but angered by his claim that the board had protected me—I had no memory of being protected when I fought with Colangelo—and emboldened by the certainty that I was not to be transferred, I said to him, “If the pit I saw below was a metaphor, tell me where Causey is.”

The old man did not turn back, but muttered something the towheaded man did not have to translate, for I heard the words clearly.

“If you are fortunate,” Czerny said, “you will meet him again in the new wing.”

The towheaded man nudged me forward to stand by Czerny and the rest of the board, inches away from the line demarking the limits of the prison and the beginning of the world, a dirt path leading downward among boulders to the river flashing along its course. I have said the river was moonstruck, yet that scarcely describes the brightness of the landscape. The light was so strong even the smallest objects cast a shadow, and though the shadows beneath the boughs quivered in a fitful wind, they looked solid and deep. The dense firs and the overhang of the entrance prevented me from seeing the moon, but it must have been enormous—I pictured a blazing silvery face peering down from directly above the river, pocked by craters that sketched the liver spots and crumpled features of a demented old man. Sprays of water flying from the rocks in midstream glittered like icy sparks; the shingle on the far shore glittered as though salted with silver. Beyond it, the terrain of the opposite bank lay hidden beneath a dark green canopy, but patches of needles carpeting the margins of the forest glowed a reddish-bronze.

Who it was that shoved Colangelo out onto the path, I cannot say—I was not watching. It must have been a hard shove, for he went staggering down the slope and fell to all fours. He collected himself and glanced back toward us, not singling anyone out, it seemed, but taking us all in, as if claiming the sight for memory. He wiped dirt from his hands, and judging by his defiant posture I expected him to shout, to curse, but he turned and made for the river, going carefully over the uneven ground. When he reached the river’s edge, he stopped and glanced back a second time. I could not make out his face, though he stood in the light, but judging by the sudden furtiveness of his body language, I doubted he had believed that he would get this far, and now that he had, the idea that he actually might be able to escape sprang up hot inside him, and he was prey to the anxieties of a man afflicted by hope.

Oddly enough, I hoped for him. I felt a sympathetic response to his desire for freedom. My heart raced and my brow broke a sweat, as if it were I and not that ungainly pinkish figure who was stepping from rock to rock, arms outspread for balance, groping for purchase on the slick surfaces, wobbling a bit, straining against gravity and fear. I had no apprehension of an inimical presence as I had detected that morning, and this made me think that it had been nerves alone that had stopped me from escaping and increased my enthusiasm for Colangelo’s escape. I wanted to cheer, to urge him on, and might have done so if I had not been surrounded by the silent members of the board and their faithful intimates. That Colangelo was doing what I had not dared caused me envy and bitterness but also infected me with hope for myself. The next time I was alone at the gate, perhaps I would be equal to the moment.

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