James Blaylock - The Adventures of Langdon St. Ives

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A good deal of controversy arose late in the last century over what has been referred to by the more livid newspapers as The Horror in St. James Park or The Ape-box Affair....
So begins the first chronicle in the long and often obscure life of Langdon St. Ives, Victorian scientist and adventurer, respected member of the Explorers Club and of societies far more obscure, consultant to scientific luminaries, and secret, unheralded savior of humankind. From the depths of the Borneo jungles to the starlit reaches of outer space, and ultimately through the dark corridors of past and future time, the adventures of Langdon St. Ives invariably lead him back to the streets and alleys of the busiest, darkest, most secretive city in the world -- London in the age of steam and gaslamps, with the Thames fog settling in over the vast city of perpetual evening. St. Ives, in pursuit of the infamous Dr. Ignacio Narbondo, discovers the living horror of revivified corpses, the deep sea mystery of a machine with the power to drag ships to their doom, and the appalling threat of a skeleton-piloted airship descending toward the city of London itself, carrying within its gondola a living homunculus with the power to drive men mad....
This omnibus volume contains the collected Steampunk stories and novels of James P. Blaylock, one of the originators of the genre, which hearkens back to the worlds of Jules Verne and H.G. Wells, a world where science was a work of the imagination, and the imagination was endlessly free to dream.

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“I believe you’re correct. A pity, really, that it didn’t destroy the laboratory.”

“We can have a go at that one ourselves,” Kraken shouted, the idea clearly appealing to him. “We can smash it and smash it and smash it!”

Hasbro considered Kraken’s suggestion, recalling, perhaps, the broken Kepler. “It’s growing a bit late,” he began, only to cut himself off and shout, for there, half a dozen rooftops away, springing suddenly out of hiding, leaped Dr. Ignacio Narbondo, a satchel in either hand.

Without a word the two were after him, neither knowing what it was they intended to do with him if they caught him, but remarkably keen on the catching.

It was clear, though, before the chase was six minutes old, that the doctor had taken to those same rooftops more than once in the past, for it seemed that he gained two each time the two pursuers crossed one, sliding along gables, clattering across copper sheathing, skidding on the scree of decomposing chimneys and all the time falling farther behind.

They paused, finally, some two blocks from Old Compton, listening to what sounded for all the world like distant laughter ring over the rooftops. For the slice of a moment the doctor appeared at what seemed to be an impossible distance, standing before the brick front of a steep garret, an orange sun beyond him dropping across the afternoon sky. Then he was gone.

EIGHTEEN

On Wardour Street

Langdon St. Ives and William Keeble crouched in the darkness of an ill-lit hallway on the second floor of the house on Wardour Street. Their short journey through the sewers had been both unpleasant and uneventful. It had been such an easy business gaining access to the house, in fact, that last week’s song and dance with the clock crystal seemed an idiotically bad idea. Where they were to go now that they were inside, however, remained to be seen.

The air was almost unnaturally still and quiet. There had to have been any number of people within earshot, but in the heavy, somnolent atmosphere, it seemed as if most were asleep — not at all an unlikely thing, given that most of their business was transacted during the night. There was some stirring and banging downstairs, from the kitchen, possibly. Muted voices could be heard, one of which sounded as if it might be the voice of Winnifred Keeble, who, dressed as a washerwoman, might well have gained entrance through the back door. The thought of her confronting the flour-faced cook was bothersome, but Winnifred had insisted. And cleaver or no cleaver, the cook would find Winnifred Keeble a difficult case.

St. Ives and Keeble tiptoed down the hallway, half wondering which room to peer into. Opening the wrong door would be disastrous. Kraken had supposed that Dorothy was somewhere on the third floor, guarded, no doubt, by Drake’s toughs, perhaps by Drake himself. So there was no real need to start peeking into doorways on the second floor, except that the doors presented themselves. Who could say what lay behind them?

They approached the wooden balustrade that fronted the great open hall which St. Ives had been deprived of seeing on his previous visit. There, Kraken had said, lay the starship. Would it be merely an empty hull, stripped and rusted by the centuries? And what purpose did Drake put it to? Was it enough just to possess it, or was there, as rumor had it, some darker, foul purpose? St. Ives thought momentarily of the dreaded Marseilles Pinkle, wrapped in a shawl, lying in the Captain’s wagon on the street. There were, apparently, no limits to the perversions concocted by desperate men. What might such men do with the space vehicle of the homunculus? St. Ives couldn’t imagine.

A sudden sobbing erupted from beyond the door to their right, followed by the utterance of a low laugh. Keeble straightened, his eyes wide. “Dorothy,” he called, half aloud, reaching for the door handle.

St. Ives’ attempt to stop him was in vain. He grabbed the back of Keeble’s coat, whispered, “Wait!” and was pulled into the room along with the toymaker. On a narrow, unmade bed sat a pasty-faced woman wearing what appeared to be a fruit bowl for a hat. Crawling on his hands and knees on the floor was a man in kneebreeches and a striped topcoat, this last being hauled up over his head, the tails caught up and tied with a broad strip of dotted ribbon. On his feet were pointed, women’s shoes, turned around backward and wedged on awkwardly. It was the man on the floor who sobbed in girlish tones.

At the raging issuance of Keeble and St. Ives, the woman on the bed shrieked, and without a second’s hesitation, plucked up a glass vase full of wilted roses and pitched the entire affair at the horrorstruck Keeble. The man on the floor stopped his capering at the sound of the shriek and shouted: “What? Who is it!” He struggled, pinioned helplessly in his coat and shoes and bombarded by the fruit that cascaded from the woman’s hat. She shrieked again, even though her first shriek had driven Keeble halfway back out into the hallway.

Looking desperately for concealment, St. Ives hauled the toymaker along. Doors slammed on the floor below. Two half-dressed, bearded men thrust their heads through a suddenly opened door, then fled toward the stairs, perhaps assuming that St. Ives and Keeble, rushing at them along the hallway, were police officers. Another door shot open and out dashed an enormous gentleman in ventilated rubber trousers, a sheet of newspaper in front of his face. He too bowled away down the stairs toward the street.

Within moments, it seemed, the cry had gone round the house, and the air was full of shouts and pounding feet and the slamming of doors. Behind St. Ives raged the man with the coat over his head, shouting curses, threatening through a mouthful of tweed. His ridiculous twisted shoes lay on the carpet behind. A head, shouting a fearful string of venomous oaths, shot through the gathered coat, the dotted ribbon and coattails encircling his neck like a clown’s collar, his arms cocked up, trapped and thrashing as if he wore a makeshift straightjacket. It was Kelso Drake.

At the sight of Keeble and St. Ives, Drake blanched. His mouth writhed. He flailed away within the confines of his woolen prison. Keeble stopped, dumbstruck. He hesitated a quarter of a second, pondering Drake’s bound state, then slid past St. Ives in a rush and struck the industrialist on the nose. Drake was propelled backward, struggling in his coat, in fear now as well as anger. Keeble struck him again. He grasped a handful of coat front, slapped Drake three or four times on the cheek, then tweaked both his ears. Keeble capered and yodeled before his helpless victim as St. Ives, anxious to conclude their business and he away, hauled at the toymaker’s collar.

With a rip of rending material, Drake was suddenly free of the restricting garment, and, with the cry of a madman, he launched himself at Keeble, punching and flailing at the toymaker, who, with a deliberation and sobriety that startled St. Ives, pulled from his coat a leather truncheon, and slammed the industrialist on the side of the head, felling him to the carpet. Keeble replaced the truncheon, apparently satisfied, and turned toward St. Ives a face pale and beaded with sweat. “I don’t suppose I should kill him,” he said slowly.

“No!” cried St. Ives, hauling Keeble once again along the hallway toward the stairs. Jolting up from the ground floor raged two men, obviously not customers. One, St. Ives realized with a shock of horror, was the man with the chimney pot hat, who held in his hand a carving knife. His companion scrabbled in his coat, perhaps after a gun.

“The bench!” cried St. Ives, grappling with the end of the carved Jacobean trestle bench that sat on the landing. Keeble went for the opposite end. The two men swung it in a quick arch, then let it go, Keeble a second or so ahead of St. Ives. Chimney pot flattened himself against the balustrade as Keeble’s end of the heavy bench swung round, grazing his forehead, plowing into the neck and chest of his companion, who had, to his own great misfortune, been peering into his coat. The man screamed and pitched over backwards, he and the bench skidding together down the stairs. Chimney pot was after them, waving the knife.

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