James Blaylock - The Adventures of Langdon St. Ives

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A good deal of controversy arose late in the last century over what has been referred to by the more livid newspapers as The Horror in St. James Park or The Ape-box Affair....
So begins the first chronicle in the long and often obscure life of Langdon St. Ives, Victorian scientist and adventurer, respected member of the Explorers Club and of societies far more obscure, consultant to scientific luminaries, and secret, unheralded savior of humankind. From the depths of the Borneo jungles to the starlit reaches of outer space, and ultimately through the dark corridors of past and future time, the adventures of Langdon St. Ives invariably lead him back to the streets and alleys of the busiest, darkest, most secretive city in the world -- London in the age of steam and gaslamps, with the Thames fog settling in over the vast city of perpetual evening. St. Ives, in pursuit of the infamous Dr. Ignacio Narbondo, discovers the living horror of revivified corpses, the deep sea mystery of a machine with the power to drag ships to their doom, and the appalling threat of a skeleton-piloted airship descending toward the city of London itself, carrying within its gondola a living homunculus with the power to drive men mad....
This omnibus volume contains the collected Steampunk stories and novels of James P. Blaylock, one of the originators of the genre, which hearkens back to the worlds of Jules Verne and H.G. Wells, a world where science was a work of the imagination, and the imagination was endlessly free to dream.

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What was even less expected was the thing he held under his arm — a box, one that Deener recognized even through the gloom. A vivid picture of a bandage-wrapped figure flailing at him with an iron rod leaped into his mind, a figure that stole the box and fled. And here, apparently, he was, come round to give the box up. Here were two birds, hand in hand. Deener smiled malignly. He hefted the sap in his right hand, stepped out of the shadows behind the loitering, chattering couple, grasped the girl’s arm, and slammed the sap against Jack’s head, chortling through his nose as his prey fell forward onto his face like a toppled tree.

Dorothy screamed at the sudden clutching hand from the shadows, then screamed again at the solid whump of the cosh and Jack’s collapse onto the roadway. But her second scream was cut off instantaneously by a rough hand. She bit at it, kicking backwards and scraping her heel down the shin of the man who twisted her arm around behind her. An almost simultaneous scream broke forth from the lips of a woman who herded a covey of children through the square and who stood open-mouthed, pointing, her children cringing horrorstruck beside her, not so much at the sight of Dorothy being dragged into the alley or of Jack lying senseless on the pavement, as at the sound of their horrified mother’s shriek. Sporadic crying and screaming broke out, one shriek igniting another, the collective squealing fueling itself. Deener backed down the alley. The hue and cry would mean the end of him. In a moment he’d have to abandon the struggling girl and flee. He had only to drag her forty feet down the alley to freedom through a door left purposely ajar. But there on the ground, beside the meddling youth, lay the box he’d been cheated of once. He was damned if he’d be cheated again. He raised his hand, allowing the struggling girl to pull her right hand free and bury her nails into his bruised forehead. A thrill of pain shot along his scalp, and he yelped in rage, swinging the cosh hard enough to end the struggle there and then. He shoved his hand into his mouth, blew through two fingers, and scuttled out of the alley, picking up the fallen box. A head popped out of the open door. Deener shouted a curse at it, and a man, the owner of the head, loped along the alley toward him.

“Murder! Murder!” cried the woman with the howling children. The cry was followed close on by the sound of stamping feet and the shrill blast of a police whistle. As Deener and his companion — a beefy, lard-faced man in shirtsleeves dragged the inert girl through the yawning door, the mouth of the alley was filled with a growing crowd of dim spirits, peering in, unwilling to follow two seeming murderers into the dim shadows.

Billy Deener eased the door shut, knowing that the general darkness of the alley obscured almost entirely by the fog would serve to hide their movements, and that a subsequent search would reveal nothing more than a crumbled hole below the street, a hole that led into the filthy darkness of the London sewers.

The cellar wall was a tumbled heap of ancient brick some three feet thick, beyond which ran the upper level of the Kermit Street sewer. Mortar had cracked and fallen for a hundred years from hastily pointed joints, and the continual wet of the sewer had caused the wall to slump and the bricks one by one to fall out, until some final bit of mortar or the corner of an ancient brick had decomposed, precipitating the collapse of a long section of sewer wall in a foul-smelling heap of muck.

The sewer was running at low water, but even so, Deener and his accomplice were hard pressed to make headway. They felt their way along planks slimy and rotten with sewage, kicking into the soft surface of the wood with the hobnails of their hoots. A lit candle flickered in a tin holder wrapped around the head of Deener’s companion, and the light danced and shrank, was snuffed out and had to be relit time and time again, both men half expecting the flame to set off an explosion in the dense air. Deener, wary of choke damp, breathed through a kerchief tied over his nose and mouth. They stooped along beneath the low ceiling, watching for the mark that would signal their arrival at the house on Wardour Street.

The Kermit Street sewer was badly in need of leveling, for the general sinking of the ground had created long cesspools, the settling water further decomposing what solid ground remained, so that the foundations of houses above cracked and pitched and loathsome sewer gases drifted up into courtyards. But the cesspools which so hampered leveling and flushing had their own value, were the resting place, in fact, for murdered men, not a few of whom had found their way into the sewers with the help of Billy Deener. Their bodies lay mired in offal and garbage and road sweepings emptied down gulley grates, until the corpses swirled at high water into the Thames where, bloated and faceless, they were declared drowned for lack of any sensible alternative.

But the unconscious girl was a different sort of victim. She should, Deener knew, be the one among them to wear the kerchief over her face, but his service to Kelso Drake only stretched so far. The score of minutes she spent below ground wouldn’t hurt her. She wasn’t even conscious of their passing.

* * *

When Dorothy awoke, a tearing pain pounding in her head, the cigar-chewing face of the man who had stood in the entry hall of her house arguing with her father smiled down at her, the cigar rolling from side to side as if it were alive. His smile, however, was void of humor or concern for anything but Kelso Drake. She was certain, even in her fuddled state, that it was a smile of loathsome self-satisfaction, empty of anything but falsehood.

It swam out of focus and then back in. She felt awful. There was a horrible stench in the room, the smell of an open sewer, and it seemed to her as Drake materialized before her that it was he who smelled so foul, he or the bent man who stood beside him, squinting at her as if she were some sort of interesting specimen. Then she lost interest in either of the two men, drifting away into herself and the pain in her head. She moved her arm, intent upon touching the hair beside her ear, which, pressed against a pillow, felt clotted with dried blood. She’d been hit on the head. She remembered part of it. Surely, though, this was no hospital. Bits and pieces of memory filtered in, scrabbling around in her mind until they joined like interlocking pieces of a puzzle to form the picture of Jack lying senseless on the pavement of St. James Square, of her struggling with a man in a hat, of a woman screaming over and over, of gaping children, of nothing at all after that.

She tried to push herself up onto her left elbow, to swing her right hand at the face before her. But something got in the way. She couldn’t move, was fastened, somehow, secured to the bed by a sheet tied across her shoulders. The cigar face laughed. A hand removed the cigar. The mouth said, “She’ll do nicely — pay us twice over,” and the face laughed again. “Sedate her,” it said, and disappeared from view.

The hunchback loomed over her, a cup full of violet liquid in his hand. The sheet was loosed briefly, and she was yanked onto her elbows by a balding man in a black coat. She hadn’t the strength to fight. She drank the thin, bitter draught, and very soon swam away into darkness.

* * *

Langdon St. Ives sawed away at a grilled cutlet that had the consistency of shoe leather. The gray meat lay like a curled bit of tanned hide between a boiled potato and a collection of thumb-sized peas. A sauce — ” Andalouse aux fines herbes ,” as the hastily drawn menu had called it — was dribbled stingily over the cutlet, the chef careful not to be so liberal as to allow the liquid to pollute the boiled potato. This last, cold as the plate it sat on, sorely needed the sauce, and St. Ives tried with limited success to spoon a bit onto it. But most of what he scraped from the surface of the cutlet merely glued itself to the spoon in a scum of tomato and pepper, leading St. Ives to curse both the quality and the quantity of it. Rationally, he supposed, he should count himself lucky to be faced with such a meagre plateful of the wretched stuff, but eating, like anything else, wasn’t a particularly rational business.

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