James Blaylock - The Adventures of Langdon St. Ives

He knuckled his brow and immersed himself in self-loathing. It was drink that did it — strong drink. It made a man mad. There was no way round that truth. But then so did the absence of drink, didn’t it? He licked his dry lips. His tongue felt feathered. His hands shook uncontrollably when he held them in front of him. So he sat on them, perched on a stool in a corner of Narbondo’s laboratory. He saw things, too, out of the corner of his eye — things he oughtn’t to see. It was the horrors, is what it was. And if it wasn’t, it would lead to them sure enough, to the gibbering horrors. He hadn’t been so dry in a week, a month.

Now, watching out of the edge of his left eye the thing on the slab that lay not fifteen feet distant, he wondered what in the world it would look like to him if he were drunk. Given half a chance, he’d set out to discover the truth of the matter. He patted his coat pocket and there was Ashbless, bullet hole and all. The problem with the philosophers was that they were short on practical advice. They could reveal little to him about his present circumstance. Better the book were hollow and held a pint of gin.

He mashed his eyes closed and held them so. Time passed fearfully slowly. He remembered, fifteen long years past, having wrestled out of open coffins dead men not much prettier than the thing on the slab. Better his eyes had been plucked out. They quite likely would be. They’d beaten him, but he could stand that. He’d been beaten before. And he’d had the horrors before, too. But those he didn’t want again. He’d given up squid merchanting when he’d found that the creatures inhabited his dreams, all leggy and cold.

For the hundredth time he looked roundabout him for something to consume — spirits of any sort — but saw nothing hut the empty wine glass left with diabolical purpose on a tabletop by the fat boy in curls, along with the carcass of a fowl. The breadth of the glass magnified the depth of the little crimson circle settled in the bottom. In truth there wasn’t enough in it to dribble to the edge when the glass was upturned.

Kraken had tried, to be sure. He’d mopped up the dregs with his fingers, but little of substance was accomplished by it. There was even less in the way of food on the plate — nothing but broken bones — just the gristly burnt carcass of a peculiar game bird, a pea hen with the head on, eyeless and charred.

Pule and Narbondo had gone out, locking the doors and windows. They’d abandoned him hours earlier, before night had fallen. The ghostly light of the gaslamps did nothing to enliven the general gloom of the cabinet — simply cast unpleasant shadows on the walls and floor, like the shadow, thought Kraken, barely able to look at it, of the humped, skeletal pea hen across the edge of the piano. They’d left him a pitcher of water. Perhaps if he got desperate enough…

They’d return, he knew, with a body. Pule’s trip to Harrogate in search of poor Sebastian’s manuscript had ended in a general rage. Curses flew. The doctor had cuffed Pule across the chin, destroyed the pot of carbolic and stewed horsehide that Pule was cooking as a facial treatment. It had smelled awful. Then they’d gone out. The thing on the slab must be vivified, that’s what Narbondo had said. Tonight. They would find a donor. If not, hinted the doctor, Kraken would do nicely. Kraken or Pule, either one of them. Pule had smiled through his tirade, like a cat full of milk.

The gaslamps flickered. Shadows danced. The game bird rattled suddenly on its plate as if it were trying to drag itself away. Kraken started in horror. Silence fell once again. Across the room on a small table beside the fishless aquarium sat the Keeble box. What could Kraken do with it? He could smash out the window and pitch it into the street, then dive out after it. But what would it profit him? He was a hunted man. There could be no doubt about that. Newgate was too good for him. It would mean the gibbet if he were caught.

Outside the window swirled a thick fog, most of it river fog off the Thames. Dirty little rivulets dripped down the panes, pooling up along the mullions and dripping off, one by one, onto the sidewalk below. The street outside was silent. It was the silence, dense as the fog, that bothered him. He’d tried singing and whistling, but in the dim, shadow-haunted room the noise had merely been unnatural. It seemed to him, in fact, that the slightest sound would awaken the thing on the slab.

Its head was twisted toward him, dropped crookedly across its chest. Flesh hung beneath its eyesockets like parchment. It seemed as if a breeze through a broken window pane would turn it to dust. Or perhaps the thing would rise in the draft like a kite to twitch and gibber at him, to lurch along toward him, silhouetted against the light that shone dimly through the curtained window of the room across the courtyard. Earlier he’d seen the shadow of a face peer past the curtain — watching him, perhaps; perhaps one of Narbondo’s agents.

Kraken shut his eyes, but through the lids he could see the dancing shadows animated by gaslight. He pressed his eyes with his hands, but the horrors that swirled into view against the back of his eyelids were worse than the thing on the table. What had Paracelsus said about such emanations? He couldn’t quite recall. Paracelsus was mist in his memory, a product of another age, an age that had ended when he’d stolen the damned emerald from the Captain, the emerald that the smug Narbondo had left so casually beside the aquarium.

On the edge of the slab, as if they had crawled there of their own power, were two skeletal hands, obviously fallen from the hunched corpse behind them. Kraken avoided looking at them. He had been certain an hour earlier that for an instant the things had moved, rattled their fingers atop the table, inched inexorably toward him, and that the ruined pea hen had sighed on its plate, rustling among cold potatoes.

But all had fallen silent. It was the wind through the broken panes, carrying on it the sharp, sooty odor of fog. There lay the hands, almost grasping the edge of the lamplit table, ready, perhaps, to lunge at him. Why in the devil weren’t they attached to the corpse? What unholy thing did their separation betoken?

Kraken peered at them, and was certain for one rigid moment that the index finger of the left hand twitched. Beckoning. He glanced away toward the fogbound window and gasped in horror at his own reflection, hovering in the glass, staring in at him. He edged farther into his corner. If the hands crept from the slab would they shatter when they hit the floor? Or would they fall into shadow, pausing for a moment before scuttling out like crabs toward his feet. Kraken was suddenly fearfully cold. Narbondo, perhaps, wouldn’t return at all. Perhaps they’d gone out, knowing that Kraken would die in horror during the night, that the thing in the shroud would rush at him like a sheet hauled along a clothesline, would envelop him in dust and rot and clacking bones and suffocate him in horror.

On the wall behind him hung a collection of instruments, but there was nothing with which to defend himself against animated corpses. His eyes settled on a pair of elongated tongs, the jaws of which were wrapped in a rubber casing. He stood up slowly, barely breathing, understanding that the thing on the slab was watching, trying, perhaps, to fathom his fear, his intent.

He very slowly removed the tongs and stepped across toward the slab, wheezing with fear, waiting for the hands to fly at him like papery bugs, like leather-winged bats, to clutch at his throat, to reach into his mouth. At the touch of the tongs, surely they’d leap at him as if spring driven. He knew they would.

But they didn’t. He plucked one of the hands up and very gingerly turned, took a step toward the open piano, and shoved the thing onto the silent keys, banging out a wild note with the edge of the tongs and leaping backward, a shriek lodged in his throat. The other hand lay as before. Or did it? Was it turned now? Had it crept about to face him? He clamped the tongs around it, whirled, and dumped it onto the piano keys along with its grisly counterpart, then slammed down the key cover, locking it with a little triangular brass key that lay atop the piano.