James Blaylock - The Adventures of Langdon St. Ives

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A good deal of controversy arose late in the last century over what has been referred to by the more livid newspapers as The Horror in St. James Park or The Ape-box Affair....
So begins the first chronicle in the long and often obscure life of Langdon St. Ives, Victorian scientist and adventurer, respected member of the Explorers Club and of societies far more obscure, consultant to scientific luminaries, and secret, unheralded savior of humankind. From the depths of the Borneo jungles to the starlit reaches of outer space, and ultimately through the dark corridors of past and future time, the adventures of Langdon St. Ives invariably lead him back to the streets and alleys of the busiest, darkest, most secretive city in the world -- London in the age of steam and gaslamps, with the Thames fog settling in over the vast city of perpetual evening. St. Ives, in pursuit of the infamous Dr. Ignacio Narbondo, discovers the living horror of revivified corpses, the deep sea mystery of a machine with the power to drag ships to their doom, and the appalling threat of a skeleton-piloted airship descending toward the city of London itself, carrying within its gondola a living homunculus with the power to drive men mad....
This omnibus volume contains the collected Steampunk stories and novels of James P. Blaylock, one of the originators of the genre, which hearkens back to the worlds of Jules Verne and H.G. Wells, a world where science was a work of the imagination, and the imagination was endlessly free to dream.

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“Do you know anything about the stars?” he asked, settling on an appropriate subject.

“Heaps,” she replied, dipping once again into the peas.

“There aren’t but a few,” said Kraken, gazing heavenward. “Sixty or eighty. The heavens are a great mirror, you see. It’s a matter of atmosphere, is what it is, of the reflected light of the sun, which…”

“A looking glass, is it? Heaven?”

“In a manner of speaking, miss. The sun, you see, and the moon…”

“A bleedin’ looking glass? The moon? You’ve been suffern’, love, haven’t you?” She steered him down Coventry past a line of cafes. Kraken searched for the right words. The concept was a broad one for someone less schooled in the scientific and metaphysical arts than he. “It’s astronomy is what it is.”

“The moon’s nothing but astronomy,” agreed the woman, prying among her remaining teeth for a peapod string. “Drives them all mad.” And she indicated with a sweep of her hand the entire street.

“The ‘ spiritus vitae cerebri ,’” intoned Kraken agreeably, “is attracted to the moon in the same manner as the needle of the compass is attracted toward the Pole.” He was proud of his storehouse of quotations from Paracelsus, although they were quite likely wasted here. The woman gave his arm a squeeze, screwed her face up awfully so that her eyes seemed to disappear behind the flesh of her nose. She gouged Kraken playfully with a bent finger.

Before them was a lit house, on the door of which hung a sign reading, “Beds to be had within.” Kraken found himself in a state of mingled desire and regret, being dragged up the stoop and finally into a darkened room little bigger than a pair of end to end closets. He stumbled against a disheveled bed and collapsed onto his face, hunched over his peapot, the lid of which sailed off and clattered into the opposite wall.

The bedclothes wanted perfume — a tubful. He pushed himself up. “Miss,” he said, peering around him in the dark. A hand shoved him roughly down again. She was frolicsome, Kraken had to admit. “If you’ve a drop of something,” he began, wondering if he were reading aright the heavy breathing and shuffling behind him. A warm hand grasped the thong round his neck, and, as he once again began to clamber onto his elbows, yanked the peapot from under him — rather roughly, he thought. He collapsed sideways when his right hand flopped up to allow the pot to travel beneath it. He’d have to be a bit more forward. That was the ticket.

He rolled over to have a look at his companion in the moonlight that illuminated the room. A woman of that stature…He anticipated a monumental revelation. But standing over him was a man, slowly chewing at his own tongue. He wore a black chimney pipe hat, smashed in and perched atop his head like a carton. Raised above it was the peapot. “Deener!” shouted Kraken. The peapot smashed down at him. There was a grunt of effort from the man in the hat. Kraken lurched aside, his left hand shielding his face. His wrist snapped down as the peapot glanced off it, smashing against his cheek. Kraken rolled into a wall. There seemed to be nothing in the tiny room but the villainous bed — nowhere to retreat.

The man swung the pot by its thong, bouncing it off Kraken’s forehead and hauling it back for another blow. He seemed to be growling through his gaping mouth, and Kraken noticed in a moment of frozen clarity the droplets of spittle that flew in a little arc as the man’s head was tossed backward with the momentum of his next swing.

Kraken regretted in a mist that his own head seemed to have stopped the peapot very handily, and through eyes suddenly blurred behind a wash of gore from his forehead, he watched with removed wonder as Billy Deener very slowly hauled a pistol from his coat, cocked it, and aimed it.

* * *

The being confronting a sleepy William Keeble chewed at the end of an ostentatious cigar. Keeble didn’t half like his looks. He liked them less, in fact, than he had when the man had visited him once before. It was his moneyed air that was so annoying — an air that betrayed a sort of Benthamite smugness and superiority, that exclaimed its own satisfaction with itself and its faint dissatisfaction with, in this case, William Keeble, who had been surprised in his nightshirt and cloth cap and so was automatically one down.

Kelso Drake hauled his cigar from his mouth and pried his lips apart into an oily, condescending smile. He wore a MacFarlane coat and a silk hat, both of which had left Bond Street, it was reasonably certain, not more than a week or so earlier. Keeble felt a fool in his cloth pointy-hat — doubly so, for he was wearing the one onto which Dorothy had embroidered a comical face, one eye of which was closer to the sideways nose than was the other, an eccentricity which gave the stitched countenance a look of cockeyed lunacy. Drake wouldn’t understand such a thing. Keeble could see that in a glance.

The industrialist’s desires hadn’t changed. He was prepared to offer Keeble a sum of money — a substantial sum for the plans to the engine, for the patent. Keeble wasn’t at all interested. Drake’s eyes narrowed. He doubled the sum. Keeble didn’t care for sums. Damn all sums. He was suddenly powerfully thirsty. On the hall table sat a walrus tusk, carved into the semblance of the beast that had sprouted it. Keeble imagined twisting its foolish head off and draining the peaty contents. But he’d have to offer Drake a glass, and he wasn’t about to. Damn Drake and all of his affairs. He and his notion of textile mills run by perpetual motion engines made Keeble sick. The idea of a textile mill alone — a mill of any sort — made Keeble sick. Practicality in general made him sick, and the contrived practicality of Drake’s utilitarian vision instilled in him an inexplicable mixture of indifference and loathing that made him long for his bed and a glass with which to chase Drake into nonexistence.

Drake champed at his cigar, rolling it in his mouth, his eyes squinting up into tight little slits. This wasn’t, insisted Drake, merely a casual offer. He had certain methods. He had vast resources. He could exert pressure. He could buy and sell Keeble a dozen times. He could ruin him. He could this; he could that; he could the other. Keeble shrugged in his ridiculous cap. The clock on the wall opposite the hall table suddenly went off, pealing in a sort of doleful, leaden tone, utterly out of keeping with the little clockwork apes who charged grinning out of their lair in the interior and banged away with mallets at a bell-shaped iron octopus.

Drake frowned at it, recoiling slightly. The door opened behind him, and Dorothy, a troubled look on her face, stepped through, stopping in sudden surprise at the sight of the stranger’s back. Keeble motioned with his eyes toward the stairway, but Dorothy hadn’t taken a half step toward them when Drake turned, a broad smile betraying splayed yellow teeth. He clamped his mouth shut at the sight of Dorothy’s involuntary grimace, and bowed slightly, flourishing his hat. “Kelso Drake, ma’am,” he said rolling his chewed cigar from one side of his mouth to the other. “Very happy to make your acquaintance.”

Dorothy nodded and proceeded toward the stairs, saying, “Pleased, I’m sure,” over her shoulder, impolite as it seemed. Her father nodded his head toward the stairs in quick little jerks, stopping abruptly when Drake turned and looked at him quizzically. The questioning look turned once again into a leer, as if Drake’s face naturally molded itself that way out of long practice. “What was I saying?” he asked the toymaker. “I was momentarily,” he paused and pretended to search for a word, then said theatrically, “distracted.”

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