• Пожаловаться

L. Modesitt: Imager

Здесь есть возможность читать онлайн «L. Modesitt: Imager» весь текст электронной книги совершенно бесплатно (целиком полную версию). В некоторых случаях присутствует краткое содержание. категория: Фэнтези / на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале. Библиотека «Либ Кат» — LibCat.ru создана для любителей полистать хорошую книжку и предлагает широкий выбор жанров:

любовные романы фантастика и фэнтези приключения детективы и триллеры эротика документальные научные юмористические анекдоты о бизнесе проза детские сказки о религиии новинки православные старинные про компьютеры программирование на английском домоводство поэзия

Выбрав категорию по душе Вы сможете найти действительно стоящие книги и насладиться погружением в мир воображения, прочувствовать переживания героев или узнать для себя что-то новое, совершить внутреннее открытие. Подробная информация для ознакомления по текущему запросу представлена ниже:

L. Modesitt Imager

Imager: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Imager»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

L. Modesitt: другие книги автора


Кто написал Imager? Узнайте фамилию, как зовут автора книги и список всех его произведений по сериям.

Imager — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Imager», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема

Шрифт:

Сбросить

Интервал:

Закладка:

Сделать

“He’s my cat.”

I had some doubts about any cat being a possession, but did not have time to say anything because, at that very moment, Ostrius opened the studio door and marched over to my easel.

He did not even look in the direction of Aeylana Weidyn-or her aunt, who was accompanying her to the sittings. “Rhenn . . . did you finish compounding the deep brown?”

“No. There wasn’t time before the sitting.”

“When will you learn to finish things?” he snapped.

“I worked on it all morning,” I said quietly.

“You didn’t finish, and we don’t have enough of the deep brown.”

He didn’t. That was what he meant. “Your father expects me to do a sitting when the patron is here. I’ll get back to it once she leaves.”

“You’d better.” Without another word, he stalked off.

The aunt said nothing, but her eyes expressed more than any words she might have spoken as she watched Ostrius close the studio door with a firmness just short of slamming it.

“I don’t-” began Aeylana.

“That will be all, Aeylana,” the aunt said firmly.

“If you would please look at the easel, mistress,” I repeated.

“I can do that.”

She could. She just couldn’t keep doing it for long.

I looked at the left side of her head, just forward and above the ear. Her hair had been a problem, because it was too bright to be captured fairly by any of the earthen reds, and the madder red would fade, while vermilion would darken at the edges where it touched the skin tones. Calizarin red didn’t blend well with the naranje orange, unless mixed with at least a little of one of the ochres, but I’d worked in a tiny mixture of yellow and dull red ochre as a binder between the calizarin and the naranje. Even Master Caliostrus had nodded approval at that.

Had Ostrius been angry not just because I didn’t have the deep brown formulated when he wanted it, but because he realized I could do something with the pigments that he couldn’t?

I pushed that thought away. If I didn’t do well on the one portrait assignment I had, I wouldn’t get another any time soon. I concentrated on seeing Aeylana as she was, and on working on the hairline around her right ear.

By the time the glass chimed out from the nearest anomen tower, I thought I had that section right, and I smiled, both at Aeylana and her chaperone. “Two more sittings at most.”

“Good. It’s hard to sit still that long.”

“Aeylana . . .”

“I apologize, sir.”

“I can remember when I was your age,” I said with a smile.

That got me a giggle in return.

In moments, the two had gathered themselves together and departed for the carriage waiting below. In scarcely longer than that, Master Caliostrus had entered the studio, his brow knit in a frown.

“Ostrius said that you had not finished the deep brown formulation and that you were less than deferential . . .”

“Sir, I was most deferential. I started directly after breakfast, Master Caliostrus, and I took no breaks, until just before Mistress Aeylana D’Weidyn was due to arrive. You told me never to be late in dealing with a patron, and I could not have begun the compounding yesterday, sir, because the raw earth did not arrive until just before dinner last night.”

“Ah . . . yes . . .” Caliostrus paused. “You will get to it right away?”

“As soon as I clean up brushes and trays, sir.”

“Good.” Almost as an afterthought, he glanced at the partial portrait, his eyes going to what I had painted of the cat. “You definitely have a talent for the cat. In time, if you work on that, along with other skills, it might prove . . . remunerative. Some of the wealthier older women in L’Excelsis do dote on . . . such companions.”

He stopped at the door and looked back. “Don’t be too long. Ostrius does need the brown.”

“Yes, sir.”

If Ostrius needed the brown so much, why wasn’t he down in the shed working on the formulation? Or, if he didn’t want to get dirty, he could have taught Stanus how to do it. But then, that was still dirty work and required patience, both of which Ostrius avoided whenever possible.

5

753 A.L.

Mistaking a name for its substance is one of the roots

of evil; holding to substance over names is a source of

joy.

I never understood why so many people made a fuss about weddings. I certainly wondered that once again as I stood there in the garden courtyard of Remaya’s parents’ dwelling beside Rousel as we waited for Remaya to appear.

Weddings are merely an affirmation of what has already happened. They’re necessary for most people, as are the rings that symbolize them, because public affirmations strengthen private commitments, but by the time of the ceremony they’re usually foregone conclusions. If they’re not, there shouldn’t be a ceremony. After eight years of courting and unblemished affection, for Rousel and Remaya both the ceremony and the rings were more for everyone else than for them, but that is certainly the case for all too many ceremonies.

Ceremonies can also provide a different kind of closure. I hoped this one would, because I had been the one to find Remaya, and from me she had found Rousel. Likewise, after all the years of distrust of those of a Pharsi background, my parents had been forced to accept Remaya. How could they have not? She was beautiful and intelligent and loved Rousel, and her parents, while only tradespeople, were far from impoverished. It didn’t hurt that Rousel was following in Father’s footsteps as a wool factor, either.

“You have the ring?” Like all bridegrooms, Rousel wore a formal green waistcoat, trimmed in deep brown, with a matching green neck scarf.

“Right here.” I kept my voice low.

We stood in front of the left side of the arched canopy of flowers. Behind it, wearing green vestments, was Chorister Osyrahm. Behind us stood our family, Father and Mother on the right, then Culthyn and Khethila. Even with them, but to the right, were Remaya’s parents, and her older sister and two younger brothers.

A pair of viols began to play, indicating that Remaya had left the house and was approaching, but neither Rousel nor I looked back because we were not supposed to see her until she stood beside him. I did hear a few whispered comments from the small group of family and friends behind us, and all were about how beautiful she looked, but I knew that without looking. I’d known it far longer than Rousel, and with far less effect.

Before long, Remaya stepped up beside Rousel, and they exchanged glances and smiles. She wore a white gown, along with the bride’s sleeveless green vest, also trimmed in the same rich brown as Rousel’s.

Chorister Osyrahm smiled beatifically at both of them, then began to speak. “We are gathered here today in celebration of the decision of a man and a woman to join their lives as one. The name of a union between a man and a woman is not important, nor should anyone claim such, for the name should never overshadow the union itself. Rousel and Remaya have chosen each other as partners in life and in love, and we are here to witness the affirmation of that choice.”

He nodded for them to step forward under the canopy, then waited until they stood under the arch of flowers.

“In so much as the only true and meaningful commitments in life are made without deception and without reservation, and without a reliance on empty names and forms, do you, Rousel, affirm in full honesty that you commit your body, your spirit, and your free will to this woman, and that you will put no other before her, so long as you both shall live?”

“I do.”

Chorister Osyrahm then turned to Remaya and repeated the same charge and vows.

Читать дальше
Тёмная тема

Шрифт:

Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «Imager»

Представляем Вашему вниманию похожие книги на «Imager» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё не прочитанные произведения.


L. Modesitt: Imager's challenge
Imager's challenge
L. Modesitt
L. E.Modesitt: Imager’s Intrigue
Imager’s Intrigue
L. E.Modesitt
L. Modesitt: Scholar
Scholar
L. Modesitt
L. Modesitt Jr.: Princeps
Princeps
L. Modesitt Jr.
L. Modesitt: Ordermaster
Ordermaster
L. Modesitt
Отзывы о книге «Imager»

Обсуждение, отзывы о книге «Imager» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.