Robert Howard - Sword Woman and Other Historical Adventures

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The immortal legacy of Robert E. Howard, creator of Conan the Cimmerian, continues with this latest compendium of Howard’s fiction and poetry. These adventures, set in medieval-era Europe and the Near East, are among the most gripping Howard ever wrote, full of pageantry, romance, and battle scenes worthy of Tolstoy himself. Most of all, they feature some of Howard’s most unusual and memorable characters, including Cormac FitzGeoffrey, a half-Irish, half-Norman man of war who follows Richard the Lion-hearted to twelfth-century Palestine—or, as it was known to the Crusaders, Outremer; Diego de Guzman, a Spaniard who visits Cairo in the guise of a Muslim on a mission of revenge; and the legendary sword woman Dark Agnès, who, faced with an arranged marriage to a brutal husband in sixteenth-century France, cuts the ceremony short with a dagger thrust and flees to forge a new
identity on the battlefield.
Lavishly illustrated by award-winning artist John Watkiss and featuring miscellanea, informative essays, and a fascinating introduction by acclaimed historical author Scott Oden, Sword Woman and Other Historical Adventures is a must-have for every fan of Robert E. Howard, who, in a career spanning just twelve years, won a place in the pantheon of great American writers.

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“Eevin!” Dunlang swung down from his horse, tossing the reins to Conn, and advancing, took her small hands in his. “You sent for me and I have come – you have been weeping!”

Conn, holding the steed, felt an urge to retire discreetly as superstitious qualms touched him. Eevin was not like any other girl he had ever seen; she was small and childish in stature, dark, with soft black eyes and a wealth of black hair. Her whole aspect was different from the women of the Norse-folk and the Gaels alike, and Conn knew her to be a member of that fading race which had occupied the land before the coming of his ancestors; some of them still dwelt in caverns along the sea and deep in unfrequented forests. The Irish looked on them as sorcerers and first-cousins to the faeries, and in after-ages legends lent them complete supernatural aspect, as the “little people.”

“Dunlang!” the girl caught him in a convulsive embrace. “You must not go into the battle – the weird of far-sight is on me and I know if you go to the war you will die! Come away with me – I will hide you – I will show you dim caverns like the castles of deep-sea kings, and shadowy forests where no man has set foot save my people!”

“Eevin, my love!” exclaimed Dunlang, greatly disturbed. “You ask me that which is beyond all human power. When my clan moves into battle, I must be at Murrogh’s side, aye, though sure death be my portion. I love you beyond all life, but ask of me something easier, for by the honor of my clan, this is a thing impossible!”

“I feared as much,” she answered dully. “This is punishment, perhaps, visited on me – for of all my people, I alone love a man of the fair folk. I love and I have lost; for my sight is the far sight of the Pictish folk who see through the Veil and the mists of life, behind the past and beyond the future. You will go into battle and the harps will keen for you; and Eevin of Craglea will weep for you until she melts in tears and the salt tears mingle with the cold salt sea.”

Dunlang bowed his head unspeaking for her young voice vibrated with the ancient sorrow of womankind; and even the rough kern shuffled his feet uneasily.

“I have brought you a gift against the time of battle,” she said, bending lithely and lifting something which caught the sheen of the sun. “It may not save you, the ghosts in my soul have whispered – but I hope without hope in my woman’s heart. You will wear it – oh, wear it, my love!”

Dunlang stared uncertainly at what she spread before him. Conn, edging closer and craning his neck, saw a hauberk of strange workmanship and a helmet such as he had never seen before. The helmets of that age were mainly plain steel caps, sometimes adorned with horns, or in the case of the Saxons and Vikings, with a bronze boar couchant; occasionally furnished with a nasal-piece, or a mail drop behind which fell about the shoulders. Vizored head-pieces had not yet been dreamed of. But the helmet which Eevin held appealingly toward Dunlang was a heavy affair made to slip over the entire head and rest on the neck-pieces of the hauberk. There was no movable vizor, merely a slit cut in the front through which to see. It was fashioned something on the order of the “pot-helmet” worn by the first knights a century later. But the workmanship was of an earlier, more civilized age, which no man then living could duplicate.

Dunlang looked at the armor askance; he had the characteristic Celtic antipathy toward mail. The Britons who faced Caesar’s legionaries fought naked, judging a man cowardly who cased himself in metal, and in later ages the Irish clans entertained the same ideas regarding Strongbow’s mail-clad knights.*

“Eevin,” said Dunlang, “my brothers will laugh at me if I enclose myself in iron, like a Dane. How can a man have full freedom of limb, weighted by such garments? Of all the Gaels, only Turlogh Dubh wears full mail.”

“And is any man of the Gael less brave than he?” she exclaimed passionately. “Oh, you of the fair folk are foolish! For ages the iron-clad Danes have trampled you, when you might have swept them out of existence long ago, but for your foolish pride.”

“Not altogether pride, Eevin,” argued Dunlang. “Of what avail is mail or plated armor against the Dalcassian axe which cuts through iron like cloth?”

“Mail would turn the swords of the Danes,” she answered. “And not even an axe of the O’Briens would rend this armor. Long it has lain in the caverns of my people, carefully protected from rust. He who wore it was a warrior of Rome in the long, long ago before the legions were withdrawn from Britain. In an ancient war on the borders of Wales, it fell into the hands of my people, and because he who wore it was a great prince, my people have treasured it. Now I beg you to wear it, if you love me!”

Dunlang took it hesitantly, nor could he know that it was the armor worn by a gladiator in the days of the later Roman empire, nor wonder by what strange freak of chance it came to adorn the body of an officer in the British legion, in the days when the imperial twilight sent forth the waning ranks with broken weapons and strange harness. Little of that Dunlang knew; knowledge and education were for the monks and priests; a fighting man was kept too busy to cultivate the arts and sciences.

He took the armor and because he loved the dark little girl, he made a vast concession: “Very well, Eevin, if it will fit me, I will wear it for your sake.”

“It will fit,” she answered. “But oh, Dunlang, I shall see you no more!”

“It rests in the hands of God, little one,” he answered gently. “Many will fall, and I may fall in the foremost charge; yet it may be that once again we shall walk hand in hand through the green forest when the twilight shakes out her grey mantle over the hills of Craglea.”

She shook her head and her voice broke in a sob; speechless she held out her childish arms and he gathered her hungrily to him; a moment he crushed her close to him, while Conn looked away, then Dunlang gently unlocked her clinging arms from about his neck, kissed her, and tore himself away.

Without a word or a backward glance he mounted his steed and rode away, with Conn trotting easily alongside. Looking back, in the gathering dusk, the kern saw Eevin reach out her white arms in a wild poignant gesture of despair, then fall forward in a torrent of weeping.

III THE GATHERING OF THE EAGLES

The camp fires sent up showers of sparks and illumined the land like day. In the distance loomed the grim walls of Dublin, dark and ominously silent; before those walls flickered other fires where the warriors of Leinster, under their king Mailmora, whetted their axes for the coming battle. Out in the bay the starlight glinted on myriad sails, shield-rails and arching serpent-prows. Between the city and the fires of the Irish host stretched the plain of Clontarf, bordered by Tomar’s Wood, dark and rustling in the night, and the Liffey’s dark star-flecked waters.

Before his tent the firelight playing on his white beard and glinting from his - фото 3

Before his tent, the firelight playing on his white beard and glinting from his undimmed eagle eyes, sat the great King Brian Boru among his chiefs. The king was old – seventy-three winters had passed over his lion-like head – long years crammed with fierce wars and bloody intrigues. Yet his back was straight, his arm unwithered, his voice deep and resonant. His chiefs stood about him, tall proud warriors with war-hardened hands and eyes whetted by the sun and the winds and the high places. Tigerish princes in their rich tunics, green girdles, leathern sandals and saffron mantles caught with great golden brooches.

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