Jim Butcher - Songs of Love & Death

She snuggled into his chest, also hearing this new, sweet song. “I will, husband. And right merrily.”

Bestseller Carrie Vaughn is the author of a wildly popular series of novels detailing the adventures of Kitty Norville, a radio personality who also happens to be a werewolf, and who runs a late-night call-in radio advice show for supernatural creatures. The Kitty books include Kitty and the Midnight Hour, Kitty Goes to Washington, Kitty Takes a Holiday, Kitty and the Silver Bullet, Kitty and the Dead Man’s Hand, Kitty Raises Hell, and Kitty’s House of Horrors. Vaughn’s short work has appeared in Jim Baen’s Universe, Asimov’s Science Fiction, Subterranean, Wild Cards: Inside Straight, Realms of Fantasy, Paradox, Strange Horizons, Weird Tales, All-Star Zeppelin Adventure Stories, and elsewhere. Her most recent books are Voices of Dragons and a new Kitty novel, Kitty Goes to War. She lives in Colorado.

In the clever tale that follows, she demonstrates that the line between dreams and reality can be a thin one—and that sometimes it’s hard to tell if you’ve crossed it.

The wires were obvious, strung with LED lights that switched on the moment the hero launched upward, illustrating the fact that no one had yet figured out how to get a real flight-capable superhuman to act in a play or movie or anything.

“Well?” Otto Veck, acclaimed director, looked at Charlotte.

The stage was a mess. A chain-link fence formed the backdrop, supposedly suggesting the shadows of a forest. A pile of stuffed black garbage bags made a castle shape. A woman in a white bustier, panties, fishnets, and a black garter with a cute little bow clinging to her thigh lay at the foot of the tower of trash as if she had just thrown herself off it, to her death. Nearby another body lay, a twisted man dressed in a three-piece suit with a tire iron sticking out of him, suggesting a sword at the end of a duel. The hero, a handsome man with a clean-shaven face, wearing an alluring amount of leather, had been kneeling beside the woman, hand to his chest, overcome by the wretchedness of the world. Then he flew away, straight up into the rigging overhead, vanishing into the heavens.

The scene was supposed to look a mess, but it didn’t match the picture Charlotte imagined. She winced. “Can we make it a little more… I don’t know… pretty?”

Otto tilted a thoughtful head, as if regarding the stage from a slightly different angle. It was Marta, the actress, who sat up, appalled. Fred, who played the fiendish villain/bureaucrat, stood and set aside the tire iron as he stretched muscles and groaned. Harry, who played the tragic hero too late to save his lover, but not too late to exact revenge on the fiendish villain/bureaucrat, slowly descended, hanging passively in his harness as the stage crew lowered him back to earth. Out of character now, he looked tired.

“Pretty? You want this to be pretty?” Marta said. “What happened to the terrors of modernity? There’s nothing pretty about modernity.” She had her hands on her hips and glared with the air of an offended artist. The truth was, she looked good in the lingerie and knew it, and was probably afraid that “pretty” meant putting her in a floor-length gown.

Charlotte thought she had said something along the lines of wanting to recast classic gothic narratives as a vehicle for alienation—the terrors of postmodernity expressed as the sublime. They had the terrors of postmodernity down pat but seemed to be missing the sublime.

The last dress rehearsal was a little late to be rethinking the project. Was it too late to cancel the whole thing? It had all seemed so much more clever when she wrote it.

“Never mind,” she said. “It’s fine. It’s all fine.”

“Maybe the lighting,” Otto said, trying to be helpful. “More of a halo effect upstage.” He put on his headset. “Bob, is it too late to change that last lighting cue?”

She sat in her squishy velvet seat in the middle of the house and pondered. This was supposed to be her big break. Her jump from the bush leagues to the big-time, with a director like Otto, an award-winning actress like Marta starring, in a theater that didn’t seat its audience in folding chairs. Charlotte couldn’t help but feel that her career was already over.

Her phone rattled, and she dug in the pocket of her jeans for it.

The screen showed Dorian’s text: “Wrk late, won’t make dinner, sry, make it up to you.”

She quelled her disappointment and instead decided to admire Dorian’s dedication. An up-and-coming assistant DA like Dorian Merriman didn’t win cases like the one against the Midnight Stalker by going on dinner dates with struggling playwrights.

Otto and the three actors were all looking at her, and she might have blushed.

“Everything okay?” Otto said.

“Fine,” she said, putting her phone away.

“Are we done, Otto?” Harry said.

“We’re done. Call’s at five tomorrow.” Otto and the actors disappeared backstage.

Part of her wanted to curl up right here for the next twenty-four hours, until it was all over. Maybe she could sleep through it.

Instead, she found her coat and bag and went to catch a bus home. It was early summer, still daylight, still warm. She could have walked the whole way, scuffing toes on the sidewalk and thinking of everything that could go horribly wrong tomorrow night. She didn’t even have to go on stage and she was terrified.

As an alternative to going home and stewing, she decided to take herself to dinner. Just because Dorian couldn’t go out didn’t mean she had to stay home. She had to celebrate either the beginning of her career or mourn its incipient demise. She had a favorite place, a hillside café with a rooftop patio, perfect for watching the urban neon sunset. And it arranged its wine list by price, which she thought was postmodernly classy.

SHE DIDN’T PLAN for the jewelry store next door to the café to get robbed while she was there.

She had just ordered a salad and a glass of zinfandel. Something to take the edge off while she stared at the hazy city sky and reminded herself that she was lucky and she had a great boyfriend when he was around, and her dream was coming true and the play really was okay and no one was going to write wretched reviews calling her names. Everything was going to be just fine .

Alarms started ringing, clanging mechanically, vibrating through the floor. The police sirens joined a minute later. A dozen customers and waitstaff crowded along the patio rail to see what was happening. Charlotte was already sitting there and had a pretty good view of the street. But like many others, she also looked up and around at the sky and rooftops, wondering which hero would swoop in to save the day: Breezeway? The Bullet? Captain Olympus himself?

The police sirens approached, howling, then a half dozen Commerce City PD squad cars roared up the street and screeched to cinematic halts, skidding to angles that blocked the intersections. Uniforms bounded out and pointed guns at the building. Out came the bullhorn, and one of the officers called through it, “Come out with your hands up!”

Shouting echoed up the stairwell that led to the roof. Six men wearing purple Kevlar vests, fatigues, and ninjalike masks appeared. Two held heavy metallic briefcases, no doubt filled with something nefarious and stolen. Four held what had to be ray guns—plastic, streamlined, with parabolic dishes where the barrels should be. They made quite an impression.

They must have planned to jump to the next rooftop and keep running until they found a ladder to shimmy down while the police were still racing up the stairs after them. The police were a little too fast, and the thieves were a little too desperate, because they went for hostages.