Mazarkis Williams: Knife Sworn

“Clever girl,” said the shorter man with the scarred chest. Girl, he said, though he hadn’t any years on her.

“I want to leave.” She knew herself no beauty, a broad face sculpted without delicacy, a solid frame. They wanted her because they enjoyed taking. Men like to take more often than they like to be given.

She should be scared. She wanted to know why she wasn’t scared. Just something else she had lost? Another part of her broken?

The tall man lunged, and she swung. The iron ring hit his cheekbone. Grada heard bone break. He staggered away, both hands clamped to his eye, howling. His friend watched her, amazed.

“Why did you do that?” He didn’t seem able to grasp it.

“Two against one isn’t fair,” she said, wondering as she spoke them if the words were hers, or something left behind, something dropped by the Many in the shadows of her mind. She looped the rope back into its place, watching the men. The tall one walked into a tree, staggered and sat down, blood leaking from under his hands. His friend didn’t seem to care, still wrestling with the injustice of it all.

“We were just playing.” He even seemed to believe it.

“You would have let me go when you’d finished?”

She turned, knowing it wasn’t over, and walked towards the river.

“Yes.”

A voice whispered that they would have buried her among the trees. Not a true voice, just an echo. Those hooks are meant for cutting. Another whisperer, one that sounded eager enough to cut. A keen edge must be used, sooner not later. Sharpness is a challenge.

Grada heard Scar-chest coming, feet pounding the hard-baked soil past the marker stone. Stupid. She had known he lacked the wit to creep. She had almost reached the point, the point beyond which he would have let her go, almost surprised herself. But he came, as she knew he would.

She ran too, skipping down the riverbank, barefoot, stone to stone. The look on his face-determination, eagerness, anger-all of it gone when she turned at the water’s edge and set her shoulder to receive him. He flew high as she took the impact and straightened, landing with a splash as wide as his surprise. Grada followed into the river and pulled her attacker into the shallows where she could drown him.

Thrashing churned the water, white foam, tinged brown with river mud. Grada knelt on a broad stone bedded in the shoreline, her arms elbow deep, wringing as she had wrung out the robes of the wealthy many times before.

And now, as the water calmed, as the thrashing of limbs surrendered to the cold and placid flow of the river, his face kept only a hint of surprise. She knelt on the rock, the river swirling cold about her arms, hands around his neck.

Somewhere in her, a tongue remembered pomegranate. Hers? Had she eaten one? Imagined the pale jewels inside to be riches that might take her from the Maze? Had that been her?

His eyes on hers, the water sliding between their faces, streaming his hair. This nameless man.

She had throttled chickens with more emotion, twisted their heads off and set the bodies still twitching in the basket, scaly legs still jerking as if to escape the hands that had plucked them from the yard.

Don’t play games now.

Grada stepped into the water and hauled him out, grunting with the effort. He lay half over her as she fell back onto the hot rock, a touch of the intimacy he’d been seeking. “Gods.” She sucked in a breath. Men became so heavy when the life ran out of them, as if it had buoyed them all their days. She lay gasping, then pushed him off, slapped his face, made him cough. The fear that had hidden away all that time in the orchard now crept back in, hunched in the pit of her stomach, putting a tremble in her hands that was about more than wet robes. She stood up.

“So I saved you.” She looked down at the man, black hair plastered to the rock. Had it been Grada that saved him? Once her choices had been hers, spread out like Kento sticks: pick one-they’re all yours, but pick one. Every choice felt like a step away now, each one leading to a different person. The Many had left her, but their paths remained, tracks worn in the empty lands, a thousand crossroads without sign or post.

And she walked on, water dripping to the dust, marking her trail like so many drops of blood.

To know that you are alone first you must know company.

Grada paced along the riverbank. In places the trail dipped as an irrigation channel crossed it, and in the soft mud the ruts and hoof-marks of the caravan could be seen among the countless camel-prints.

Grada knew what it was to be alone. For the longest time she had been alone and yet not known it, as if her life had been lived blind, until the Pattern Master gave her sight, until Sarmin showed her beauty. Now that sight had been taken. Now she knew she walked alone.

Along the river the air felt cool, though the sun beat down just as hard. At the oasis of Jedma the waters stretched so wide you couldn’t hurl a stone across them, but the air hung still and heavy, wrapped you in a warm, wet hand. The river breathed, though. The silence held a different quality.

Ahead, the faint smudge of smoke against the blueness of sky. Camel dung burned dirty when they gorged on the lush banks.

Grada found a place to sit beside the road. She didn’t need to creep up like boys playing hunt-the-cat, didn’t need to spy on her prey from some ridge or dune. They were there. The record of their passage, the smoke of their fires, told her so. Five dry dates made her lunch, fished from the deep pockets of her robe. She chewed them, savouring the old sweetness, slow and deliberate, like the camel thoughtful over its cud. The taste woke many memories, flavouring each so that it became hard to know which were hers.

“I’ll keep to the road.” She spoke to the portrait, a disc of obsidian cupped in the palm of her hand, Sarmin’s features incised into its surface. What the artist had found that would cut obsidian she didn’t know. “I’ll keep to my quarry.”

She had asked him for a statue, one of the icons the nobles had, to say their prayers to. The Old Mothers had them in gold and bronze: representations of Beyon standing six inches high in niches above their beds. Some kept them still, with just the name cut and re-stamped upon the base, Sarmin’s name below his brother’s image, a man too powerful in chest and arm to be Sarmin, though nothing like his brother either, so the emperor told her.

“I would feel silly giving such a thing to a friend,” he had told her. “You carry me inside you.”

Grada had carried him, now she carried the space where he had been. It seemed cruel to remind her and refuse her in the same breath, but then Sarmin, for all his cleverness, for all that he had shared her skin, did not truly know her. Perhaps he understood no woman, and maybe no man either. He had stepped from that room they raised him in, but she wondered if he would ever truly leave it.

In the end, Sarmin showed he knew a little more of her than he had admitted, for as she took her leave on the mission he assigned her, the emperor stepped from his throne, crouched beside her where she knelt prostrated and pressed the disk into her hand.

She twisted it now before her eyes. Straight on, you saw nothing, just a suggestion here or there. Only at an angle would the light catch on the artist’s cuts and offer up Sarmin’s features, caught in a few brief lines: as true an image as she had ever seen.

Grada slipped the disk back into her robes and stood, brushing away dust and grit. She walked on. The caravan would not halt long; they had kept a good pace for the past week.

Hours later, with the sun descending, she almost passed by the place where they had turned. She knew in other lands that tracking was an art-form, learned over a lifetime and practised with great skill. Cerana had few places where such skills mattered. Between the city and the sands lay only a thin strip of land where the ground would mark, and where the wind would leave such disturbance long enough to be of use. If the caravan had not numbered iron-shod horses among its steeds there would have been no choice but to follow closely and risk detection. Just one such print caught her eye, one half-moon, cut through the year-old flood-crust out towards the fields. The caravan had left the river road, turned from the city with little more than a day’s travel ahead.