Elizabeth Hand - Waking the Moon

And suddenly all the cold misery that had overwhelmed me before rushed back. Because, of course, this was who was supposed to know the answer to Oliver’s ridiculous opening question. This was who he was supposed to meet—not me. Never me. Though from his expression he seemed quite unnerved. He looked away, shoving his glasses back onto his nose. “Ummm—a seat?” he asked, and tentatively patted the empty chair.

The girl stared at Oliver. Her eyes narrowed, and a curious expression crept over her face. Mingled apprehension and longing, but also a sort of restrained hauteur, as though she waited for a servant to come show her to her chair. As though she, too, had been expecting someone different. It was an unsettling expression to see in someone my own age. I wished I had taken a seat in the front of the room, wished that I’d never come here at all.

Her gaze flicked from Oliver to the chair beside him, and then to me. I found myself staring right back at her—a cat may look at a queen, right? For a long moment her eyes held mine. Luminous eyes, bottle green and almond-shaped, with long curled lashes tinted a dusky green as improbable as her irises. At the front of the room the muted conversation had stopped.

“We-ell,” the girl said softly. She shifted her bag to her other shoulder and stepped into the room. Then, to my surprise, she spun on her heel and sank into an empty chair.

The chair next to me.

“I am Angelica di Rienzi,” she said, and smiled.

“Wow.” An explosive breath from someone in the front of the room. “Daddy, buy me one of those.”

She was like a pre-Raphaelite Venus. Those enormous slanted eyes, cheekbones so high and sharp you’d cut your lip if you tried to kiss them. A wide curved mouth carefully shaped and colored with pale violet lip-gloss, hiding perfectly white teeth and just the slightest hint of an overbite. Her hair was a gorgon’s tangle of bronze curls, pulled back loosely with a thick purple velvet ribbon and hanging halfway down her back. Between soft tendrils glinted a pair of gold hoop earrings set with amethyst beads, and around her long neck hung a fine gold chain set with another, single tear-shaped amethyst. She wore a flowing cotton peasant dress, with short gathered sleeves and a scoop neck and little violet ribbons trailing from the bodice. Your basic trust fund hippie look, and just about anyone who affected it—me, for instance—would look infantile or perhaps, if they were fortunate, engagingly girlish.

But not Angelica di Rienzi. Angelica looked regal. How can I describe what it was like, seeing her in a university classroom? A classroom at the Divine, to be sure, but still just a classroom, smelling of chalk and cigarettes, floor wax and earnest fear. It was like glimpsing a peacock on a lawn in New Rochelle; like hearing someone sing the Magnificat in Grand Central Station. No one could look at her and not believe that the world would give her whatever she wanted. Not even Oliver. Not even me.

She tilted her head. “And you must be—?”

“Sweeney,” I said, my voice cracking. “Sweeney Cassidy.”

“Angelica.” Oliver repeated her name slowly, unconsciously aping Angelica’s theatrical diction. He moved his desk and chair closer to hers and extended his hand. “Oliver Wilde Crawford.”

Angelica nodded graciously. She pulled a notebook from her bag and let the purse slide to the floor, then, with another dazzling smile, took his hand.

In the front of the room someone giggled. I twisted around to see a heavyset young man in mirrored sunglasses staring at Angelica, his face expressionless, a cigarette dangling from one hand. I had a glimpse of dark eyes and a handsome, broad face with Asian features. Then with deliberate slowness he turned away.

“Are you related to the Wilde?” Angelica was asking Oliver. Her innocent emerald gaze made me kiss the pre-Columbians good-bye.

“Ah, yes. ‘The old somdomite,’” he said, giving her one of his vulpine smiles. “As a matter of fact Vyvyan—his son, Vyvyan—”

But at that moment Professor Warnick cleared his throat.

“Good morning, gentlemen and ladies. Welcome to the University of the Archangels and Saint John the Divine.”

One of the other students called back, “Good morning!” and another laughed. Professor Warnick gave a small tight smile, more like a stoat baring its teeth, and glanced at the papers in his hand. He was a diminutive man, his longish black hair touched with grey, but with a young, rosy face and blue eyes that blazed almost angrily beneath thick black eyebrows. He looked comfortable at his podium, despite clothes as ill suited to the weather as my own: a stylish and expensively tailored suit of charcoal black worsted, cream-colored shirt, and an expansive paisley tie of purple and poison green. The podium he leaned against had been specially designed for him. Its brass fittings were set into richly gleaming wood—rowan, I was to learn, and ancient oak imported from Aylesbury—the whole thing set upon polished casters that squeaked malevolently when it was wheeled from classroom to classroom. It might have been all of four feet tall, and Professor Warnick himself perhaps a foot taller.

“Ahem.” He inclined his head toward the back of the room. “Perhaps the Ghostly Trio would like to join the rest of us—?”

A titter from the other students. I gathered my things, abashed. Oliver stumbled noisily from his chair and took my elbow, looking past me at Angelica. She stared at Professor Warnick before giving him a small smile. His own cool gaze remained fixed as Oliver led me through the maze of empty chairs to the front of the room, Angelica behind us.

“Will this be sufficient, sir?” Oliver asked. He paused beside three seats and cocked his head. Professor Warnick smiled slightly.

“That will be fine,” he murmured, and began handing out sheaves of Xeroxes.

We settled into our chairs. Oliver looked at Angelica. He whispered, “Have you a writing implement? And some paper?”

She rumbled in her bag and came up with a gold Cross pen, tried to tear a sheet of paper silently from one of her pristine notebooks. Professor Warnick looked up as she hurriedly passed the contraband to Oliver. Immediately he began sketching cartoonish figures in the margins. I glanced back at Angelica. She had opened a notebook with marbled cover and endpapers, and was writing carefully at the top of the first page with a Rapidograph pen, drawing elegant cursives in peacock blue ink. I looked at my own battered notebook and my pen: leaky Bic ballpoint, black ink, cap missing. I decided not to take notes.

Professor Warnick’s class was strange. He began by dismissing other methods of teaching the subject at hand—

“Anthropology is very good as far as it goes, which is not very, since the discipline itself is only as old as The Golden Bough. And archaeology you will find is more, rather than less, problematical. Ah! you think, but how can that be so, since with archaeology we have, at least, the physical evidence in hand, it is only up to us to apprehend the culprit! But, I ask you, how many of you, looking upon a truly ancient artifact from a truly unknown culture, would have the slightest idea of what it was?”

Professor Warnick’s clear tenor rang through the room’s musty air. Dead silence from his students. Only from Oliver’s desk came faint scratchings and squeakings as he continued to sketch. Professor Warnick swept us all with a dismissive gaze. Then from somewhere (but where? it seemed too bulky to have fit in his pocket) he swept forth an object consisting of a straight upright metal rod with crossbars and several dangling narrow strips of metal. Although cleaned and burnished to a warm bronze color, it still looked stained and worn and undeniably ancient.