Stephen Brust - The Gypsy

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Part gritty urban police procedural and part horror fable, this enthralling fantasy/mystery examines issues of life, death, love and morality. A man without memory, known as the Gypsy, wanders the streets of Lakota, Ohio, leaving death in his wake. After a clerk is murdered during a holdup, the Gypsy is booked by cop Mike Stepovich, who uncharacteristicallydb pockets the suspect's strange knife, found nearby. An apparent snafu releases the Gypsy, who comes under suspicion again when a woman fortune teller is murdered in a cheap hotel. Stepovich, with the unvoiced disapproval of his brash young partner Durand, surreptitiously looks into the murders, now out of their jurisdiction, and finds himself walking down strange paths. Meanwhile a woman known as the Fair Lady is working her spells to draw others, including Stepovich's teenage daughter's friends, into her evil web. She can be stopped only by three brothers, known as the Raven, the Owl and the Dove. As forces move to their climax, Stepovich's retired former partner plays a role, as does an old drunk known as the Coachman, who may hold the key to salvation. Brust ( The Phoenix Guards ) and Lindholm ( Wizard of the Pigeons ) have crafted a powerful and memorable fantasy.(From Publishers Weekly)

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He caught one glimpse of a gypsy, back in the shadows, and it wasn't the Gypsy anyway. Never a Gypsy around when you need one. Ed still had his lighter going, and he was waving it around like it would work better than garlic and crosses.

And then the time for worrying about stuff like that was gone. All the time in the world was gone. Down to a single now, the now where Timmy was standing over him, straddling him like the outlaw in a B Western, holding the pistol in both hands as he pointed it at Stepovich's face. Not in the face, he wanted to tell him, my kids don't deserve that, not a closed coffin service where you always imagine it as much worse than it could ever be. But he couldn't speak at all,could only lie there and look up at death like a car-hit dog on the freeway.

SOMETIME

Damn all gypsies anyway, he thought, as he arrived in a place he hadn't brought them to, but would have to return them from if there were any of them left to return. He felt for the calk in his pocket, got it out,threw it into the air, and when it came down he caught the butt of the whip it was fastened to. That to you, Luci, he thought. All I have to do is step outside this door, onto the road, and I'll be like a T altos myself.

He heard the sound of a gunshot, and sighed. No doubt the damned gypsies and their silly friends were getting themselves killed. Well, that was not his concern, had never been his concern. He drove the coach when he had one to drive, and now that he didn't-

Well, there was one thing he could do. It wouldn't save any of these fools from the consequences of their own actions, but if it had worked there, it would certainly work here; if any of them lived, at least they might not fall into the Nothingness.

Still weak and in pain, he slipped past impossible shapes doing improbable things to each other. He sidled along a wall until he came to the fireplace, and there, just as he'd thought, was the scarf that had brought them here. He pulled it out, not surprised that the fare hadn't damaged it. He made his way back to the door from which he'd entered. It stood wide open as if it expected guests. He leaned against what felt like cold stone. His breath came in gasps, and when a cramp hit, he thought it was all up for him,but then it passed.

He straightened, turned, and looked out the door,away from the flickering of lights and the antics of demons, to where there was nothing at all, at all, at all. And, as he did, there were two shapes there. Human shapes, of all things. Young girls, looking wild and frightened. They approached the door, and when they saw him, the fair one drew back, while the dark one raised her fingernails like talons.

"She's calling us," said the dark one. "You'd better not-"

"Oh, hush," said the Coachman. "There's nothing for you in there but death, and you know it."

The fair one turned to her friend and said, "Sue,I'm scared. Laurie-"

"That wimp's no concern of ours. This is it, the big fight. We need to help Her. We-"

"Listen to your fear, my children," said the Coachman, his voice rolling like a cimbolom. "Your fear is wise; trust it. It falls upon you like a wave, and in the wave are specks of pain and droplets of oblivion. The call is the call of those who've been lost at sea, whose souls float, with no anchor. Your fair mistress betrays you, even as She promised. Do you recall Her words?Think on them now, before you act."

They stared at him, there at the brink of forever,and while they did he stepped forward and slammed the door shut behind him. They cried out, but before they could touch the door, crack! crack! and he had put his mark on it with the calk on the end of his whip.

"It is sealed now. You cannot enter," he said. "Go home, or become Nothing." They stared at him with confusion and fear still etched on their too-young features, but, then the dark one said, "Come on,Chrissy. We can get past him. She needs us."

The fair one gave a low moan, then her eyes widened and she said, "Yes! I can hear Her!"

They charged him, scrabbling for the door, but this was outside, this was between, this was neither here nor there. It was on the road, and on the road the Coachman has the power. It gave him no pleasure to use it.

SOMETIME

Csucskari knew where he was, for he had brought them all there. But where were the others? Beams of light flashed around him, showing glimpses of faces from his nightmares, but no sign of his friends. The servants of Luci he knew; they snuffled about in the darkness. He drew his knife, lest any come near him,and waited.

Then there came a clap of sound from one side,oddly muffled. He turned to meet it. Folk moved and muttered around him. He ventured closer, drawn by a vague glow, seeing only an old man collapsed on the floor, cupping fire in his hands. The light flickered unevenly, but he caught a glimpse of Owl, struggling to stay on his feet, and the gunman, who was pointing his gun at the floor. No, he was pointing it at the policeman, the Wolf, lying helpless before him, his left shoulder and chest already dark with blood. The hammer was going back. The gunman was smiling whitely.

There was no conscious decision. The knife was already in his hand, and Little Timmy was in front of him, just like before, and he was there, once more,with a living man before him and a glittering knife in his hand. It was like a play, each performing a well-rehearsed part, even the lights coming up brighter.Timmy must have heard his step, for he looked up just as Csucskari reached forward and put the knife in him. Timmy's eyes met his, and Csucskari felt the contact of their gaze even as he felt the shock as his knife buried itself to the hilt past Timmy's collarbone.They both cried out at once, their screams filling the room. Csucskari's hand never left the hilt. He felt Timmy become a weight on his blade. As he fell, the knife pulled free of the body. He'd done it again.Blood followed the blade. He stared at the body that thrashed mindlessly on the floor below him. This was not what he'd come here to do. He dropped the knife,covered his face, and sobbed.

Bagoly knelt beside him. He could feel the trembling of his brothers weakness. So drained, both of them. "Hollo?" he whispered, but there was no reply, and the music that should have led them to the light was elsewhere. In the end, then, She'd won,separated them and distracted them, used her poor bent tools as foils to draw them out. Fool of a Gypsy,ever thinking he could win. He reached toward Owl,knowing they'd never touch.

SOMETIME

"I'm not hurt that bad. I'm not hurt that bad." Durand could hear himself saying it. He didn't knowhow long he'd been repeating it, trying to convince himself it was so. He stared up at the high ceiling that was rimmed with silver. Looked like stone roots, and huge boulders, like a stylized cave roof. He tried to keep staring at it, but the nightmare on his chest dug its fingers into his upper arm, squeezing yet more blood from the wound. It was a hallucination, Durand was sure, and he wasn't going to dignify it by watching it or trying to push it away. But if he was seeing things, then maybe he was hurt worse than he thought. He rolled his head to one side, saw Stepovich on the floor and the gunman standing over him. There wasn't enough light for the blood to be red,but the blossoming stain on Mike's shirt was still spreading. "Officer down," Durand said inanely."Officer needs assistance." He wasn't handling this very well, he knew it. He should be doing better than this, but he wasn't sure exactly what he was supposed to be doing.

Follow the rules, even if it got him killed? Only he couldn't think what rules to follow. And these damn nightmares on his chest were so heavy, so disgustingly real. Clammy, hard-fingered hands, and really grotesque odor: Urine and sweat, and that wasn't even the bad part.

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