Peter Higgins - Truth and Fear

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Truth and Fear: краткое содержание, описание и аннотация

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Investigator Lom returns to Mirgorod and finds the city in the throes of a crisis. The war against the Archipelago is not going well. Enemy divisions are massing outside the city, air raids are a daily occurrence and the citizens are being conscripted into the desperate defense of the city.
But Lom has other concerns. The police are after him, the mystery of the otherworldly Pollandore remains and the vast Angel is moving, turning all of nature against the city.
But will the horrors of war overtake all their plans?

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‘Put these on,’ she said. ‘It’s going to be cold.’

Gretskaya went ahead and turned on the cockpit lamp and the navigation lights. Lom recognised the aircraft: he’d seen one like it moored at the Yannis boatyard in Podchornok. It was a Beriolev Kotik biplane, the clumsy reliable workhorse of the northern lakes. The boat-shaped hull, dented and water-stained, wasn’t much bigger than the ZorKi limousine. Beneath the centre of the upper wing was a single stumpy engine nacelle, its two-bladed wooden propeller facing backwards. The lower wings stuck out from behind the cockpit, a canoe-shaped stabilising float slung beneath each one. The wings looked feeble, like arms raised in surrender or despair, like they’d snap off under the weight of the fuselage. Lom remembered the immense sleek bombers of the Archipelago roaring low across Mirgorod. Machines from a different world.

Florian clambered up into the cockpit and ducked down into the cabin behind.

‘He always travels below deck,’ said Gretskaya. ‘Straps himself in and keeps his eyes screwed shut. You take the co-pilot seat.’

She swarmed neatly up the side of the hull and over the windscreen. Lom followed awkwardly and squeezed himself into the tight space beside her. The cockpit was crude and industrial: lime-green steel with canvas bucket seats. No concessions. In front of the pilot’s seat was a flat black panel of gauges, dials, knobs and switches, and a small three-quarter wheel on a green steel column thick as an arm. Gretskaya taped several layers of red cellophane across the cockpit lamp, dimming the interior to near darkness, made a few adjustments to her instruments, then stood up in her seat so she could reach behind to start the engine. It burst into life with a reek of oil and smoke. The whole airframe began to vibrate.

Gretskaya slid the cockpit canopy forward and closed them in.

‘You flown before?’ she said, pulling on her gloves.

‘No.’

‘Don’t touch anything. If you feel like you’re going to puke, well, don’t.’

‘I’ll be fine,’ said Lom.

Gretskaya opened the throttle and eased the plane away from the jetty, swinging its nose to point across dark open water. Lom looked at his watch. It was half past five. Still three hours to dawn.

The engine bellowed and the machine surged forward, bumped two or three times as it hit the swell, and then… nothing. It took Lom a moment to realise they were airborne. Gretskaya pulled back sharply on the column. Lom’s weight pressed him back into his seat as the Kotik, trembling with the surge of its engines, its airframe creaking alarmingly, climbed steeply into darkness. While they were still pushing upwards at a steep angle, Gretskaya took her hands off the stick and gripped it between her knees. She tested the lamps and added another layer of red cellophane. She saw Lom watching her and grinned.

‘Night vision,’ she said. ‘Don’t want to be dazzled by the interior lights. Don’t worry, there’s nothing up here to crash into.’

Lom grunted and stared out of the side window. The ground below was a broadening, sliding patchwork of barely legible darkness: the foggy glimmer of the lake and the spreading inky absolute blackness of trees, threaded by a dim paler line that must have been the road they came in by. A sudden flash of light outside the starboard window at his shoulder startled him. It was followed by another longer flash, a flicker, and then a trail of intermittent, vaporous brightness was streaming backwards from the wingtip lamp, which until then had been invisible under the wing. The temperature dropped precipitously and the landscape below them disappeared. Lom realised they were flying into cloud. The plane lurched sideways, caught in turbulence. Gretskaya steadied her and kept on climbing. As they reached the upper fringes of the cloud the wingtip lights seemed to flash on and off again, more and more rapidly, and suddenly vanished.

They emerged into clear dark space. Above them, drifts and scarves of stars glittered in blackness. The moons on the horizon illuminated the oceanic cloud below and pinned the tiny aeroplane to it with a bitter mineral glare.

Gretskaya levelled off, balancing the Kotik by gyroscope. Wrapped in the cockpit’s companionable little pocket of blood-red dimness, Lom watched the thin radium line of the artificial horizon rise and settle. The dials on the instrument panel breathed slowly. The engine quietened and the aircraft droned onwards, chasing its own mist-haloed shadow on the cloud below. The sky above the clouds was a beautiful, desolate, endless, frontierless world.

Lom had felt the beautiful ache of immensity before–a silent afternoon in a train crawling across continental moss, a night walk among birch trees in the Dominions of the Vlast. Simplification. Purification. Humbling. The mortification of the self. But never anything like this. Never anything to compare with these dangerous, darkly shining, planetary, abyssal eternities. Up with the moons the angels swam. Words he hadn’t heard since childhood rose up out of the accumulated silt in the bottom of his mind and tugged at him like rusalkas pawing a tiring swimmer. Trying to grab his attention. Trying to pull him under.

What you must do, said Baba Roga, is climb down inside the hollow tree until you come to a cave. Inside the cave there are three doors. If you open the first door, you will find a dog with eyes the size of dinner plates, guarding a treasure of copper. If you open the second door, you will find a dog with eyes the size of millstones, guarding a treasure of gold. And if you open the third door, you will find a dog with eyes the size of moons, guarding a treasure of blood and earth. What do you think of that, my beautiful boy?

I think the eyes of the dogs are moons, Provost. And the dogs are angels.

All angels are terrible.

And all the rusalkas had Maroussia’s face.

Images of Maroussia crowded his mind. Maroussia’s dark serious eyes. Maroussia walking straight-backed away from him down the street. Maroussia’s cold work-reddened hands. Maroussia asleep, breathing in the dark. The scent of her hair. The brush of her face against his cheek. Maroussia tied to an iron chair and Chazia leaning over her, running her tongue across her lower lip in concentration. Chazia with a knife in her hand.

61

Lavrentina Chazia watched the Shaumian girl return slowly to consciousness. She stirred. Groaned. Opened her eyes. Vomited. Tried to sit up and vomited again. Her eyes were confused. Unfocused. Whatever Bez Nichevoi had done to subdue her, it had left her feeble, trembling and feverish. No matter. There was time now. Plenty of time.

Chazia had propped her up against the wall of the otherwise empty freight car. Her wrists were cuffed with leather bands, connected by chains to a bar bolted to the floor. The chains, no more than dog leashes really, were long enough for her to move but not to stand. In her present condition she could not have stood unaided anyway. Chazia squatted beside her and held out a cup of water.

‘Here,’ she said. ‘Drink.’

The girl shook her head.

Chazia smiled. ‘You think I want to poison you?’ she said. ‘Of course I don’t.’ She drank the cup herself. ‘Look, it’s fine.’ She poured another. ‘Please. Drink. You need it. I don’t know what Bez did to you, but I apologise for it. I’m sure it was both unnecessary and unpleasant.’

This time the girl took the cup and swallowed the water in one gulp. Choked and coughed half of it back out, soaking her chest. She leaned back against the rough plank wall. The freight car swayed as it rounded a curve.

‘Where am I?’ she said. ‘This is a train.’

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