Kaladin walked over to the last bundle on the counter. His uniform was different. It included a blue waistcoat and a double-breasted blue longcoat, the lining white, the buttons of silver. The longcoat was meant to hang open, despite the rows of buttons down each side.
He’d seen such uniforms frequently. On lighteyes.
“Bridge Four,” he said, cutting the Cobalt Guard insignia from the shoulder and tossing it to the counter with the others.
Notes
From left to right: Freedom | Bridge 4 | Kholin | Tanat
I had to spend hours watching bridgemen to sketch their stupid forehead glyphs so you could have them, my friend. I’m pretty sure this how they were designed.
– Nazh
Traditional Year 1173 | Stylized Year 1173
sas nahn
shash
Kaladin’s forehead brands | Bridge 4 Uniform Insignia

3. Pattern
Soldiers reported being watched from afar by an unnerving number of Parshendi scouts. Then we noticed a new pattern of their penetrating close to the camps in the night and then quickly retreating. I can only surmise that our enemies were even then preparing their stratagem to end this war.
From the personal journal of Navani Kholin, Jeseses 1174
Research into times before the Hierocracy is frustratingly difficult, the book read. During the reign of the Hierocracy, the Vorin Church had near-absolute control over eastern Roshar. The fabrications they promoted – and then perpetuated as absolute truth – became ingrained in the consciousness of society. More disturbingly, modified copies of ancient texts were made, aligning history to match Hierocratic dogma.
In her cabin, Shallan read by the glow of a goblet of spheres, wearing her nightgown. Her cramped chamber lacked a true porthole and had just a thin slit of a window running across the top of the outside wall. The only sound she could hear was the water lapping against the hull. Tonight, the ship did not have a port in which to shelter.
The church of this era was suspicious of the Knights Radiant, the book read. Yet it relied upon the authority granted Vorinism by the Heralds. This created a dichotomy in which the Recreance, and the betrayal of the knights, was overemphasized. At the same time, the ancient knights – the ones who had lived alongside the Heralds in the shadowdays – were celebrated.
This makes it particularly difficult to study the Radiants and the place named Shadesmar. What is fact? What records did the church, in its misguided attempt to cleanse the past of perceived contradictions, rewrite to suit its preferred narrative? Few documents from the period survive that did not pass through Vorin hands to be copied from the original parchment into modern codices.
Shallan glanced up over the top of her book. The volume was one of Jasnah’s earliest published works as a full scholar. Jasnah had not assigned Shallan to read it. Indeed, she’d been hesitant when Shallan had asked for a copy, and had needed to dig it out of one of the numerous trunks full of books she kept in the ship’s hold.
Why had she been so reluctant, when this volume dealt with the very things that Shallan was studying? Shouldn’t Jasnah have given her this right off? It–
The pattern returned.
Shallan’s breath caught in her throat as she saw it on the cabin wall beside the bunk, just to her left. She carefully moved her eyes back to the page in front of her. The pattern was the same one that she’d seen before, the shape that had appeared on her sketchpad.
Ever since then, she’d been seeing it from the corner of her eye, appearing in the grain of wood, the cloth on the back of a sailor’s shirt, the shimmering of the water. Each time, when she looked right at it, the pattern vanished. Jasnah would say nothing more, other than to indicate it was likely harmless.
Shallan turned the page and steadied her breathing. She had experienced something like this before with the strange symbol-headed creatures who had appeared unbidden in her drawings. She allowed her eyes to slip up off the page and look at the wall – not right at the pattern, but to the side of it, as if she hadn’t noticed it.
Yes, it was there. Raised, like an embossing, it had a complex pattern with a haunting symmetry. Its tiny lines twisted and turned through its mass, somehow lifting the surface of the wood, like iron scrollwork under a taut tablecloth.
It was one of those things . The symbolheads. This pattern was similar to their strange heads. She looked back at the page, but did not read. The ship swayed, and the glowing white spheres in her goblet clinked as they shifted. She took a deep breath.
Then looked directly at the pattern.
Immediately, it began to fade, the ridges sinking. Before it did, she got a clear look at it, and she took a Memory.
“Not this time,” she muttered as it vanished. “This time I have you.” She threw away her book, scrambling to get out her charcoal pencil and a sheet of sketching paper. She huddled down beside her light, red hair tumbling around her shoulders.
She worked furiously, possessed by a frantic need to have this drawing done. Her fingers moved on their own, her unclothed safehand holding the sketchpad toward the goblet, which sprinkled the paper with shards of light.
She tossed aside the pencil. She needed something crisper, capable of sharper lines. Ink. Pencil was wonderful for drawing the soft shades of life, but this thing she drew was not life. It was something else, something unreal. She dug a pen and inkwell from her supplies, then went back to her drawing, replicating the tiny, intricate lines.
She did not think as she drew. The art consumed her, and creationspren popped into existence all around. Dozens of tiny shapes soon crowded the small table beside her cot and the floor of the cabin near where she knelt. The spren shifted and spun, each no larger than the bowl of a spoon, becoming shapes they’d recently encountered. She mostly ignored them, though she’d never seen so many at once.
Faster and faster they shifted forms as she drew, intent. The pattern seemed impossible to capture. Its complex repetitions twisted down into infinity. No, a pen could never capture this thing perfectly, but she was close. She drew it spiraling out of a center point, then re-created each branch off the center, which had its own swirl of tiny lines. It was like a maze created to drive its captive insane.
When she finished the last line, she found herself breathing hard, as if she’d run a great distance. She blinked, again noticing the creationspren around her – there were hundreds . They lingered before fading away one by one. Shallan set the pen down beside her vial of ink, which she’d stuck to the tabletop with wax to keep it from sliding as the ship swayed. She picked up the page, waiting for the last lines of ink to dry, and felt as if she’d accomplished something significant – though she knew not what.
As the last line dried, the pattern rose before her. She heard a distinct sigh from the paper, as if in relief.
She jumped, dropping the paper and scrambling onto her bed. Unlike the other times, the embossing didn’t vanish, though it left the paper – budding from her matching drawing – and moved onto the floor.
She could describe it in no other way. The pattern somehow moved from paper to floor. It came to the leg of her cot and wrapped around it, climbing upward and onto the blanket. It didn’t look like something moving beneath the blanket; that was simply a crude approximation. The lines were too precise for that, and there was no stretching. Something beneath the blanket would have been just an indistinct lump, but this was exact.
Читать дальше