Jacqueline Carey - Kushiel’s Dart

"You’ll know," said the snow fox. "Or err."

And with this none-too-reassuring piece of advice, he left us to the harried direction of the culinary staff.

Beyond the doors, we heard the trumpets blow, announcing the arrival of the first party. The musicians struck up a processional tune. In the stifling air of the kitchen, the Master Chef bellowed orders and people rushed to do his bidding. We four exchanged glances, uncertain.

"For the love of Naamah!" The Second Assistant Sommelier took charge of us, handing us our trays and shoving us toward the door. "Cereus is making its entrance; go now, and take your positions along the wall, wait until all the Houses and the first of the guests have entered." He made a shooing motion. "Go, go! I don’t want to see you back until every glass is empty!"

In the Great Hall, I saw that kneeling cushions had been placed along the wall. We took our positions to wait, and had a good view of the procession as it entered between the marble colonnades.

The tray was not light, laden with glasses as it was, but I had been trained for this, as we all had. Gazing at the entering celebrants, I soon forgot the strain in my arms and shoulders.

I knew the Dowayne in an instant, as she entered leaning on Jareth’s arm. She was masked as a great snowy owl, wearing a vast white-feathered mask that covered the whole of her face. It was rumored, I knew, that this would be her last Midwinter Masque. Jareth wore an eagle’s mask, white feathers flecked with umber. The adepts of Cereus House followed them, a white-and-silver fantasia of creatures and wintery spirits; I lost count, with the froths of silk and gossamer and silver piping, horned and hooded and masked.

And this was only the beginning.

All Thirteen Houses made their entrance. Even now, past its heyday, to those who have never seen the Night Court in all its splendour, I say: I weep for you. I have gone farther than I ever reckoned from my birthplace, and I have attended grand functions at the royal court, but nowhere else have I seen such exultation in beauty, and beauty alone. It is, as nothing else in this world is, quintessentially D’Angeline.

If I had been trained by Delaunay then, which I had not, I would have noted and could now recall exactly what the theme of each house was, but some of the highlights remain with me still. Dahlia challenged the sovereignty of Cereus with cloth-of-gold, and the adepts of Gentian came masked as seers, preceded by incensors of opium. Eglantine House, in its madcap genius, entered as a company of Tsingani, singing and playing and tumbling. The adepts of Alyssum, famed for their modesty, were robed and veiled as Yeshuite priests and priestesses, profanely provocative. Jasmine House flaunted, as ever, the exotica of faraway lands, and their Dowayne’s young Second danced in naught but dusky skin, night-black hair and a cloud of veils.

This was ill-received by Valerian’s Dowayne, who had chosen a hareem motif for his adepts, but such things are bound to happen. For my part, I was minded of my distantly remembered mother, and then only briefly, for the procession continued.

One might suppose, and logically so, that I would be most curious about the adepts of Valerian House. It was there, as the Dowayne had said, that I would have gone, had I not been flawed. And curious I was, sufficient that some things I had learned: I yield , was the motto of the House; its adepts were those who had a propensity to find pleasure in the extremity of pain and were trained in the receiving thereof. Logical enough; but the magnet is drawn to iron. I dismissed the Pasha’s Dream that was Valerian House, and thrilled instead to the arrival of the adepts of Mandrake House, arrayed as the Court of Tartarus.

There, amid all the froth and gaiety of the other masquers (Orchis House, I am minded, had a stunning aquatic theme with mermaids and fantastic sea-beasts) they struck a deliciously sinister note. Black velvet, like a moonless night, and silk like a black river under stars; bronze masks, horned and beaked, at once beautiful and grotesque. I felt a tremor run through me, and heard the crystalline sound of glasses shivering together.

Not my tray; I looked, and it was Donatien, his face pale.

I pitied his fear, and envied it.

Then, at last, the procession was ended and the trumpets sounded again, and the guests entered.

Royal or no, they were a motley assortment relative to the splendour of the Night Court; wolves, bears and harts, sprites and imps, heros and heroines out of legend, though there was no theme to it. Still I could see, once they had entered, that when all began to mingle, it would make for a glorious array.

The trumpets sounded once more, and everyone-Dowaynes, royalty and adepts alike-drew back along the colonnade, for this sounded the entrance of the Winter Queen.

She entered alone, hobbling.

It is said that the mask of the Winter Queen was made four hundred years ago by Olivier the Oblique, so sublime a master of the craft that no one knew his true features. Of a surety, it was old, wafer-thin layers of leather soaked and molded into the likeness of an ancient crone, painted and lacquered until it mocked not life, but the preservation of it. An old grey mare’s-tail wig crowned her head, and she was shrouded in grey rags, a dingy shawl wrapped around her shoulders.

This, then, was the Winter Queen.

Everyone bowed as she entered the Great Hall, and those of us kneeling bowed our heads. She hobbled to the head of the colonnade, leaning on an old blackthorn staff, and turned to face the crowd. Straightening only slightly, she hoisted her staff aloft. Trumpets blared, people cheered and the musicians struck up a merry tune; the Midwinter Masque had begun.

As for the Sun Prince, he would come later; or was already here, most likely, but not revealed in his costume. Not until the horologers cried the moment would he emerge to waken the Winter Queen to youth.

So it was begun. I rose from my cushion, stiff from kneeling, and began to circulate. We had all of us taken heed of the costumes in the procession; as the snow fox had said, it was not so difficult after all. We might not know the players, but the teams were easily identified. "Joy," I murmured, lifting my tray, eyes downcast. Each time, a glass was plucked and drained, set down empty.

Out of the corner of my eye, I watched the other three, gauging the moment when all of the guests would have been served a single glass of joie . I had a mind to serve the Dowayne of Mandrake House, who wore a bronze crown above his mask, and carried a cat-o'-nine-tails in his right hand. My tray was emptied ere the guests were all served, however, and I had to return to the kitchen, where the anxious Second Assistant Sommelier refilled my tray with tiny glasses of clear elixir.

In the Great Hall, liveried servants had begun the process of carrying out platter after platter of sumptuous food, until the tables fair groaned; I’d had to dodge among them, with my tray of joie . In the center, several couples had begun a pavane, and I could see in a far corner that one of Eglantine House’s tumblers was entertaining.

Before me was a portly guest who had unwisely chosen to costume himself as the Chevalier of the Rose. I caught a swirl of black velvet and a glimmer of bronze beyond him, and sought to move past, but a strange waistcoat blocked my view. It bore bronze brocade and buttons shaped like silver acorns, and I remembered that its owner was a guest costumed as Faunus. Hiding my annoyance, I murmured a ritual, "Joy," and offered my tray.

"Phèdre."

I knew the voice, a man’s rich tenor, at once amused and bored, and looked up, startled. Behind the rustic mask, his eyes were grey flecked with topaz, and the long braid at his back was auburn.