Robin Hobb - Fool's Assassin

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Nearly twenty years ago, Robin Hobb burst upon the fantasy scene with the first of her acclaimed Farseer novels, *Assassin’s Apprentice,* which introduced the characters of FitzChivalry Farseer and his uncanny friend the Fool. A watershed moment in modern fantasy, this novel—and those that followed—broke exciting new ground in a beloved genre. Together with George R. R. Martin, Robin Hobb helped pave the way for such talented new voices as Scott Lynch, Brandon Sanderson, and Naomi Novik.
Over the years, Hobb’s imagination has soared throughout the mythic lands of the Six Duchies in such bestselling series as the Liveship Traders Trilogy and the Rain Wilds Chronicles. But no matter how far she roamed, her heart always remained with Fitz. And now, at last, she has come home, with an astonishing new novel that opens a dark and gripping chapter in the Farseer saga.
FitzChivalry—royal bastard and former king’s assassin—has left his life of intrigue behind. As far as the rest of the world knows, FitzChivalry Farseer is dead and buried. Masquerading as Tom Badgerlock, Fitz is now married to his childhood sweetheart, Molly, and leading the quiet life of a country squire.
Though Fitz is haunted by the disappearance of the Fool, who did so much to shape Fitz into the man he has become, such private hurts are put aside in the business of daily life, at least until the appearance of menacing, pale-skinned strangers casts a sinister shadow over Fitz’s past . . . and his future.
Now, to protect his new life, the former assassin must once again take up his old one. . . .
**Praise for Robin Hobb and the Farseer Trilogy**
** **
“Fantasy as it ought to be written . . . Robin Hobb’s books are diamonds in a sea of zircons.”**—George R. R. Martin **
“A gleaming debut in the crowded field of epic fantasies . . . a delightful take on the powers and politics behind the throne.”**—*Publishers Weekly****,* on* Assassin’s Apprentice*
“This is the kind of book you fall into, and start reading slower as you get to the end, because you don’t want it to be over.”**—Steven Brust**, on *Assassin’s Apprentice*
“[Robin] Hobb continues to revitalize a genre that often seems all too generic, making it new in ways that range from the subtle to the shocking.”**—*Locus****, *on* Royal Assassin*
“[*Royal Assassin*] reaches astonishing new heights. . . . The Farseer saga is destined for greatness—a must-read for every devotee of epic fantasy.”**—*Sense of Wonder***
“An enthralling conclusion to this superb trilogy, displaying an exceptional combination of originality, magic, adventure, character, and drama.”**—*Kirkus Reviews* (starred review)**, on *Assassin’s Quest*
“Superbly written, wholly satisfying, unforgettable: better than any fantasy trilogy in print—including mine!”**—Melanie Rawn**, on *Assassin’s Quest*
**
### Review
**Praise for Robin Hobb and the Farseer Trilogy**
** **
“Fantasy as it ought to be written . . . Robin Hobb’s books are diamonds in a sea of zircons.”**—George R. R. Martin **
“A gleaming debut in the crowded field of epic fantasies . . . a delightful take on the powers and politics behind the throne.”**—*Publishers Weekly****,* on* Assassin’s Apprentice*
“This is the kind of book you fall into, and start reading slower as you get to the end, because you don’t want it to be over.”**—Steven Brust**, on *Assassin’s Apprentice*
“[Robin] Hobb continues to revitalize a genre that often seems all too generic, making it new in ways that range from the subtle to the shocking.”**—*Locus****, *on* Royal Assassin*
“[*Royal Assassin*] reaches astonishing new heights. . . . The Farseer saga is destined for greatness—a must-read for every devotee of epic fantasy.”**—*Sense of Wonder***
“An enthralling conclusion to this superb trilogy, displaying an exceptional combination of originality, magic, adventure, character, and drama.”**—*Kirkus Reviews* (starred review)**, on *Assassin’s Quest*
“Superbly written, wholly satisfying, unforgettable: better than any fantasy trilogy in print—including mine!”**—Melanie Rawn**, on *Assassin’s Quest*
### About the Author
**Robin Hobb **is the author of the Farseer Trilogy, the Liveship Traders Trilogy, the Tawny Man Trilogy, the Soldier Son Trilogy, and the Rain Wilds Chronicles. She has also written as Megan Lindholm. She is a native of Washington State.

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When I lifted it, I felt the tide of the memories stored in it. The Fool’s last words to me, stored in the stone, tugged at my recollection. “I have never been wise,” he had said. A reminder of the recklessness of our youths, or a promise that someday he would ignore caution and return? I closed my mind against that message. Not now.

And foolishly, I tried to swipe the blood from his face with my thumb.

Memory stone is peculiar stuff. Of old, Skill-coteries had traveled to a distant quarry in the Mountain Kingdom where they carved dragons from it, imbuing the stone with their memories before being absorbed into their creations to give them a semblance of life. I’d seen it happen, once. Verity, my King, had given himself to a stone dragon, and then risen in that guise to bring terror and war to the enemies of the Six Duchies. On Aslevjal Island I’d discovered that small cubes of the gleaming black stuff had been used by the Elderlings to store songs and poetry.

I myself had wakened the slumbering dragons of previous generations with an offering of blood and a call to arms that was both Wit- and Skill-wrapped into one magic.

Blood on memory stone, and my touch. The Skill and the Wit both boiling inside me. The smear of blood sank into the stone.

The Fool opened wide his mouth and screamed. I saw his lips stretch, his bared teeth and stiffened tongue. It was a screech of unremitting agony.

No sound reached my ears. It was more intimate than that. Sourceless and enduring, the endless, hopeless, merciless agony of systematic torture engulfed me. It filled my entire body and burned my skin as if I were a glass brimming with black despair. It was too familiar, for it was not the keen pain of any one physical torment but the overwhelming drowning of the mind and soul in the knowledge that nothing could prevent this torment. My own memories rose up in a shrieking chorus. Once more I sprawled on the cold stone floor of Prince Regal’s dungeons, my battered body suffocating my tormented mind. I tore my awareness free of that memory, denying that bond. The Fool’s carved eyes stared at me blindly. For a moment our gazes met, and then all went dark and my eyes burned. My enervated hands fumbled the carving, nearly dropping it but instead hugging it to me as I collapsed to my knees. I held it to my chest, feeling a far-distant wolf lift his muzzle and snarl in fury. “I’m sorry, I’m sorry, I’m sorry!” I babbled blindly, as if it were the Fool himself I had injured. Sweat burst from every pore on my body, drenching me. Still clutching the carving to me, I sank onto my side. Slowly, vision came back to my open, tearing eyes. I stared into the dying fire, haunted by images of dull-red instruments soaking in the flames, smelling blood both old and new mixed with the acrid stench of terror. I remembered how to close my eyes. I felt the wolf come to stand over me, threatening to rend any who came near. Slowly, the echoes of the pain passed. I drew breath.

Blood had the power to waken memory stone, whether it was an Elderling-carved dragon or the bust the Fool had shaped. And in that brief linking, I knew that the girl was dead. I’d felt her terror at being hunted and cornered, her memory of past torments, and the agony of her death. By that, I knew her for Revel’s girlish messenger rather than the soldier-schooled woman I’d seen with the two men. They’d followed her, they’d hunted her through my home, and they’d killed her. I did not know why or what message they had foiled, but I would find them and I would find out.

I rolled to my belly, still holding the carving to my chest. My head swam. I got my knees under me, knelt, and managed to stand by holding on to the desk top. Staggering to my chair, I sat down. I set the carving on the desk before me and looked at it. It had not changed. Had I imagined that movement, the Fool’s soundless scream and staring eyes? Had I shared some distant experience of the Fool’s, or had the carving expressed the terror and pain the messenger had felt at her death?

I started to lift the carving, to set it to my brow to view again the simple memories he had stored in it for me. But my hands shook and I set it back on the desk. Not now. If somehow I’d merged the girl’s pain into the stone, I did not want to know that now, or share that agony again. Right now I needed to hunt.

I tugged my sleeves down over my hands, and restored the carving to its place on the mantel. Still a bit shaky, I explored my den, looking for other signs of their presence, but found nothing.

Someone had come here, to my private den, forced the doors, and disturbed some very private possessions. There were few things that touched to the heart of me as that carving did, precious few things that tied me to a past when I had served my King with the two dearest friends I had ever known. That someone, a stranger, had dared to handle it and had profaned it with blood he had shed brought me to the edge of a killing fury, and when I considered that it might easily have been stolen, my vision went red for a moment.

I shook my head angrily, forcing cold on myself. Think. How had they found this place? It was obvious. When Revel had been sent to find me, they had followed. But if finding me was the true objective, why hadn’t they attacked then? And how had I missed being aware of them? Were they Forged, as Web had first suspected, humans with every connection to humanity torn from them? I doubted it; they had moved as a group in the ballroom, with trepidation and self-control such as I had never seen in the Forged. Had they, then, had some way of masking their life signatures? I knew of no magic that could do that. When my wolf had been alive we had, with difficulty, learned to keep our communication private. But that was scarcely the same as being able to completely conceal myself from the awareness of other Witted.

I pushed that concern aside for a moment. I reached for Nettle with the Skill, and swiftly shared most of what I knew with her. I made no mention of the blood or the carving. That was private.

I’m with Mother. Riddle took Hearth and Just with him. He has told Just that he must guard Patience’s door while Riddle and Hearth are checking every unoccupied room in the manor.

Excellent. How is your mother?

Still sleeping. She looks as she always does and I can detect nothing wrong with her. But I was very alarmed when she fainted earlier. Much more worried than I wished her to see. Her father died when he was only two years older than she is now.

He had ruined his health with drink, and the brawling and stupid accidents that go with it.

Her mother died very young.

I pressed my palms to my eyes and pushed on my brow with my fingers. It was too frightening. I could not think about it. Stay there with her, please. I’ve just a few more places that I wish to search, and then I’ll come take your place.

I’m fine here. You needn’t hurry.

Did she suspect what I was about to do? I doubted it. Only Patience and Molly and I knew of the concealed labyrinth of secret passages in Withywoods. While the peepholes within the passage did not give me a view of every single bedchamber, they would allow me to look in on many of them, to see if any harbored more guests than we had invited.

It was closer to dawn than midnight when I emerged from the passageways. I was festooned with cobwebs, chilled to the bone, and weary. I had discovered nothing save that at least two of the housemaids were willing, for luck, fancy, or perhaps some coin, to spend the night in beds not their own. I’d seen one young wife weeping into her hands while her husband snored drunkenly halfway into their bed, and one old couple indulging in Smoke so potent that the slight drift of it into my secret passageway had dizzied me.

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