William Le Queux - The House of Whispers

"The illness has passed," exclaimed young Gellatly, shaking his friend's hand. "And we're now in search of a lost bracelet—one of Lady Heyburn's."

"Why, my mother was just going to wire! One of the maids found it in the boudoir this morning, but we didn't know to whom it belonged. Come inside. There are a lot of people staying over from last night." Then, turning to Gabrielle, he added, "By Jove! what dust there must be on the road! You're absolutely covered."

"Well," she laughed lightly, "it won't hurt me, I suppose. I'm not afraid of it."

Stokes took charge of the car and shut off the petrol, while the three went inside, passing into a long, cool cloister, down which was arranged the splendid collection of antiques discovered or acquired by Malcolm Murie, the well-known antiquary, who had spent many years in Italy, and died in 1794. In cases ranged down each side of the long cloister, with its antique carved chairs, armour, and statuary, were rare Etruscan and Roman terra-cottas, one containing relics from the tomb of a warrior, which included a sword-hilt adorned with gold and a portion of a golden crown formed of lilies in relievo of pure gold laid upon a mould of bronze; another case was full of bronze ornaments unearthed near Albano, and still another contained rare Abyssinian curios. The collection was renowned among antiquaries, and was often visited by Sir Henry, who would be brought there in the car by Gabrielle, and spend hours alone fingering the objects in the various cases.

Sir George Murie and Sir Henry Heyburn were close friends; therefore it was but natural that Walter, the heir to the Connachan estate, and Gabrielle should often be thrown into each other's company, or perhaps that the young man—who for the past twelve months had been absent on a tour round the world—should have loved her ever since the days when she wore short skirts and her hair down her back. He had been sorely puzzled why she had not at the last moment come to the ball. She had promised that she would be with them, and yet she had made the rather lame excuse of a headache.

Truth to tell, Walter Murie had during the past week been greatly puzzled at her demeanour of indifference. Seven days ago he had arrived in London from New York, but found no letter from her awaiting him at the club, as he had expected. The last he had received in Detroit a month before, and it was strangely cold, and quite unusual. Two days ago he had arrived home, and in secret she had met him down at the end of the glen at Glencardine. At her wish, their first meeting had been clandestine. Why?

Both their families knew of their mutual affection. Therefore, why should she now make a secret of their meeting after twelve months' separation? He was puzzled at her note, and he was further puzzled at her attitude towards him. She was cold and unresponsive. When he held her in his arms and kissed her soft lips, she only once returned his passionate caress, and then as though it were a duty forced upon her. She had, however, promised to come to the ball. That promise she had deliberately broken.

Though he could not understand her, he made pretence of unconcern. He regretted that she had not felt well last night—that was all.

At the end of the cloister young Gellatly found one of Lady Murie's guests, a girl named Violet Priest, with whom he had danced a good deal on the previous night, and at once attached himself to her, leaving Walter with the sweet-faced, slim-waisted object of his affections.

The moment they were alone in the long cloister he asked her quickly, "Tell me, Gabrielle, the real reason why you did not come last night. I had looked forward very much to seeing you. But I was disappointed —sadly disappointed."

"I am very sorry," she laughed, with assumed nonchalance; "but I had to assist my father with some business papers."

"Your mother told everyone that you do not care for dancing," he said.

"That is untrue, Walter. I love dancing."

"I knew it was untrue, dearest," he said, standing before her. "But why does Lady Heyburn go out of her way to throw cold water upon you and all your works?"

"How should I know?" asked the girl, with a slight shrug. "Perhaps it is because my father places more confidence in me than in her."

"And his confidence is surely not misplaced," he said. "I tell you frankly that I don't like Lady Heyburn."

"She pretends to like you."

"Pretends!" he echoed. "Yes, it's all pretence. But," he added, "do tell me the real reason of your absence last night, Gabrielle. It has worried me."

"Why worry, my dear Walter? Is it really worth troubling over? I'm only a girl, and, as such, am allowed vagaries of nerves—and all that. I simply didn't want to come, that's all."

"Why?"

"Well, to tell you the truth, I hate the crowd we have staying in our house. They are all mother's friends; and mother's friends are never mine, you know."

He looked at her slim figure, so charming in its daintiness. "What a dear little philosopher you've grown to be in a single year!" he declared. "We shall have you quoting Friedrich Nietzsche next."

"Well," she laughed, "if you would like me to quote him I can do so. I read Zarathustra secretly at school. One of the girls got a copy from Germany. Do you remember what Zarathustra says: 'Verily, ye could wear no better masks, ye present-day men, than your own faces,' Who could recognise you?"

"I hope that's not meant to be personal," he laughed, gazing at the girl's beautiful countenance and great, luminous eyes.

"You may take it as you like," she declared with a delightfully mischievous smile. "I only quoted it to show you that I have read Nietzsche, and recollect his many truths."

"You certainly do seem to have a gay house-party at Glencardine," he remarked, changing the subject. "I noticed Jimmy Flockart there as usual."

"Yes. He's one of mother's greatest friends. She makes good use of him in every way. Up in town they are inseparable, it seems. They knew each other, I believe, when they were boy and girl."

"So I've heard," replied the young man thoughtfully, leaning against a big glass case containing a collection of lares and penates —images of Jupiter, Hercules, Mercury, &c., used as household gods. "I expected that he would be dancing attendance upon her during the whole of the evening; but, curiously enough, soon after his arrival he suddenly disappeared, and was not seen again until nearly two o'clock." Then, looking straight in the girl's fathomless eye, he added, "Do you know, Gabrielle, I don't like that fellow. Beware of him."

"Neither do I. But your warning is quite unnecessary, I assure you. He doesn't interest me in the least."

Walter Murie was silent for a moment, silent as though in doubt. A shadow crossed his well-cut features, but only for a single second. Then he smiled again upon the fair-faced, soft-spoken girl whom he loved so honestly and so well, the woman who was all in all to him. How could he doubt her—she who only a year ago had, out yonder in the park, given him her pledge of affection, and sealed it with her hot, passionate kisses? Remembrance of those sweet caresses still lingered with him. But he doubted her. Yes, he could not conceal from himself certain very ugly facts—facts within his own knowledge. Yet was not his own poignant jealousy misleading him? Was not her refusal to attend the ball perhaps due to some sudden pique or unpleasantness with her giddy stepmother? Was it? He only longed to be able to believe that it might be so. Alas! however, he had discovered the shadow of a strange and disagreeable truth.

Along the cloister they went to the great hall, where Walter's mother advanced to greet her. Full of regrets at the girl's inability to attend the dance, she handed her the missing bracelet, saying, "It is such a curious and unusual one, dear, that we wondered to whom it belonged. Brown found it when she was sweeping my boudoir this morning. Take it home to your mother, and suggest that she has a stronger clasp put on it."