William Godwin - Caleb Williams; Or, Things as They Are

When I had determined on the main purpose of my story, it was ever my method to get about me any productions of former authors that seemed to bear on my subject. I never entertained the fear that in this way of proceeding I should be in danger of servilely copying my predecessors. I imagined that I had a vein of thinking that was properly my own, which would always preserve me from plagiarism. I read other authors, that I might see what they had done, or, more properly, that I might forcibly hold my mind and occupy my thoughts in a particular train, I and my predecessors travelling in some sense to the same goal, at the same time that I struck out a path of my own, without ultimately heeding the direction they pursued, and disdaining to inquire whether by any chance it for a few steps coincided or did not coincide with mine.

Thus, in the instance of "Caleb Williams," I read over a little old book, entitled "The Adventures of Mademoiselle de St. Phale," a French Protestant in the times of the fiercest persecution of the Huguenots, who fled through France in the utmost terror, in the midst of eternal alarms and hair-breadth escapes, having her quarters perpetually beaten up, and by scarcely any chance finding a moment's interval of security. I turned over the pages of a tremendous compilation, entitled "God's Revenge against Murder," where the beam of the eye of Omniscience was represented as perpetually pursuing the guilty, and laying open his most hidden retreats to the light of day. I was extremely conversant with the "Newgate Calendar" and the "Lives of the Pirates." In the meantime no works of fiction came amiss to me, provided they were written with energy. The authors were still employed upon the same mine as myself, however different was the vein they pursued: we were all of us engaged in exploring the entrails of mind and motive, and in tracing the various rencontres and clashes that may occur between man and man in the diversified scene of human life.

I rather amused myself with tracing a certain similitude between the story of Caleb Williams and the tale of Bluebeard, than derived any hints from that admirable specimen of the terrific. Falkland was my Bluebeard, who had perpetrated atrocious crimes, which, if discovered, he might expect to have all the world roused to revenge against him. Caleb Williams was the wife who, in spite of warning, persisted in his attempts to discover the forbidden secret; and, when he had succeeded, struggled as fruitlessly to escape the consequences, as the wife of Bluebeard in washing the key of the ensanguined chamber, who, as often as she cleared the stain of blood from the one side, found it showing itself with frightful distinctness on the other.

When I had proceeded as far as the early pages of my third volume, I found myself completely at a stand. I rested on my arms from the 2nd of January, 1794, to the 1st of April following, without getting forward in the smallest degree. It has ever been thus with me in works of any continuance. The bow will not be for ever bent:

I endeavoured, however, to take my repose to myself in security, and not to inflict a set of crude and incoherent dreams upon my readers. In the meantime, when I revived, I revived in earnest, and in the course of that month carried on my work with unabated speed to the end.

Thus I have endeavoured to give a true history of the concoction and mode of writing of this mighty trifle. When I had done, I soon became sensible that I had done in a manner nothing. How many flat and insipid parts does the book contain! How terribly unequal does it appear to me! From time to time the author plainly reels to and fro like a drunken man. And, when I had done all, what had I done? Written a book to amuse boys and girls in their vacant hours, a story to be hastily gobbled up by them, swallowed in a pusillanimous and unanimated mood, without chewing and digestion. I was in this respect greatly impressed with the confession of one of the most accomplished readers and excellent critics that any author could have fallen in with (the unfortunate Joseph Gerald). He told me that he had received my book late one evening, and had read through the three volumes before he closed his eyes. Thus, what had cost me twelve months' labour, ceaseless heartaches and industry, now sinking in despair, and now roused and sustained in unusual energy, he went over in a few hours, shut the book, laid himself on his pillow, slept, and was refreshed, and cried,

I had thought to have said something here respecting the concoction of "St. Leon" and "Fleetwood." But all that occurs to me on the subject seems to be anticipated in the following

February 14, 1805.

Yet another novel from the same pen, which has twice before claimed the patience of the public in this form. The unequivocal indulgence which has been extended to my two former attempts, renders me doubly solicitous not to forfeit the kindness I have experienced.

One caution I have particularly sought to exercise: "not to repeat myself." Caleb Williams was a story of very surprising and uncommon events, but which were supposed to be entirely within the laws and established course of nature, as she operates in the planet we inhabit. The story of St. Leon is of the miraculous class; and its design, to "mix human feelings and passions with incredible situations, and thus render them impressive and interesting."

Some of those fastidious readers—they may be classed among the best friends an author has, if their admonitions are judiciously considered—who are willing to discover those faults which do not offer themselves to every eye, have remarked that both these tales are in a vicious style of writing; that Horace has long ago decided that the story we cannot believe we are by all the laws of criticism called upon to hate; and that even the adventures of the honest secretary, who was first heard of ten years ago, are so much out of the usual road that not one reader in a million can ever fear they will happen to himself.

Gentlemen critics, I thank you. In the present volumes I have served you with a dish agreeable to your own receipt, though I cannot say with any sanguine hope of obtaining your approbation.

The following story consists of such adventures as for the most part have occurred to at least one half of the Englishmen now existing who are of the same rank of life as my hero. Most of them have been at college, and shared in college excesses; most of them have afterward run a certain gauntlet of dissipation; most have married, and, I am afraid, there are few of the married tribe who have not at some time or other had certain small misunderstandings with their wives. 1 1 I confess, however, the inability I found to weave a catastrophe, such as I desired, out of these ordinary incidents. What I have here said, therefore, must not be interpreted as applicable to the concluding sheets of my work. To be sure, they have not all of them felt and acted under these trite adventures as my hero does. In this little work the reader will scarcely find anything to "elevate and surprise;" and, if it has any merit, it must consist in the liveliness with which it brings things home to the imagination, and the reality it gives to the scenes it pourtrays.

Yes, even in the present narrative, I have aimed at a certain kind of novelty—a novelty which may be aptly expressed by a parody on a well-known line of Pope; it relates:

In selecting among common and ordinary adventures, I have endeavoured to avoid such as a thousand novels before mine have undertaken to develop. Multitudes of readers have themselves passed through the very incidents I relate; but, for the most part, no work has hitherto recorded them. If I have hold them truly, I have added somewhat to the stock of books which should enable a recluse, shut up in his closet, to form an idea of what is passing in the world. It is inconceivable, meanwhile, how much, by this choice of a subject, I increased the arduousness of my task. It is so easy to do, a little better, or a little worse, what twenty authors have done before! If I had foreseen from the first all the difficulty of my project, my courage would have failed me to undertake the execution of it.