Bret Harte - Frontier Stories

In an instant she was collected and calm. "Dad," she said, in her ordinary indifferent tone, "there's torches movin; up toward the diamond pit. Likely it's tramps. I'll take the squaw and see." And before the old man could stagger to his feet she had dragged Lance with her into the road.

The wind charged down upon them, slamming the door at their backs, extinguishing the broad shaft of light that had momentarily shot out into the darkness, and swept them a dozen yards away. Gaining the lee of a madroño tree, Lance opened his blanketed arms, enfolded the girl, and felt her for one brief moment tremble and nestle in his bosom like some frightened animal. "Well," he said, gayly, "what next?" Flip recovered herself. "You're safe now anywhere outside the house. But did you expect them to-night?" Lance shrugged his shoulders. "Why not?" "Hush!" returned the girl; "they're coming this way."

The four flickering, scattered lights presently dropped into line. The trail had been found; they were coming nearer. Flip breathed quickly; the spiced aroma of her presence filled the blanket as he drew her tightly beside him. He had forgotten the storm that raged around them, the mysterious foe that was approaching, until Flip caught his sleeve with a slight laugh. "Why, it's Kennedy and Bijah!"

"Who's Kennedy and Bijah?" asked Lance, curtly.

"Kennedy's the Postmaster and Bijah's the Butcher."

"What do they want?" continued Lance.

"Me," said Flip, coyly.

"You?"

"Yes; let's run away."

Half leading, half dragging her friend, Flip made her way with unerring woodcraft down the ravine. The sound of voices and even the tumult of the storm became fainter, an acrid smell of burning green wood smarted Lance's lips and eyes; in the midst of the darkness beneath him gradually a faint, gigantic nimbus like a lurid eye glowed and sank, quivered and faded with the spent breath of the gale as it penetrated their retreat. "The pit," whispered Flip; "it's safe on the other side," she added, cautiously skirting the orbit of the great eye, and leading him to a sheltered nest of bark and sawdust. It was warm and odorous. Nevertheless, they both deemed it necessary to enwrap themselves in the single blanket. The eye beamed fitfully upon them, occasionally a wave of lambent tremulousness passed across it; its weirdness was an excuse for their drawing nearer each other in playful terror.

"Flip."

"Well?"

"What did the other two want? To see you, too ?"

"Likely," said Flip, without the least trace of coquetry. "There's been a lot of strangers yer, off and on."

"Perhaps you'd like to go back and see them?"

"Do you want me to?"

Lance's reply was a kiss. Nevertheless he was vaguely uneasy. "Looks a little as if I were running away, don't it?" he suggested.

"No," said Flip; "they think you're only a squaw; it's me they're after." Lance smarted a little at this infelicitous speech. A strange and irritating sensation had been creeping over him—it was his first experience of shame and remorse. "I reckon I'll go back and see," he said, rising abruptly.

Flip was silent. She was thinking. Believing that the men were seeking her only, she knew that their intention would be directed from her companion when it was found out he was no longer with her, and she dreaded to meet them in his irritable presence.

"Go," she said; "tell Dad something's wrong in the diamond pit, and say

I'm watching it for him here."

"And you?"

"I'll go there and wait for him. If he can't get rid of them, and they follow him there, I'll come back here and meet you. Anyhow, I'll manage to have Dad wait there a spell."

She took his hand and led him back by a different path to the trail. He was surprised to find that the cabin, its window glowing from the fire, was only a hundred yards away. "Go in the back way, by the shed. Don't go in the room, nor near the light, if you can. Don't talk inside, but call or beckon to Dad. Remember," she said, with a laugh, "you're keeping watch of me for him. Pull your hair down on your eyes, so." This operation, like most feminine embellishments of the masculine toilet, was attended by a kiss, and Flip, stepping back into the shadow, vanished in the storm.

Lance's first movements were inconsistent with his assumed sex. He picked up his draggled skirt and drew a bowie-knife from his boot. From his bosom he took a revolver, turning the chambers noiselessly as he felt the caps. He then crept toward the cabin softly and gained the shed. It was quite dark but for a pencil of light piercing a crack of the rude, ill-fitting door that opened on the sitting-room. A single voice not unfamiliar to him, raised in half-brutal triumph, greeted his ears. A name was mentioned—his own! His angry hand was on the latch. One moment more and he would have burst the door, but in that instant another name was uttered—a name that dropped his hand from the latch and the blood from his cheeks. He staggered backward, passed his hand swiftly across his forehead, recovered himself with a gesture of mingled rage and despair, and, sinking on his knees beside the door, pressed his hot temples against the crack.

"Do I know Lance Harriott?" said the voice. "Do I know the d—d ruffian? Didn't I hunt him a year ago into the brush three miles from the Crossing? Didn't we lose sight of him the very day he turned up yer at this ranch, and got smuggled over into Monterey? Ain't it the same man as killed Arkansaw Bob—Bob Ridley—the name he went by in Sonora? And who was Bob Ridley, eh? Who? Why, you d—d old fool, it was Bob Fairley—YOUR SON!"

The old man's voice rose querulous and indistinct.

"What are ye talkin' about?" interrupted the first speaker. I tell you I know . Look at these pictures. I found 'em on his body. Look at 'em. Pictures of you and your girl. Pr'aps you'll deny them. Pr'aps you'll tell me I lie when I tell you he told me he was your son; told me how he ran away from you; how you were livin' somewhere in the mountains makin' gold, or suthin' else, outer charcoal. He told me who he was as a secret. He never let on he told it to any one else. And when I found that the man who killed him, Lance Harriott, had been hidin' here, had been sendin' spies all around to find out all about your son, had been foolin' you, and tryin' to ruin your gal as he had killed your boy, I knew that he knew it too."

"LIAR!"

The door fell in with a crash. There was the sudden apparition of the demoniac face, still half hidden by the long trailing black locks of hair that curled like Medusa's around it. A cry of terror filled the room. Three of the men dashed from the door and fled precipitately. The man who had spoken sprang toward his rifle in the chimney corner. But the movement was his last; a blinding flash and shattering report interposed between him and his weapon. The impulse carried him forward headlong into the fire, that hissed and spluttered with his blood, and Lance Harriott, with his smoking pistol, strode past him to the door. Already far down the trail there were hurried voices, the crack and crackling of impending branches growing fainter and fainter in the distance. Lance turned back to the solitary living figure—the old man.

Yet he might have been dead too, he sat so rigid and motionless, his fixed eyes staring vacantly at the body on the hearth. Before him on the table lay the cheap photographs, one evidently of himself, taken in some remote epoch of complexion, one of a child which Lance recognized as Flip.

"Tell me," said Lance hoarsely, laying his quivering hand on the table, "was Bob Ridley your son?"

"My son," echoed the old man in a strange, far-off voice, without turning his eyes from the corpse,—"my son—is—is—is there!" pointing to the dead man. "Hush! Didn't he tell you so? Didn't you hear him say it? Dead—dead—shot—shot!"