Bret Harte - A Sappho of Green Springs

They crossed a broad but scantily-furnished hall. Everywhere the same look of hopeless incompleteness, temporary utility, and premature decay; most of the furniture was mismatched and misplaced; many of the rooms had changed their original functions or doubled them; a smell of cooking came from the library, on whose shelves, mingled with books, were dresses and household linen, and through the door of a room into which Mrs. Delatour retired to remove her duster Mr. Bowers caught a glimpse of a bed, and of a table covered with books and papers, at which a tall, fair girl was writing. In a few moments Mrs. Delatour returned, accompanied by this girl, and Eunice, her short-lipped sister. Bob, who joined the party seated around Mr. Bowers and a table set with cake, a decanter, and glasses, completed the group. Emboldened by the presence of the tall Cynthia and his glimpse of her previous literary attitude, Mr. Bowers resolved to make one more attempt.

“I suppose these yer young ladies sometimes go to the wood, too?” As his eye rested on Cynthia, she replied:—

“Oh, yes.”

“I reckon on account of the purty shadows down in the brush, and the soft light, eh? and all that?” he continued, with a playful manner but a serious accession of color.

“Why, the woods belong to us. It’s mar’s property!” broke in Eunice with a flash of teeth.

“Well, Lordy, I wanter know!” said Mr. Bowers, in some astonishment. “Why, that’s right in my line, too! I’ve been sightin’ timber all along here, and that’s how I dropped in on yer mar.” Then, seeing a look of eagerness light up the faces of Bob and Eunice, he was encouraged to make the most of his opportunity. “Why, ma’am,” he went on, cheerfully, “I reckon you’re holdin’ that wood at a pretty stiff figger, now.”

“Why?” asked Mrs. Delatour, simply.

Mr. Bowers delivered a wink at Bob and Eunice, who were still watching him with anxiety. “Well, not on account of the actool timber, for the best of it ain’t sound,” he said, “but on account of its bein’ famous! Everybody that reads that pow’ful pretty poem about it in the ‘Excelsior Magazine’ wants to see it. Why, it would pay the Green Springs hotel-keeper to buy it up for his customers. But I s’pose you reckon to keep it—along with the poetess—in your famerly?”

Although Mr. Bowers long considered this speech as the happiest and most brilliant effort of his life, its immediate effect was not, perhaps, all that could be desired. The widow turned upon him a restrained and darkening face. Cynthia half rose with an appealing “Oh, mar!” and Bob and Eunice, having apparently pinched each other to the last stage of endurance, retired precipitately from the room in a prolonged giggle.

“I have not yet thought of disposing of the Summit woods, Mr. Bowers,” said Mrs. Delatour, coldly, “but if I should do so, I will consult you. You must excuse the children, who see so little company, they are quite unmanageable when strangers are present. Cynthia, WILL you see if the servants have looked after Mr. Bowers’s horse? You know Bob is not to be trusted.”

There was clearly nothing else for Mr. Bowers to do but to take his leave, which he did respectfully, if not altogether hopefully. But when he had reached the lane, his horse shied from the unwonted spectacle of Bob, swinging his hat, and apparently awaiting him, from the fork of a wayside sapling.

“Hol’ up, mister. Look here!”

Mr. Bowers pulled up. Bob dropped into the road, and, after a backward glance over his shoulder, said:—

“Drive ‘longside the fence in the shadder.” As Mr. Bowers obeyed, Bob approached the wheels of the buggy in a manner half shy, half mysterious. “You wanter buy them Summit woods, mister?”

“Well, per’aps, sonny. Why?” smiled Mr. Bowers.

“Coz I’ll tell ye suthin’. Don’t you be fooled into allowin’ that Cynthia wrote that po’try. She didn’t—no more’n Eunice nor me. Mar kinder let ye think it, ‘cos she don’t want folks to think SHE did it. But mar wrote that po’try herself; wrote it out o’ them thar woods—all by herself. Thar’s a heap more po’try thar, you bet, and jist as good. And she’s the one that kin write it—you hear me? That’s my mar, every time! You buy that thar wood, and get mar to run it for po’try, and you’ll make your pile, sure! I ain’t lyin’. You’d better look spry: thar’s another feller snoopin’ ‘round yere—only he barked up the wrong tree, and thought it was Cynthia, jist as you did.”

“Another feller?” repeated the astonished Bowers.

“Yes; a rig’lar sport. He was orful keen on that po’try, too, you bet. So you’d better hump yourself afore somebody else cuts in. Mar got a hundred dollars for that pome, from that editor feller and his pardner. I reckon that’s the rig’lar price, eh?” he added, with a sudden suspicious caution.

“I reckon so,” replied Mr. Bowers, blankly. “But—look here, Bob! Do you mean to say it was your mother—your MOTHER, Bob, who wrote that poem? Are you sure?”

“D’ye think I’m lyin’?” said Bob, scornfully. “Don’t I know? Don’t I copy ‘em out plain for her, so as folks won’t know her handwrite? Go ‘way! you’re loony!” Then, possibly doubting if this latter expression were strictly diplomatic with the business in hand, he added, in half-reproach, half-apology, “Don’t ye see I don’t want ye to be fooled into losin’ yer chance o’ buying up that Summit wood? It’s the cold truth I’m tellin’ ye.”

Mr. Bowers no longer doubted it. Disappointed as he undoubtedly was at first,—and even self-deceived,—he recognized in a flash the grim fact that the boy had stated. He recalled the apparition of the sad-faced woman in the wood—her distressed manner, that to his inexperienced mind now took upon itself the agitated trembling of disturbed mystic inspiration. A sense of sadness and remorse succeeded his first shock of disappointment.

“Well, are ye going to buy the woods?” said Bob, eying him grimly. “Ye’d better say.”

Mr. Bowers started. “I shouldn’t wonder, Bob,” he said, with a smile, gathering up his reins. “Anyhow, I’m comin’ back to see your mother this afternoon. And meantime, Bob, you keep the first chance for me.”

He drove away, leaving the youthful diplomatist standing with his bare feet in the dust. For a minute or two the young gentleman amused himself by a few light saltatory steps in the road. Then a smile of scornful superiority, mingled perhaps with a sense of previous slights and unappreciation, drew back his little upper lip, and brightened his mottled cheek.

“I’d like ter know,” he said, darkly, “what this yer God-forsaken famerly would do without ME!”

It is to be presumed that the editor and Mr. Hamlin mutually kept to their tacit agreement to respect the impersonality of the poetess, for during the next three months the subject was seldom alluded to by either. Yet in that period White Violet had sent two other contributions, and on each occasion Mr. Hamlin had insisted upon increasing the honorarium to the amount of his former gift. In vain the editor pointed out the danger of this form of munificence; Mr. Hamlin retorted by saying that if he refused he would appeal to the proprietor, who certainly would not object to taking the credit of this liberality. “As to the risks,” concluded Jack, sententiously, “I’ll take them; and as far as you’re concerned, you certainly get the worth of your money.”

Indeed, if popularity was an indiction, this had become suddenly true. For the poetess’s third contribution, without changing its strong local color and individuality, had been an unexpected outburst of human passion—a love-song, that touched those to whom the subtler meditative graces of the poetess had been unknown. Many people had listened to this impassioned but despairing cry from some remote and charmed solitude, who had never read poetry before, who translated it into their own limited vocabulary and more limited experience, and were inexpressibly affected to find that they, too, understood it; it was caught up and echoed by the feverish, adventurous, and unsatisfied life that filled that day and time. Even the editor was surprised and frightened. Like most cultivated men, he distrusted popularity: like all men who believe in their own individual judgment, he doubted collective wisdom. Yet now that his protegee had been accepted by others, he questioned that judgment and became her critic. It struck him that her sudden outburst was strained; it seemed to him that in this mere contortion of passion the sibyl’s robe had become rudely disarranged. He spoke to Hamlin, and even approached the tabooed subject.