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Roger Zelazny: Lord of Light

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Roger Zelazny Lord of Light

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Earth is long since dead. On a colony planet, a band of men has gained control of technology, made themselves immortal, and now rule their world as the gods of the Hindu pantheon. Only one dares oppose them: he who was once Siddhartha and is now Mahasamatman. Binder of Demons, Lord of Light.

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Within the hostel, the men were bathed, standing in the marble bath hall while servants poured water over their shoulders. Then did they annoint themselves after the custom of the warrior caste, put on fresh garments and passed into the hall of dining.

The meal lasted the entire afternoon, until the warriors lost count of the courses. At the right hand of the prince, who sat at the head of the long, low, serving board, three dancers wove their way through an intricate pattern, finger cymbals clicking, faces bearing the proper expressions for the proper moments of the dance, as four veiled musicians played the traditional music of the hours. The table was covered with a richly woven tapestry of blue, brown, yellow, red and green, wherein was worked a series of hunting and battle scenes: riders mounted on slizzard and horse met with lance and bow the charges of feather-panda, fire-rooster and jewel-podded command plant; green apes wrestled in the tops of trees; the Garuda Bird clutched a sky demon in its talons, assailing it with beak and pinions; from the depths of the sea crawled an army of horned fish, clutching spikes of pink coral in their jointed fins, facing a row of kirtled and helmeted men who bore lances and torches to oppose their way upon the land.

The prince ate but sparingly. He toyed with his food, listened to the music, laughed occasionally at the jesting of one of his men. He sipped a sherbet, his rings clicking against the sides of the glass.

Hawkana appeared beside him. "Goes all well with you, Lord?" he inquired.

"Yes, good Hawkana, all is well," he replied.

"You do not eat as do your men. Does the meal displease you?"

"It is not the food, which is excellent, nor its preparation, which is faultless, worthy Hawkana. Rather, it is my appetite, which has not been high of late."

"Ah!" said Hawkana, knowingly. "I have the thing, the very thing! Only one such as yourself may truly appreciate it. Long has it rested upon the special shelf of my cellar. The god Krishna had somehow preserved it against the ages. He gave it to me many years ago because the accommodations here did not displease him. I shall fetch it for you."

He bowed then, and backed from the hall.

When he returned he bore a bottle. Before he saw the paper upon its side, the prince recognized the shape of that bottle.

"Burgundy!" he exclaimed.

"Just so," said Hawkana. "Brought from vanished Uratha, long ago."

He sniffed at it and smiled. Then he poured a small quantity into a pear-shaped goblet and set it before his guest.

The prince raised it and inhaled of its bouquet. He took a slow sip. He closed his eyes.

There was a silence in the room, in respect of his pleasure.

Then he lowered the glass, and Hawkana poured into it once again the product of the pinot noir grape, which could not be cultivated in this land.

The prince did not touch the glass. Instead, he turned to Hawkana, saying, "Who is the oldest musician in this house?"

"Mankara, here," said his host, gesturing toward the white-haired man who took his rest at the serving table in the comer.

"Old not in body, but in years," said the prince.

"Oh, that would be Dele," said Hawkana, "if he is to be counted as a musician at all. He says that once he was such a one."

"Dele?"

"The boy who keeps the stables."

"Ah, I see. . .. Send for him." Hawkana clapped his hands and ordered the servant who appeared to go into the stables, make the horse-boy presentable and fetch him with dispatch into the presence of the diners.

"Pray, do not bother making him presentable, but simply bring him here," said the prince.

He leaned back and waited then, his eyes closed.

When the horse-boy stood before him, he asked:

"Tell me. Dele, what music do you play?"

"That which no longer finds favor in the hearing of Brahmins," said the boy.

"What was your instrument?"

"Piano," said Dele.

"Can you play upon any of these?" He gestured at those instruments that stood, unused now, upon the small platform beside the wall.

The boy cocked his head at them. "I suppose I could manage on the flute, if I had to."

"Do you know any waltzes?"

"Yes."

"Will you play me 'The Blue Danube'?"

The boy's sullen expression vanished, to be replaced by one of uneasiness. He cast a quick glance back at Hawkana, who nodded.

"Siddhartha is a prince among men, being of the First," stated the host.

"'The Blue Danube,' on one of these flutes?"

"If you please."

The boy shrugged, "I'll try," he said. "It's been an awfully long time. . .. Bear with me."

He crossed to where the instruments lay and muttered something to the owner of the flute he selected. The man nodded his head. Then he raised it to his lips and blew a few tentative notes. He paused, repeated the trial, then turned about.

He raised it once more and began the quivering movement of the waltz. As he played, the prince sipped his wine.

When he paused for breath, the prince motioned him to continue. He played tune after forbidden tune, and the professional musicians put professional expressions of scorn upon their faces; but beneath their table several feet were tapping in slow time with the music.

Finally, the prince had finished his wine. Evening was near to the city of Mahartha. He tossed the boy a purse of coins and did not look into his tears as he departed from the hall. He rose then and stretched, smothering a yawn with the back of his hand.

"I retire to my chambers," he said to his men. "Do not gamble away your inheritances in my absence."

They laughed then and bade him good night, calling for strong drink and salted biscuits. He heard the rattle of dice as he departed.

The prince retired early so that he might arise before daybreak. He instructed a servant to remain outside his door all the following day and to refuse admission to any who sought it, saying that he was indisposed.

Before the first flowers had opened to the first insects of morning, he had gone from the hostel, only an ancient green parrot witnessing his departure. Not in silks sewn with pearls did he go, but in tatters, as was his custom on these occasions. Not preceded by conch and drum did he move, but by silence, as he passed along the dim streets of the city. These streets were deserted, save for an occasional doctor or prostitute returning from a late call. A stray dog followed him as he passed through the business district, heading in the direction of the harbor.

He seated himself upon a crate at the foot of a pier. The dawn came to lift the darkness from the world; and he watched the ships stirring with the tide, empty of sail, webbed with cables, prows carved with monster or maiden. His every visit to Mahartha brought him again to the harbor for a little while.

Morning's pink parasol opened above the tangled hair of the clouds, and cool breezes crossed the docks. Scavenger birds uttered hoarse cries as they darted about loop-windowed towers, then swooped across the waters of the bay.

He watched a ship put out to sea, tentlike vanes of canvas growing to high peaks and swelling in the salt air. Aboard other ships, secure in their anchorage, there was movement now, as crews made ready to load or unload cargoes of incense, coral, oil and all kinds of fabrics, as well as metals, cattle, hardwoods and spices. He smelled the smells of commerce and listened to the cursing of the sailors, both of which he admired: the former, as it reeked of wealth, and the latter because it combined his two other chief preoccupations, these being theology and anatomy.

After a time, he spoke with a foreign sea captain who had overseen the unloading of sacks of grain, and now took his rest in the shade of the crates.

"Good morning," he said. "May your passages be free of storm and shipwreck, and the gods grant you safe harbor and a good market for your cargoes."

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