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Warren Murphy: The Last Temple

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The bodies of two murdered Israelis have turned up, hacked to bits and the pieces arranged in a bloody swastika - and Remo and Chiun are on their way to meet the leaders of an Israeli doomsday group, Zeher Lahurban. In the event of Israel losing the war with the Arabs, secretly stored atom bombs will drop on Arab territory. But a group of ex-Nazis discover the plan, and see a way to destroy the Jewish nation once and for all - without any help from the Arabs. Remo and Chiun are up against fanatics with long memories, who are keeping Hitler's schemes alive in their twisted minds.

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Remo was American, and he didn't see what the big deal was. When he was their age, he was not dancing till dawn, eating "le quarter-pounder avec fromage"; he was Remo Williams, pounding a beat as a rookie patrolman in Newark, New Jersey, and dancing with the corrupt administration to keep alive.

And his honest idealism got him a bum murder rap, and a one-way ticket to the electric chair.

Except the electric chair hadn't worked.

Remo wound his way through narrow streets until he found a side entrance to the Paris Hilton. He peeled off his night watchman clothes and dropped them into the garbage can, then brushed the wrinkles from his casual blue slacks and black T-shirt, which he had worn underneath the uniform.

And that was life and death. A borrowed night watchman's uniform, a climb up the outside of a tower the French were too lazy to keep unrusted, a public execution of a drug dealer to serve as discouragement for anyone planning to step into his suddenly empty shoes, and brush wrinkles from your blue slacks and black T-shirt. Ho hum.

Remo's "death" in the electric chair had been more exciting. His death had been faked so he could join a super-secret organization. It seemed that all was not well in the United States. One had only to stick one's head out the window, and if one still had one's head when he pulled it back inside, one could see. Crime was threatening to take over the country.

So a young president created an organization that didn't exist, an organization called CURE, and it drafted a dead man who no longer existed, Remo Williams, to work outside the Constitution to protect the Constitution.

Its first and only director was Dr. Harold W. Smith and as far as Remo was concerned, he barely existed either. Rational, logical, analytical, unimaginative, Smith lived in a world where two plus two always equaled four, even in a world where children were taught every day on the six o'clock news that tastelessness plus brass equaled stardom.

Remo strolled through the Paris Hilton lobby, which was filled with smiling, mustachioed bellboys in berets, busy practicing their professional indifference.

Except for them, the lobby was empty and no one paid the dark-haired American any mind as he walked to "le stairs," and trotted up to "le neuf floor," past "le coffee shop," "le drug store," "le souffle restaurant," "le bistro" snack shop, and "1'ascot" clothing store.

Remo reached "le neuf floor" suite in a couple of seconds and found Chiun where he had left him, sitting on a grass mat in the middle of the living room floor.

To a stranger entering the room, Chiun would appear to be an aged Oriental, small and frail, with white tufts of hair fluttering out from the sides of his otherwise bald head. This was correct as far as it went, which was approximately as far as saying that a tree is green.

For Chiun was also the Master of Sinanju, the latest in a centuries-long line of Korean Master assassins, and he had taught Remo the art of Sinanju.

From Sinanju had come all the other martial arts-karate, kung fu, aikido, tae kwan do-and each resembled it only as a cut of beef resembled the whole steer. Some disciplines were filet mignon and some were sirloin steak and some were chopped chuck. But Sinanju was the whole steer.

Chiun had taught Remo to catch bullets, kill taxis, climb rusty towers, all with the power of his mind and the limitless resources of his body, and Remo was not sure if he would ever forgive him for it.

At first, it had been easy. The president of the United States would tap Smith on the shoulder, and Smith would point and say "kill," and Remo would rip up whatever Chiun was pointing at.

At first, it had been fun. But then one assignment led to another, then another, then dozens more, and he found he no longer remembered the faces of the dead. And as his spirit changed, his body changed. He could no longer eat like the rest of humankind, nor sleep, nor love. Chiun's training was too complete, too effective, and Remo became something more than human, but something less than human too, lacking the great human seasoning of imperfection.

Alone, Remo could wipe out a given army at a given time. Together, he and Chiun could give the bowels of the earth diarrhea.

But right now, the Master was giving Remo a headache.

"Remo," he said in his high-pitched voice that encompassed all misery, "is that you?"

Remo walked across the room toward the bathroom. Chiun knew damn well it was him and probably had known it was him even before he made it to the seventh floor, But he talked quickly because he recognized the tone in Chiun's voice.

It was his "pity-this-poor-old-crapped-upon-Korean-who-must-bear-the-weight-of-the-world-on-his-frail-shoulders-without-the-help-of-his-un-grateful-American-ward" voice.

"Yes, it is I, America's premiere assassin, with powers and abilities far beyond those of mortal men. Remo! Who can change the course of corrupt government, bend lawyers in his bare hands."

Remo made it into the bathroom, still talking.

"Faster than the SST, more powerful than the Olympics, able to leap the continents in a single bound…" Remo turned on the water, hoping he could drown out Chiun's voice. But the voice, when it came, came just loud enough to be heard over the rush of water.

"Who will help a poor old man get some much-needed peace? When will these injustices end?"

Remo turned on both faucets. He could still hear Chiun. So he turned on the shower.

"I do not like this new work," came Chiun's voice as if he were standing inside Remo's head and talking out. Remo flushed the toilet.

The world had changed since Chiun had originally trained Remo. CURE had seen to that. You could not keep arranging astronomical amounts of corruption convictions, keep thinning out the roles of organized crime, and keep solving the everyday crises of a country with the military strength to wipe out the world one hundred times over without attracting attention.

So now, all over the world, hands were being tentatively reached out to clasp those of the United States. Some were barbed, some were weak, some were strong.

The Constitution became more than a pact with America's people, it had become a promise to other countries. Remo's job now was to protect that promise-a job that had formerly been done by other agencies. CURE was taking care of the whole earth now.

Naturally, Congress disemboweling the CIA had nothing to do with CURE's new assignments. They would be the first to tell you that.

"I miss my daytime dramas," finished Chiun's voice, as if he had been shouting into an empty auditorium.

Remo knew he could never win, so he turned off the shower, washed his hands in the sink, turned off the faucets, and came back into the living room.

"What do you mean?" he asked, drying his hands on a towel emblazoned with the huge green letters, PARIS HILTON. "Never mind, I know. Smith stopped sending you your video tapes."

Chiun remained sitting in the lotus position, his head turned slightly to the side, his eyes cocked and ready to fire.

"I could understand dishonesty. It is a characteristic of you whites. But deceit? What is the use of a lifetime of dedication?"

Remo moved over to Chiun's personal video playback machine, which was lying on its side on the other side of the room.

"Get with it, Chiun. What's the matter?" Remo asked, picking up the machine and bringing it over.

"Observe," said Chiun, as he snapped a videotape cassette up and into the playback slot.

Remo watched as 525 gray vertical lines spread across the screen, coming together into a color moving picture of a housewife in a childish mini-dress carrying a large bowl into a living room.

The housewife wore her long brown hair in two fat braids with bangs above her wide oval eyes and overbite below.

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