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Warren Murphy: Acid Rock

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Acid Rock: краткое содержание, описание и аннотация

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The stage is set for murder, mayhem and deafening music. But the music isn't loud enough to drown out the shots aimed at the gorgeous redhead on stage. Not that anybody is paying much attention, not in the screaming chaos of the world's biggest rock festival ever. The girl likes to be near singers, the freakier and more spaced-out the better. Some of them get too close and wind up permanently spaced out. Why? Someone wants to kill the beautiful girl with the long auburn hair. She is under contract for one million dollars. A big bounty is on her beautiful head. She has to be killed, and quick. But Remo and Chiun have other ideas. Their assignment from CURE says protect her at any costs - and that means someone is going to have to pay a very high price.

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Vickie Stoner refused to discuss whether the loud noise was the beginning of the revolution, a world war or a car backfiring. She had had enough of that crap, man. Up to here and beyond.

The whole thing was a bummer, all the problems with her father and now all the mess of the past few days.

It had started simply too. A simple, reasonable, nonnegotiable demand. All she had wanted was Maggot. She had had Nells Borson of the Cockamamies, all of the Hindenburgh Seven and what she needed, really needed, all she needed, was Maggot.

But when she told her father, he had locked her in their Palm Beach home. That coffin with lawns. That slammer with butlers. So she split and was brought back. She split again and was brought back again.

All right, daddy wanted to negotiate. She'd negotiate. She got these papers and ripped off some of the tapes her daddy made of all his telephone conversations and she had said:

"You wanna deal? Let's deal. What will yon give me for the papers and tapes on the grain deal? What am I bid? I'm bid. I'm bid. I'm bid. Do I hear laying off me? Do I hear laying off me? What do I hear? I'm bid. I'm bid."

"Go to your room, Victoria," was the bid, so Vickie Stoner pretended to go upstairs and then she split. With the tapes and papers, which she took to the U.S. Attorney's office in Miami. And what a trip it was. All of Daddy's friends, all of them, with lawyers, nervous breakdowns and sudden excursions around the world, saying how could anyone do anything like that. That was a high all right, but then the straights started laying it on her and this guy Blake was all right, but he was a downer.

And then Denver and that crap on the balcony and in the room and the bad vibes, man. So she just split again and here she was on the side of Route 8, waiting for the last few miles of the North Adams Experience. And down the road, maybe that crap was starting again.

"It's the revolution," said the boy with the Indian head band.

But he had said that the night before when the pop bottle fell and cracked open, and when they saw a squadron of jets overhead, he said it was the fascist pigs going to bomb Free Bedford Stuyvesant.

"Just keep the sign moving," said Vickie, and she rested her head on her knapsack, and hoped her father did not worry too much about her. At least, though, when she talked to him now, he was becoming reasonable.

A gray Lincoln Continental with a real straight at the wheel breezed by them and Vickie closed her eyes. Suddenly, there was a screeching of tires. A brief silence. The car backed up,

Vickie opened her eyes. He was an ugly straight, all right, with a big scar across his nose and he was looking down at something, then back at Vickie, and down at that thing which he then put into his pocket.

"Youse want a lift?" he yelled through a lowered car window. Funny-looking car, all marks on the right side of it, like someone had gone at it with fifty nails or something.

"Right on," said the boy with the Indian headband and they all piled into the luxurious car with Vickie last.

"You're Mafia, aren't you?" said the boy with the headband.

"Why you wanna say something like that?" said the driver, his eyes on Vickie in the rearview mirror. "That's not nice."

"I'm all for the Mafia. The Mafia represents the struggle against the establishment. It is the culmination of hundreds of years of struggle against oppressive government."

"I ain't Mafia. There's no such thing," said Willie the Bomb, his eyes still on Vickie, his brain now convinced he had found the right girl. "Where you kids gonna sleep?"

"We're not going to sleep. We're going to be. At the North Adams Experience."

"Out in the air you're gonna sleep?"

"Under the stars, if the government hasn't fucked that up too."

"Youse kids, I like. You know the best place to sleep?"

"In a hayloft?"

"No," said Willie the Bomb Bombella. "Under a maple tree. A nice, straight maple tree. It absorbs the bad things from the air. It really does. You sleep under a maple tree and you're never gonna forget it. Really. I swear to God."

CHAPTER FIVE

"Is he somebody?" shrieked a blotch-faced girl whose bouncing boobs were causing a great commotion underneath her tie-dyed tee shirt.

"He's nobody," said Remo, fishing for his motel room key. Chiun sat on the other side of his fourteen large, lacquered trunks. His golden morning kimono wafted gently westward with a breeze that blew across the North Adams Experience, or what had been Farmer Tyrus's north forty until he had suddenly discovered it could be used for something even more valuable than not growing corn.

"He looks like somebody."

"He's a nobody."

"Can I have a piece of that way-out shirt he's wearing?"

"I wouldn't touch it if I were you," said Remo.

"He wouldn't mind if I took just a little piece of his dashiki. Oh, he's somebody. He's somebody. I know it. Hey, everybody. Somebody. Somebody's here."

From cars they came and from the backs of trucks they came. From behind rocks they came and around trees they came. First a few and then, when the mass movement from Tyrus's field was noticed, more followed. Someone was here. Someone was here. The high point of every rock event. Somebody to see.

Remo went into the motel room. There were several possible outcomes to this sudden rush, one of them involved the probable need to dispose of bodies.

But why not? Why should anything go right, starting now? It had begun badly at the briefing session with Smith, which had bordered on the absurd. First, there had been the girl, Vickie Stoner. Her photograph taken at her debut, her baby pictures, a picture of her in a crowd, a picture of her with her eyes glazed.

It was Remo's job to protect her from unknown killers. That is, if she was still alive. She might be at the bottom of some lake now, or buried in a cave, or beneath a house, or decomposed in acid-the decomposing kind or the other kind.

But if she was alive, where would she be? Well, no one knew, least of all her father, but there was a pretty good theory that she would be at a rock festival somewhere, because she was a groupie type.

Which rock festival? Chances were she would not miss the North Adams Experience if she were alive. After all, Maggot and the Dead Meat Lice were playing there. How many people would be there? From four hundred to one hundred thousand.

Thanks a lot.

Remo had then posed this question to Smith: Since the open contract had obviously come from one of the people involved in the Russian grain deal, possibly even Vickie's father, why not let Remo do what he did best? Go down the list of suspects, find the one putting up the money, and reason with him.

No good, Smith explained. It would take too much time and it had too many flaws in it. Suppose Remo went after the wrong man. The right man could get Vickie Stoner. No. Protecting her was the answer.

So that was that and here he was.

There was a commotion outside the motel room and then the door opened and Chiun's trunks started coming in with acid freaks yanking at their handles, moaning and straining as if they were in chains. Remo heard yelling. He went to the window. A very fat young man whose belly was exploding over blue jeans and whose shirt had a peace symbol on it was swinging at a girl whose shirt said Love, not War. She was clawing at his testicles.

"I'm gonna carry his trunk. He said I could," yelled the girl.

"He said I could."

"He said I could."

"No, me. You fat pig shit."

And so it went in many couples until Remo observed that Chiun might become worried about the safety of his trunks. Chiun rose and stood above one trunk, his hands extended, the long nails reaching to the heavens. And he spoke to them, these children, as Remo saw them. And what he said was that their hearts should be in concurrence with the forces of the universe and they should be one with that which was one. They should be all with that which is all.

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