Frank Tuttle - Hold The Dark

“Whoa,” I said, harder and louder than I meant to. “You got mojo in that sack, Mama, you’d damn well better leave it there. I took hexes in the Army because I had to, and you’ve slipped a few on me because I didn’t see them coming. But hear this, Mama Hog. No hexes. Not today. Got it?”

She clamped her jaw and met my stare. I could see her hands moving, see the beginning of a word form on her lips.

Then she sagged and let out her breath.

“Wouldn’t do no good anyhow.” She pulled her hands out of the bag and tied it shut with a scrap of twine. “Wouldn’t do no good.”

When she looked back up at me, she had tears in her eyes.

“Mama, I didn’t mean-”

“Ain’t you, boy. Ain’t nothin’ you said. Ain’t nothin’ you done.”

My head pounded. I took a deep breath and ran fingers through my hair, which was wild and stiff and probably bleached white from Mama’s soap.

“What is it, then? What’s got you so upset?”

“I seen something. Last night. I seen something bad.”

“I thought your cards were clueless where Martha was concerned.”

“Wasn’t about Martha.” She wiped her eyes and leaned close. “Was about you.”

“Tell me.”

She shook her head. “No, I can’t tell. Can’t tell ’cause I still can’t see real clear.” She shuffled in her seat, and I knew I’d caught her in a lie.

“Tell me what you can.”

“Cards. Glass. Smoke. Bones. All come up death, boy. I called your name and a whippoorwill answered. I burned your hair and saw the ashes scatter. I caught blood on a silver needle and saw it turn toward your door.” She shivered, and her eyes looked tired. “Ain’t never seen all them things. Not the same night. And then, when I saw them dogs tearin’ at your clothes-well, I thought you was dead for sure.”

“I’m not surprised. I came pretty close, just after midnight. Maybe that’s what you saw.”

She shook her head. “I reckon not. Something still ain’t right about all this, boy. I oughtn’t to be seeing some things I see, and ought to see things I don’t. We got a sayin’ in Pot Lockney-it’s them things under the water what makes the river wild. Somethin’s messing up my sight on this. You reckon you know what it might be?”

I shook my head. I had suspicions, but they weren’t for anyone but Evis to hear.

“I don’t know, Mama, but I will tell you this. The Houses are mixed up in this, somehow.”

She snorted. “Figured that.”

“Maybe not that way. At least not all of them.” I gave her just enough of the night’s festivities to steer the Watch and the Hoobins toward Avalante, should I have a fatal boating accident in the next few days.

None of that helped her state of agitation. “Running around after Curfew with vampires?” she shouted. “Boy, have you hit your fool head?”

I had to agree, at least partly. But I’d lived. Thanks partly to Evis, who was probably pacing anxiously in a well-appointed crypt across the river.

“Look, Mama, I’ve got to go. But there’s something you can do. For me. Maybe for Martha.”

She gave me a sideways look, nodded.

“I’ll need a hex. A paper hex. Something I can tear. Something you’ll know I’ve torn, just as soon as I’ve torn it. From twenty, thirty blocks away. Can you do that?”

She frowned. “I reckon.”

“Good. And I’ll need you to talk to Ethel. I need you to tell him we may need men to get Martha. Men who’ll break Curfew. Men who’ll fight. Men who’ll keep their mouths shut.”

“How many?”

“All you can get.” I was hoping for fifty.

Mama nodded. “You think you know where Martha Hoobin is?”

“Not yet. But when I find out, we won’t have much time. She’s got maybe four days left. That’s all.” A thought struck me, and I held up my hand to silence Mama’s unspoken question. “Humor me, Mama. What’s special about the night four days from now?”

She frowned. “Special what?”

“I mean is it some old rite of spring or solstice or something. Is there going to be an eclipse? Will the skies turn blood red and rain frogs-that kind of thing?”

“Nothing special about it at all. It’s Thursday. There’s a new moon. Might rain.”

“That’s it,” I said, aloud. “New moon. No moon. Darkest night of the month.”

Vampire picnic day.

Mama saw, and the same thought occurred to her.

“Damn, boy,” she piped. “I done told you I seen death! Death on your name. Death on your blood. Don’t none of that mean nothin’ to you?”

I rose. “It does. But look again. You see me telling Ethel Hoobin I quit? You see me leaving Martha Hoobin at the mercy of those who have her? You see me just walking away?”

She gathered her bag. She rose, and she was crying when she hit the door.

I sat. “Whippoorwills,” I said, to my empty chair. “There aren’t any whippoorwills in Rannit. Haven’t been in years.”

None sang. Ogres huffed and doors began to open and slam outside and old Mr. Bull’s broom started its daily scritch-scritch on his pitiful small stoop. Rannit came to life, sans portents and whippoorwills, vampires and doomsayers.

I listened for a while and then got up, combed my hair and headed across town to speak with Evis about corpses, new moons and ensorcelled silver combs.

I hadn’t even hailed a cab when a sleek black carriage pulled up to the curb before me. The driver tipped his tall black hat, all fresh-scrubbed smiles and shiny black boots with silver buckles and a just-picked yellow daisy in his topcoat buttonhole.

“Good morning, sir,” he said, to me. “I believe you have an appointment with the House this morning.”

I agreed I most likely did. I opened the door and clambered inside. A short time later we were across the River and through the tall iron gates of House Avalante.

I’d have been impressed, were I not so engrossed in my new aches and pains. My right eye still stung from Mama’s soap, and my hips were sore where Sara had snatched me up. So all I can recall is a maze of oak-paneled corridors and gold-plated lamp holders and mirrors set in silver frames. That, and the hush, and the constant strong smell of fireflowers.

I was ushered through half a dozen lavish sitting rooms, each done in fussy pre-War Kingdom style, lace and claw-footed tables and tiny swooping dragons, each biting the tail of the last, carved along the door-frames. I was greeted by half a dozen human household staff, each one more polished and reserved than the last. By the time I was finally shown the anteroom outside Evis’s office, I’d guessed I’d met all the most trusted and highly placed of House Avalante’s daytime staff. Each one called me Mister Jones, and each knew they spoke a lie.

I sat. A butler dusted a forty-candle candelabra and eyed me. I yawned at him. I’d worn my good coat and my new hat and he still lifted his eyebrows and bit back admonitions to keep my feet off the furniture.

Yet another butler appeared, and at last I was presented to Evis. He was seated behind a massive ironwood desk, in a dimly lit forty-by-forty office with red-gold Gantish carpet covering the floor. Three of the walls were lined with cherry bookcases crammed with leather-bound books. The other wall held a glass case filled with curios and old swords and glittering spinning things I took to be sorcerous knick-knacks but couldn’t see well enough to identify. There were, of course, no windows. In fact, by my count of stairs, we were three stories underground.

“Good morning, Mister Markhat,” said Evis. He signed a paper, blew the ink to dry it, and rose. “I trust you slept well?”

I crossed to the empty chair at his desk. “Well enough. How’s Sara?”