THIS IS A BORZOI BOOK PUBLISHED BY ALFRED A. KNOPF
This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.
Text copyright © 2018 by Jay Kristoff
Cover art used under license from Shutterstock.com
Map art copyright © 2018 by Virginia Allyn
All rights reserved. Published in the United States by Alfred A. Knopf, an imprint of Random House Children’s Books, a division of Penguin Random House LLC, New York.
Knopf, Borzoi Books, and the colophon are registered trademarks of Penguin Random House LLC.
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Library of Congress Cataloging-in-Publication Data is available upon request.
ISBN 9781524713928 (trade) — ISBN 9781524713935 (lib. bdg.) — ebook ISBN 9781524713942
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v5.2
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I’ve a suggestion to keep you all occupied.
Learn to swim.
Learn to swim.
Learn to swim.
—Maynard James Keenan
The Three Laws of Robotics
1. A robot may not injure a human being or, through inaction, allow a human being to come to harm.
YOUR BODY IS NOT YOUR OWN.
2. A robot must obey the orders given to it by human beings, except where such orders would conflict with the First Law.
YOUR MIND IS NOT YOUR OWN.
3. A robot must protect its own existence as long as such protection does not conflict with the First or Second Law.
YOUR LIFE IS NOT YOUR OWN.
automata[au-toh-MAH-tuh]
noun
A machine with no intelligence of its own, operating on preprogrammed lines.
machina[mah-KEE-nuh]
noun
A machine that requires a human operator to function.
logika[loh-JEE-kuh]
noun
A machine with its own onboard intelligence, capable of independent action.
0.1
They kill my father first.
Shiny boots ring on the stairs as they march into our cell, four of them all in a pretty row. Blank faces and perfect skin, matte gray pistols in red, red hands. A beautiful man with golden hair says they’re here to execute us. No explanations. No apologies.
Father turns toward us, and the terror in his eyes breaks my heart to splinters. I open my mouth to speak to him, but I don’t know what I’ll say.
The bullets catch him in his back, and bloody flowers bloom on his chest. My sisters scream as the muzzles flash and the shadows dance, and the noise is so loud, I’m afraid I’ll never hear anything again. Mother reaches toward Father’s body as if to catch his fall, and the shot that kisses her temple paints my face with red. I taste salt and copper and milk-white smoke.
And everything is still.
“Better to rule in hell,” the beautiful man smiles, “than serve in heaven.”
The words hang in the air, among the song of distant explosions against the hymn of broken machines. A woman with flat gray eyes touches the beautiful man’s hand, and though they don’t speak, all four turn and leave the room.
My brother crawls to Father’s body and my sisters are still screaming. My tongue sticks to my teeth, and Mother’s blood is warm on my lips, and I can think of nothing, process nothing but how cruel they are to give us this moment—this fragile sliver of time in which to pray that it’s over. To wonder if anything of loyalty or compassion remains inside those shells we filled to brimming. To hope perhaps they won’t murder children.
But the screaming finally stills, and the smoke slowly clears.
And again, we hear shiny boots upon the stairs.
Part 1. A Coin-Operated Boy
1.1 Manifest
Almost everybody called her Eve.
At first glance, you might’ve missed her. She wouldn’t have minded much. Hunched on the shoulder of a metal giant, she was just a silhouette amid the hiss and hum and halos of glittering sparks. She was tall, a little gangly, boots too big and cargos too tight. Sun-bleached blond hair was undercut into an impressive fauxhawk. Her sharp cheekbones were smudged with grease, illuminated by the cutting torch in her hands. She was seventeen years old, but she looked older still. Just like everything around her.
A black metal sphere sat in the socket where her right eye should’ve been. Six silicon chips were plugged behind her right ear, and a long oval of artificial flesh ran from her temple to the base of her skull. The implant obviously wasn’t made for her—the skin tone was a little too pale to match her complexion.
It was just about the right shape for a nasty exit wound.
“Testing, testing…y’all hear me out there?”
The girl almost everyone called Eve clamped a screwdriver between her teeth, glanced at the monitors across from her work pit. A high-def image showed the arena above her head, three hundred meters wide, littered with scorched barricades and the rusting hulks of previous competitors. The EmCee stood in the spotlight, wearing a sequined jacket and a matching bowler hat. There was no need for a mic. Her voice fed directly to the PA via implants in her teeth.
“Juves and juvettes!” she cried. “Scenekillers and wageslaves, welcome…to WarDome !”
The crowd roared. Thousands of them clinging like limpets to the Dome’s bars, humming, thrumming, feet all a-drumming. Most were the worse for stims or a bellyful of home brew, drunker still at the thought of the carnage to come. Their vibrations sank into Eve’s bones, and she couldn’t help but smile. Tasting her fear and swallowing it whole.
“Showtime,” she whispered.
“In the blue zone,” cried the EmCee, “the condemned! A fritzer, fresh from the border of the Glass, with the murder of seventy-two accredited citizens on its head. Brought here tonight for a taste of oldskool justice! All y’all give this fug a warm and fuzzy Dregs welcome. Some volume, if you please…for GL-417!”
Blue floodlights arced at the Dome’s north end, and the floor panels rolled away. A hulking lump of robotic menace rose into view amid a hail of spit and jeers. Eve’s insides turned slippery cold at the sight on her monitor. Her cutting torch wavered in her hands.
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