John Sandford - Bad blood

"Yeah. Where are you going?"

"Up by the side window. Most of them are in the side yard; I'm gonna try to knock a couple of them down, then I'll be back here right on top of you."

"I'll call Virgil," Coakley shouted after him as he ran down the hall. "He's gotta be close." VIRGIL CAME UP and Coakley shouted at him, and he said, "Stop yelling, I can't understand," and she reined herself in and said, "We're in the Rouse house. There're guys outside with guns, lots of them. They're shooting the place to pieces. There are some of them inside now. We're upstairs in the bathtub… Bob Hart is dead…"

Kristy was lying under her, weeping, and a rifle bullet, coming at a shallow angle, upward, clanged off the side of the tub, and they both screamed, and Virgil said, "Hold on, five minutes… five minutes. Listen for your phone."

Three shots from the front, Dunn, followed by a volley through the front wall, and Dunn crawled into the hallway and shouted, "How much ammo you got?" and Coakley shouted, "The clip in the gun and one more."

"Be careful with it," Dunn shouted, and a slug crashed through a wall above his head and he put a hand over his head and pressed himself to the floor. A man poked his head around the corner of the stairs and saw Dunn on the floor and twisted toward him, with a shotgun, and before he could fire, Coakley shot him in the back and then in the head, and Dunn screamed, "Jesus, Jesus, Jesus…" and looked down the hall at her, and at the long gun that the man had dropped. He scrambled down the hall and grabbed it, and rolled over and checked the safety, then did another peek down the stairs. All Coakley could see was the dead man's hand, and Dunn pushed it down the stairs and called, "Good," and at that moment, a gunshot came through the floor and hit him in the ankle and he screamed, and came flailing down the hall toward Coakley, and dropped beside the bathtub and groaned, "I'm hit…"

"Get behind the back of the tub. Nothing's coming from the back but there's been some from the front," Coakley told him.

Dunn obeyed, leaving a trail of blood, and Coakley pulled a bath towel off a shower stall hanger. "You got a knife? We got to get some pressure on the wound."

She looked over the edge of the tub, and Dunn's face was bright red and sweating, contorted with pain, but he was controlled, the captured shotgun aimed down the hall, and he dug a switchblade out of his pocket and flicked it open. Coakley used it to cut a long strip out of the towel and said, "Wrap it tight as you can…"

She could hear men shouting down the stairs, but couldn't hear what they were saying. She said to Dunn, "Wrap that, give me the shotgun," and she slipped out of the tub, took the shotgun, the safety was showing red, and she padded as quietly as she could down the hall. The shooting had slowed, but gunshots were still coming through, blowing plaster and wood, and she did a quick peek at the stairway, saw nobody but the dead man. She stepped across the stairway quickly, went in the first bedroom, did a peek at the window, saw nobody in the yard, checked the stairway again, and slugs started ripping methodically down the hallway, straight up, coming through the floor.

She went to the window in the second bedroom, did a peek, saw a man, or part of a man, squatting by the corner of the shed across the side yard. She didn't hesitate, but fired two fast shotgun shots through the glass, then dashed back down the hallway.

Whoever was down below was still firing through the floor. He was the most dangerous one, she thought; the bathtub had nearly been penetrated by the glancing shot, and if he shot up straight through the bottom of the tub, he'd kill both Kristy and her; but as she watched the shots coming through, she realized that the shots were so vertical-coming up through the floor and into the ceiling-that he must be right under them. She waited for the next shot, fifteen feet away, ran back to it, and emptied the pistol magazine through the floor.

She heard no screaming, but wanted to believe that she'd at least scared the shit out of him.

Back in the bathroom, she reloaded and said, to Kristy, as her cell phone rang, "We're doing fine, honey. We'll be okay."

She answered the phone, and Virgil was there: "There are too many of them, we can't come straight in. There are a dozen shooters around the place… We're coming across the field in the back. If you see people coming in the back, don't fire at us."

"Hurry," she said. "We've only got a minute or two before they get us. You gotta hurry, Virgil."

"We're running in," he said. "We're running."

Virgil had sent the two highway patrolmen and the two local cops on their way north to watch the meeting at Einstadt's, and turned south off the highway to go on down to the Rouse place.

"This goes to about eleven on the weird-shit-o-meter," Jenkins said. He'd pushed his seat all the way back and had one foot up on the dash. "I gotta admit, Virgil, this country makes me a little uncomfortable. I'm not really that much of a country guy. I'll take an alley."

Virgil asked, "What happened to that bag of Cheetos?"

"Ah, I think they're right behind your elbow. Let me see…" Jenkins fished the bag out, held it while Virgil took a handful of Cheetos, getting sticky orange cheese goop all over his fingers.

Virgil said, between chews, "As far as your weird-shit-o-meter goes… give me one of those little hand wipes, will you?… it would be very hard to find anything a lot weirder than that case you and Shrake had out in Lake Elmo. The mummy."

Jenkins considered for a moment, put a finger in his ear to wiggle out an itch, then said, "Yeah, well. All right, that was probably a nine."

"Nine, my ass," Virgil said. "You're giving child abuse an eleven-" His phone rang, and he one-handed it out of the equipment bin. "And you're saying the mummy was only a nine? Lots of child abuse around. How many mummies have you run into?"

He put the phone to his ear, and Coakley was shouting at him, and when she slowed down enough to make herself understood, Virgil said, "Hold on, five minutes. Five minutes. Listen for your phone," and she was gone.

They'd been ambling along on the back highway, and Virgil floored it and said, "Get the fuckin' rifles loaded up, man. They've got some kind of lynch mob out there, shooting the place up. There're a lot of guys, they've already got a dead cop…"

"Told you it was weird out here." Jenkins unsnapped his safety belt as they rocketed along the road and pulled up one of the rifles and slapped a magazine in it and jacked a shell into the chamber, put the rifle beside his leg, picked up the other one, did the same, then struggled into his vest and dragged Virgil's vest out of the back. They went through a long sweeping curve and he asked, "What're we doing? Are we going straight in?"

"I don't think so. She said there were a lot of them. And they're all farm guys and they'll have hunting rifles."

"These vests won't stop a.30-06," Jenkins said.

"Gotta try," Virgil said. "They might blow up hollow point, I don't know."

"Lift your arm up." Virgil lifted his arm, and Jenkins said, "I'm putting four mags in your pocket. We got five apiece, thirty rounds each."

"There they are," Virgil said. The house, bathed in car headlights, looked like a white lighthouse, sitting on a hill on the prairie. Virgil reached under the dash and threw a switch that killed his lights: the switch was normally used on surveillance operations, so a person being followed wouldn't see a car pulling away from a curb.

The sudden darkness didn't quite blind them-he could see the dark ribbon of road between the snow-mounded shoulders on either side, but he had to slow down. The last half-mile took a full minute, and he hoped it wasn't too long; at the end of it, he took an even narrower lane that ran off the main road, parallel to the side of the Rouse place, and stopped.