David Williams - The Burning Skies

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In his electrifying debut, The Mirrored Heavens, David J. Williams created a dark futuristic world grounded in the military rivalries, terror tactics, and political wrangling of our own time. Now he takes his masterful blend of military SF, espionage thriller, and dystopian cyberpunk one step further - to the edge of annihilation ….
Life as U.S. counterintelligence agent Claire Haskell once knew it is in tatters - her mission betrayed, her lover dead, and her memories of the past suspect. Worse, the defeat of the mysterious insurgent group known as Autumn Rain was not as complete as many believed. It is quickly becoming clear that the group's ultimate goal is not simply to destroy the tenuous global alliances of the 22nd century - but to rule all of humanity. And they're starting with the violent destruction of the Net and the assassination of the U.S. president. Now it's up to Claire, with her ability to jack her brain into the systems of the enemy, to win this impossible war.
Battling ferociously across the Earth-Moon system, and navigating a complex world filled with both steadfast loyalists and ruthless traitors, Claire must be ready for the Rain's next move. But the true enemy may already be one step ahead of her.

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They were put there?”

No, I was born with them,” says the Operative. “And so was Lynx. And we knew a priori from the fucking cradle that we had to pursue a certain target along certain trajectories and if that target deviated suddenly we’d need to coordinate in a way that couldn’t be detected by anyone on the zone.” The Operative is pretty much ranting now. “Obviously they were put there, asshole!”

I get that,” snaps Sarmax. “And get this: this is why I fucking left. Because these runs always end up with us like rats stuck in some custom-built maze.”

Though usually not this intricate,” says the Operative.

Too right,” replies Sarmax. “This whole terrain has been prepared . Like some ancient battlefield where they dug the goddamn elephant traps in advance. I mean, that’s what, the tenth camera we’ve seen that’s been ripped out at the wires? God only knows how we fit in. All we’re doing is running against some fucking program.”

Speaking of,” says the Operative—he brakes to a halt, turns and pivots onto the wall, and rips a panel aside. The phone that’s revealed is more modern than the last one. It’s already flashing. The Operative pictures the wires that lead away from that phone, wending through walls to wherever Lynx is crouching, completely shorn from all the others in here. Or so he hopes. He picks up the phone.

Carson,” says Lynx.

Yeah,” says the Operative—and once again feels something light up within his skull. It’s a sensation he’s almost starting to get used to. This one’s some kind of response to the data he’s been accumulating about their target. Something he needs to tell Lynx.

Right now.

This just got a lot more difficult,” he says.

I’ll say,” replies Lynx.

You just got a newsflash in your head too?”

What are you talking about?”

Simple,” says the Operative. “We need to take this thing alive.”

Like fuck we do,” says Lynx.

картинка 18

Lights upon a grid, converging on an area about ten klicks south of New London. Tension mounts on the bridge and not a word’s being spoken among the crew. Everything that needs to be said is going down within their heads.

Which can have its drawbacks.

This is getting tight,” mutters Linehan.

Tell me about it,” says Spencer.

Can you see the Platform from up there?”

I’m on the goddamn bridge, Linehan. Of course I can fucking see it. Where the hell are you now?”

Sitting in a drop-ship.”

Doing what?”

Getting ready to drop, you moron.”

To the Platform?”

They’re briefing us on its layout right now.”

Have they set a countdown?” asks Spencer.

Not that they’ve told us. Are you seeing one up there?”

Not a goddamn thing. This whole thing’s compartmentalized pretty tight.”

They may still be deciding whether to deploy us. Send me downloads of the view from the bridge, will ya? And the camera footage of how that view’s changed since we started orbiting.”

Done,” says Spencer. “What are you thinking?”

A lot. What are you seeing up there?”

There’s some kind of shit going down on the Platform. We’ve got at least two units down there, with multiple signals closing on them.”

Way too late to tell me that,” says Linehan. “Get me the coordinates.”

Done.”

Any more data about this thing we’re in?”

We’re tarted up as a Harappa-class freighter. Registered to a firm in Paris, left the Zurich Stacks in low-orbit two days ago and came straight here.”

And before that?”

There was no before. This is our maiden voyage.”

How convenient.”

Especially because we’ve been built with a few modifications.”

Like what?”

Like the one you’re sitting in. Fast dropship deployment capacity. Looks like there’s four more down there in addition to yours, each full of marines.”

Packed in like sardines,” says Linehan. “What about the ship’s weaponry?”

Four heavy directed-energy batteries and two kinetic-energy gatlings. All of it locked away and out of sight.”

But once they extend those barrels it’s going to be pretty fucking obvious that we’re not a bunch of Swiss carrying second-rate tungsten.”

It may already be pretty fucking obvious. We’re tracking the Rain and the Rain may be tracking us.”

Don’t I know it, Spencer. The officers down here are going on about how we’re going to stop the Rain for good. But the rank-and-file’s saying something else.”

Don’t put too much stock in rumors, man.”

You ignore them at your peril, Spencer.”

So what are they saying?”

That we’re out to bag ourselves a witch.”

картинка 19

Haskell’s now off the train and onto another one that’s drawn up alongside—a railcar that’s as off the zone as she can make it, even as the train she’s stepping from hurtles on with one of her decoys enscribed hastily upon it. She’s just over twenty klicks north of the South Pole. She feels like she’s falling in toward it, towed in by the weight of the future. She’s about to break through another defensive screen, but her decoys are going to drop behind her, hang back a little, lead the defenders on a merry little chase that goes exactly nowhere.

Problem is that those defenders are exhibiting some strange behavior. They were starting to respond at first—they looked like they were scrambling. But now they’ve stopped altogether. Have they lost track of the decoys? Are they awaiting orders? Or is there something else that’s going on? Maybe she’s missing something. Because she’s perfectly aware that these aren’t normal defenses. Not down here. The disabled cameras and sensors testify to that. The only working cameras she’s seeing look like they’re newly installed. She’s got her camouflage cranked—she’s hoping that all anyone who’s watching is going to see is just a redeploying railcar. And maybe not even that. Because now her mind’s leaping in to hack those cameras.

And failing. Turns out they’re totally bereft of wireless interface. Haskell wonders where their wires lead. She’s got no access to them—meaning they’re not connected to the Euro zone. And their feeds aren’t viewable by the Euro police forces, most of which seem to be back at the city anyway. She’s seen the occasional robot sentinel in these tunnels. But she knows that most of the Euro forces that aren’t in New London are stationed at the South Pole mountains, to stop intruders from getting through to the cylinder’s Aerie—in theory. But in practice, she’s got a feeling that the forces controlling the approaches to the asteroid have been co-opted . She wonders if the defenders she’s running rings around know that. She accelerates her railcar, skirts past the defenders halted in their tracks, and streaks into the sections of underground that lie beyond.

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