David Gunn - Death's head

I could do it here, as Thomassi and Aptitude come out of the cathedral, but I’d be cut down in seconds and the door is too narrow to let me get a clear shot at everyone else.

And then there’s my other problem.

Sweet little Aptitude.

Thinking about her in cliches makes it no better. By the end of today I will have failed someone, and such is the training the legion enforces that I know whichever way it goes, I can’t afford to fail myself. It’s the worst failure, the failure that makes you fail others.

The old saying sits in the back of my head, all buffed up and shining, but it’s no use because I still don’t know where my real duty lies.

Aptitude Wildeside looks just like her mother.

The same dark eyes as Debro and the same intense gaze, her cheekbones high and her lips full; looking at her is like seeing Debro made young again. She’s wearing white, as befits a bride, and her hair is up, braided and folded around her skull in a complicated pattern held in place with pins.

She’s young, just not as young as her inexperience suggests.

And she’s beautiful.

A perfect body and a perfect face, probably matched to a keen and inquiring mind. Her dress is expensive, her jewelry beyond price. There are diamonds the size of quail eggs in the handle of the fan she carries as she exits blinking into the sunlight and is led toward her wedding vehicle.

I’m not sure what kind of hover it is, because the thing is buried under frills and bows, but from what I can see the vehicle is new. And the driver keeps it completely still, so that it barely rocks as a step unfolds and Aptitude climbs into the backseat, doing her best to smile.

Her eyes flick across my face and I’m forgotten.

Just one of a dozen men called in at the last minute to provide security. A precaution, Senator Thomassi tells Aptitude, not specifying against what. I’m there when he says it, as invisible to him as I am to her.

We line up on both sides of the vehicle, which moves away at a speed that allows us to keep her safe. On its way here, the hover contained only Aptitude; now it contains both Aptitude and the senator, who holds her hand tightly. Aptitude has tears in her eyes, and they don’t look like tears of happiness to me.

The veil is back from her face and her eyes are skimming the streets as if seeing them for the last time.

I should have done this last night.

It would have been cleaner and kinder to spare the kid the trauma of finding herself married to a man who’s outlived three wives and is ancient enough to be her grandfather, if not far older than that. The high clans of Farlight live longer than normal people. Well, what I call normal people, who are probably not what the Thomassis call people at all…

“You want to take your pay or do another shift?”

I’m tempted to take the shift. It’s a neat way to get into Villa Thomassi-maybe too neat, and something warns me to play it straight. So I pocket the cash, which comes to a handful of silver pieces, and walk back to the bar where I first got news that jobs were on offer. Most of the others follow.

A group of us order beers, and two of the men go upstairs with a dark-skinned girl. The others begin to drift away as darkness creeps across the huge square. Music comes from a cafe nearby. So the owner of our bar responds with some music of his own.

Obviously enough, the songs clash.

A thin woman is cooking lamb in the yard behind our bar, fat falling into the flames and turning the night air greasy with the smell of griddled meat.

I keep looking for Farlight’s famed elegance and failing to find it. Zabo Square is vast. So vast, in fact, you could fit the whole of Fort Libidad into one corner and barely use a quarter of the space. I wouldn’t be surprised if you could fit the whole city of Karbonne into Zabo Square as well.

“Something out there?”

It’s one of the men. He’s watching me watch the square.

“Just thinking how big it is.”

“You new here?”

I listen for criticism in his words, but the question is exactly that, a simple question…So I nod, and he tells me his name is Pietro, and he’s been in Farlight for five years, and it took him a while to get used to the noise and crowds. Pietro warns me against pickpockets and swindlers, and tells me to be careful of people who want to be my friend. He smiles as he says this, and offers to buy me another beer, leaving me wondering if he can see the incongruity in his own words.

Incongruity?

Stumbling over the term brings a scowl to my face. Explaining quickly that I was remembering an old sergeant, we both agree they’re fuckers and best forgotten. Then I buy another round, although I haven’t yet drunk the beer he bought me, and Pietro says he’s going upstairs to see if his friends have finished with the dark-skinned girl.

He asks if I’m interested in taking a turn.

So I thank him for his offer, and tell him I have stuff to do.

Zabo square is in darkness. An edging of light filters from the cafes and cantinas around its perimeter, while its black center stretches away beneath my feet. Villa Thomassi is on the far side, three streets back and hidden behind wrought-iron gates and a thick canopy of trees. I’ve memorized its position for this moment.

A man comes to the gate as I rattle it. He’s one of the few who stayed on to take a second shift and I want to apologize and say it’s nothing personal, but I’m already lowering him to the ground, and the edge of my laser has cauterized the wound to his throat, sealing its edges.

Dragging him close, I lift keys from his belt.

I ask you.

Heavy brass keys, with curiously cut end bits that turn out to be the Thomassi arms. I know this, because the same arms are carved into the gateposts and welded in steel to the wrought iron of the gate.

There’s confidence and there’s arrogance, and then there’s blind stupidity, which is closer to the previous two than most people imagine. The Thomassis have computer security, but its eye is a single lenz discreetly positioned in a tree to one side of the entrance so as not to spoil the look of the gates.

By the time the lenz is on me I’m inside the gate, the dead man is in a bush, and I’m wearing his jacket and standing in his position. The lenz swings past me and then stops, locking on to something in the street beyond.

One gun, five clips, a dagger, and a laser blade, plus the pistol I’ve just taken from the man in the bush. Killing Thomassi’s people is not going to be a problem; burning down his villa afterward might take a little more ingenuity.

I hear the crunch of feet on gravel behind me.

“Everything okay?”

The split second it takes the man to realize he doesn’t recognize me is all the time I need to drive a spike under his chin and into his brain. Shock dies as the light goes out of his eyes, and I lower him gently to the ground.

These are ex-soldiers, men who are paid to face death. Essentially, they’re me in another life. Maybe that’s why I’m finding killing them unexpectedly hard.

Get over it, I tell myself.

Thomassi’s head of security comes next and killing him proves no problem at all, nor does dumping his body into shadow beside the main steps. A lenz in the portico catches me, but no alarms trigger. The camera just reaches the end of its travel, then begins to swing back, sliding over me a second time. Either the software is useless or the family have a human on the other end, in which case their security is more useless still.

Three steps, a quick check behind me, and I’m through the front door.

A rich and sickly scent of flowers fills the hall. Huge tapestries line one wall. A heavy light fitting hangs above my head, supporting several dozen candles. It’s held in place by a fat chain and worked by a rusty-looking winch in a far corner. If the winch is rusty, then it’s meant to be rusty, because everything else in the hall is in perfect condition.