Suzanne Collins - The Hunger Games

I grin and move in the direction of the bird. Another just a short distance ahead, picks up on the handful of notes. Rue has been singing to them, and recently. Otherwise they’d have taken up some other song. My eyes lift up into the trees, searching for a sign of her. I swallow and sing softly back, hoping she’ll know it’s safe to join me. A mockingjay repeats the melody to me. And that’s when I hear the scream.

It’s a child’s scream, a young girl’s scream, there’s no one in the arena capable of making that sound except Rue. And now I’m running, knowing this may be a trap, knowing the three Careers may be poised to attack me, but I can’t help myself. There’s another high-pitched cry, this time my name. “Katniss! Katniss!”

“Rue!” I shout back, so she knows I’m near. So, they know I’m near, and hopefully the girl who has attacked them with tracker jackers and gotten an eleven they still can’t explain will be enough to pull their attention away from her. “Rue! I’m coming!”

When I break into the clearing, she’s on the ground, hopelessly entangled in a net. She just has time to reach her hand through the mesh and say my name before the spear enters her body.

The boy from District 1 dies before he can pull out the spear. My arrow drives deeply into the center of his neck. He falls to his knees and halves the brief remainder of his life by yanking out the arrow and drowning in his own blood. I’m reloaded, shifting my aim from side to side, while I shout at Rue, “Are there more? Are there more?”

She has to say no several times before I hear it. Rue has rolled to her side, her body curved in and around the spear. I shove the boy away from her and pull out my knife, freeing her from the net. One look at the wound and I know it’s far beyond my capacity to heal, beyond anyone’s probably. The spearhead is buried up to the shaft in her stomach. I crouch before her, staring helplessly at the embedded weapon. There’s no point in comforting words, in telling her she’ll be all right. She’s no fool. Her hand reaches out and I clutch it like a lifeline. As if it’s me who’s dying instead of Rue.

“You blew up the food?” she whispers.

“Every last bit,” I say.

“You have to win,” she says.

“I’m going to. Going to win for both of us now,” I promise. I hear a cannon and look up. It must be for the boy from District 1.

“Don’t go.” Rue tightens her grip on my hand.

“Course not. Staying right here,” I say. I move in closer to her, pulling her head onto my lap. I gently brush the dark, thick hair back behind her ear.

“Sing,” she says, but I barely catch the word.

Sing? I think. Sing what? I do know a few songs. Believe it or not, there was once music in my house, too. Music I helped make. My father pulled me in with that remarkable voice—but I haven’t sung much since he died. Except when Prim is very sick. Then I sing her the same songs she liked as a baby.

Sing. My throat is tight with tears, hoarse from smoke and fatigue. But if this is Prim’s, I mean, Rue’s last request, I have to at least try. The song that comes to me is a simple lullaby, one we sing fretful, hungry babies to sleep with. It’s old, very old, I think. Made up long ago in our hills. What my music teacher calls a mountain air. But the words are easy and soothing, promising tomorrow will be more hopeful than this awful piece of time we call today.

I give a small cough, swallow hard, and begin:

Rue’s eyes have fluttered shut. Her chest moves but only slightly. My throat releases the tears and they slide down my cheeks. But I have to finish the song for her.

The final lines are barely audible.

Everything’s still and quiet. Then, almost eerily, the mockingjays take up my song.

For a moment, I sit there, watching my tears drip down on her face. Rue’s cannon fires. I lean forward and press my lips against her temple. Slowly, as if not to wake her, I lay her head back on the ground and release her hand.

They’ll want me to clear out now. So they can collect the bodies. And there’s nothing to stay for. I roll the boy from District 1 onto his face and take his pack, retrieve the arrow that ended his life. I cut Rue’s pack from her back as well, knowing she’d want me to have it but leave the spear in her stomach. Weapons in bodies will be transported to the hovercraft. I’ve no use for a spear, so the sooner it’s gone from the arena the better.

I can’t stop looking at Rue, smaller than ever, a baby animal curled up in a nest of netting. I can’t bring myself to leave her like this. Past harm, but seeming utterly defenseless. To hate the boy from District 1, who also appears so vulnerable in death, seems inadequate. It’s the Capitol I hate, for doing this to all of us.

Gale’s voice is in my head. His ravings against the Capitol no longer pointless, no longer to be ignored. Rue’s death has forced me to confront my own fury against the cruelty, the injustice they inflict upon us. But here, even more strongly than at home, I feel my impotence. There’s no way to take revenge on the Capitol. Is there?

Then I remember Peeta’s words on the roof. “Only I keep wishing I could think of a way to . . . to show the Capital they don’t own me. That I’m more than just a piece in their Games.” And for the first time, I understand what he means.

I want to do something, right here, right now, to shame them, to make them accountable, to show the Capitol that whatever they do or force us to do there is a part of every tribute they can’t own. That Rue was more than a piece in their Games. And so am I.

A few steps into the woods grows a bank of wildflowers. Perhaps they are really weeds of some sort, but they have blossoms in beautiful shades of violet and yellow and white. I gather up an armful and come back to Rue’s side. Slowly, one stem at a time, I decorate her body in the flowers. Covering the ugly wound. Wreathing her face. Weaving her hair with bright colors.

They’ll have to show it. Or, even if they choose to turn the cameras elsewhere at this moment, they’ll have to bring them back when they collect the bodies and everyone will see her then and know I did it. I step back and take a last look at Rue. She could really be asleep in that meadow after all.

“Bye, Rue,” I whisper. I press the three middle fingers of my left hand against my lips and hold them out in her direction. Then I walk away without looking back.

The birds fall silent. Somewhere, a mockingjay gives the warning whistle that precedes the hovercraft. I don’t know how it knows. It must hear things that humans can’t. I pause, my eyes focused on what’s ahead, not what’s happening behind me. It doesn’t take long, then the general birdsong begins again and I know she’s gone.

Another mockingjay, a young one by the look of it, lands on a branch before me and bursts out Rue’s melody.