Fredric Brown - The Fredric Brown Megapack

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Fredric Brown (1906-1972), one of science fiction’s greatest masters from the Golden Age, is famous for his many classic short stories -- quite a few of which are presented here, including "Arena," "Knock," "Earthmen Bearing Gifts," "The Star Mouse," and many more.

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Dr. Irving said slowly, “Your cousin informs me that you were a bit—ah—‘hipped’ was his word—on the subject of Napoleon before your accident. How do you account for that?”

“I’ve told you I don’t account for any of it. But I can verify that fact, aside from what Charlie Doerr says about it. Apparently I—the George Vine I, if I was ever George Vine—was quite interested in Napoleon, had read about him, made a hero of him, and had talked about him quite a bit. Enough so that the fellows he worked with at the Blade had nicknamed him ‘Nappy.’”

“I notice you distinguish between yourself and George Vine. Are you or are you not he?”

“I have been for three years. Before that—I have no recollection of being George Vine. I don’t think I was. I think—as nearly as I think anything—that I, three years ago, woke up in George Vine’s body.”

“Having done what for a hundred and seventy some years?”

“I haven’t the faintest idea. Incidentally, I don’t doubt that this is George Vine’s body, and with it I inherited his knowledge—except his personal memories. For example, I knew how to handle his job at the newspaper, although I didn’t remember any of the people I worked with there. I have his knowledge of English, for instance, and his ability to write. I knew how to operate a typewriter. My handwriting is the same as his.”

“If you think that you are not Vine, how do you account for that?”

He leaned forward. “I think part of me is George Vine, and part of me isn’t. I think some transference has happened which is outside the run of ordinary human experience. That doesn’t necessarily mean that it’s supernatural—nor that I’m insane. Does it?”

Dr. Irving didn’t answer. Instead, he asked, “You kept this secret for three years, for understandable reasons. Now, presumably for other reasons, you decide to tell. What are the other reasons? What has happened to change your attitude?”

It was the question that had been bothering him.

He said slowly, “Because I don’t believe in coincidence. Because something in the situation itself has changed. Because I’m tired of pretending. Because I’m willing to risk imprisonment as a paranoic to find out the truth.”

“What in the situation has changed?”

“Yesterday it was suggested—by my employer—that I feign insanity for a practical reason. And the very kind of insanity which I have, if any: Surely, I will admit the possibility that I’m insane. But I can only operate on the theory that I’m not. You know that you’re Dr. Willard E. Irving; you can only operate on that theory—but how do you know you are? Maybe you’re insane, but you can only act as though you’re not.”

“You think your employer is part of a plot—ah—against you? You think there is a conspiracy to get you into a sanitarium?”

“I don’t know. Here’s what has happened since yesterday noon.” He took a deep breath. Then he plunged. He told Dr. Irving the whole story of his interview with Candler, what Candler had said about Dr. Randolph, about his talk with Charlie Doerr last night and about Charlie’s bewildering about-face in the waiting room.

When he was through he said, “That’s all.” He looked at Dr. Irving’s expressionless face with more curiosity than concern, trying to read it. He added, quite casually, “You don’t believe me, of course. You think I’m insane.”

He met Irving’s eyes squarely. He said, “You have no choice—unless you would choose to believe I’m telling you an elaborate set of lies to convince you I’m insane. I mean, as a scientist and as a psychiatrist, you cannot even admit the possibility that the things I believe— know —are objectively true. Am I not right?”

“I fear that you are. So?”

“So go ahead and sign your commitment. I’m going to follow this thing through. Even to the detail of having Dr. Ellsworth Joyce Randolph sign the second one.”

“You make no objection?”

“Would it do any good if I did?”

“On one point, yes, Mr. Vine. If a patient has a prejudice against—or a delusion concerning—one psychiatrist, it is best not to have him under that particular psychiatrist’s care. If you think Dr. Randolph is concerned in a plot against you, I would suggest that another one be named.”

He said softly, “Even if I choose Randolph?”

Dr. Irving waved a deprecating hand, “Of course, if both you and Mr. Doerr prefer—”

“We prefer.”

The iron gray head nodded gravely. “Of course you understand one thing; if Dr. Randolph and I decide you should go to the sanitarium, it will not be for custodial care. It will be for your recovery through treatment.”

He nodded.

Dr. Irving stood. “You’ll pardon me a moment? I’ll phone Dr. Randolph.”

He watched Dr. Irving go through a door to an inner room. He thought; there’s a phone on his desk right there; but he doesn’t want me to overhear the conversation.

He sat there very quietly until Irving came back and said, “Dr. Randolph is free. And I phoned for a cab to take us there. You’ll pardon me again? I’d like to speak to your cousin, Mr. Doerr.”

He sat there and didn’t watch the doctor leave in the opposite direction for the waiting room. He could have gone to the door and tried to catch words in the low-voiced conversation, but he didn’t. He just sat there until he heard the waiting room door open behind him and Charlie’s voice said, “Come on, George. The cab will be waiting downstairs by now.”

They went down in the elevator and the cab was there. Dr. Irving gave the address.

In the cab, about half way there, he said, “It’s a beautiful day,” and Charlie cleared his throat and said, “Yeah, it is.” The rest of the way he didn’t try it again and nobody said anything.

VI

He wore gray trousers and a gray shirt, open at the collar, and with no necktie that he might decide to hang himself with. No belt, either, for the same reason, although the trousers buttoned snugly enough around the waist that there was no danger of them falling off. Just as there was no danger of his falling out any of the windows; they were barred.

He was not in a cell, however; it was a large ward on the third floor. There were seven other men in the ward. His eyes ran over them. Two were playing checkers, sitting on the floor with the board on the floor between them. One sat in a chair, staring fixedly at nothing; two leaned against the bars of one of the open windows, looking out and talking casually and sanely. One read a magazine. One sat in a corner, playing smooth arpeggios on a piano that wasn’t there at all.

He stood leaning against the wall, watching the other seven. He’d been here two hours now; it seemed like two years.

The interview with Dr. Ellsworth Joyce Randolph had gone smoothly; it had been practically a duplicate of his interview with Irving. And quite obviously, Dr. Randolph had never heard of him before.

He’d expected that, of course.

He felt very calm, now. For a while, he’d decided, he wasn’t going to think, wasn’t going to worry, wasn’t even going to feel.

He strolled over and stood watching the checker game. It was a sane checker game; the rules were being followed.

One of the men looked up and asked, “What’s your name?” It was a perfectly sane question; the only thing wrong with it was that the same man had asked the same question four times now within the two hours he’d been here.

He said, “George Vine.”

“Mine’s Bassington, Ray Bassington. Call me Ray. Are you insane?”

“No.”

“Some of us are and some of us aren’t. He is.” He looked at the man who was playing the imaginary piano. “Do you play checkers?”

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