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Fredric Brown: The Second Fredric Brown Megapack

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Fredric Brown The Second Fredric Brown Megapack

The Second Fredric Brown Megapack: краткое содержание, описание и аннотация

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Fredric Brown (1906-1972) is perhaps best remembered for his use of humor and his mastery of the "short-short" form (these days called flash fiction) — stories of one to three pages, often with ingenious plotting devices and surprise endings. (He also wrote excellent short stories and novels.) This volume contains 27 of his stories, including the classics "The Waveries," "Honeymoon in Hell," "Cartoonist," and many more!

Fredric Brown: другие книги автора


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In May of 1957 thirty-five million employables were out of work; in October, fifteen million; by May of 1958, five million. By 1959 the situation was completely in hand and competitive demand was already beginning to raise wages.

The third board had the most difficult job of the three. It was called the Factory Readjustment Bureau. It coped with the stupendous task of converting factories filled with electrically operated machinery and, for the most part, tooled for the production of other electrically operated machinery, over for the production, without electricity, of essential non-electrical articles.

The few available stationary steam engines worked twenty-four hour shifts in those early days, and the first thing they were given to do was the running of lathes and stampers and planers and millers working on turning out more stationary steam engines, of all sizes. These, in turn, were first put to work making still more steam engines. The number of steam engines grew by squares and cubes, as did the number of horses put to stud. The principle was the same. One might, and many did, refer to those early steam engines as stud horses. At any rate, there was no lack of metal for them. The factories were filled with nonconvertible machinery waiting to be melted down.

Only when steam engines—the basis of the new factory economy—were in full production, were they assigned to running machinery for the manufacture of other articles. Oil lamps, clothing, coal stoves, oil stoves, bathtubs and bedsteads.

Not quite all of the big factories were converted. For while the conversion period went on, individual handicrafts sprang up in thousands of places. Little one- and two-man shops making and repairing furniture, shoes, candles, all sorts of things that could be made without complex machinery. At first these small shops made small fortunes because they had no competition from heavy industry. Later, they bought small steam engines to run small machines and held their own, growing with the boom that came with a return to normal employment and buying power, increasing gradually in size until many of them rivaled the bigger factories in output and beat them in quality.

There was suffering, during the period of economic readjustment, but less than there had been during the great depression of the early thirties. And the recovery was quicker.

The reason was obvious: In combating the depression, the legislators were working in the dark. They didn’t know its cause—rather, they knew a thousand conflicting theories of its cause—and they didn’t know the cure. They were hampered by the idea that the thing was temporary and would cure itself if left alone. Briefly and frankly, they didn’t know what it was all about and while they experimented, it snowballed.

But the situation that faced the country—and all other countries—in 1957 was clear-cut and obvious. No more electricity. Readjust for steam and horsepower.

As simple and clear as that, and no ifs or ands or buts. And the whole people—except for the usual scattering of cranks—back of them.

By 1961—

It was a rainy day in April and George Bailey was waiting under the sheltering roof of the little railroad station at Blakestown, Connecticut, to see who might come in on the 3:14.

It chugged in at 3:25 and came to a panting stop, three coaches and a baggage car. The baggage car door opened and a sack of mail was handed out and the door closed again. No luggage, so probably no passengers would—

Then at the sight of a tall dark man swinging down from the platform of the rear coach, George Bailey let out a yip of delight. “Pete! Pete Mulvaney! What the devil—”

“Bailey, by all that’s holy! What are you doing here?”

George wrung Pete’s hand. “Me? I live here. Two years now. I bought the Blakestown Weekly in ’59, for a song, and I run it—editor, reporter, and janitor. Got one printer to help me out with that end, and Maisie does the social items. She’s—”

“Maisie? Maisie Hetterman?”

“Maisie Bailey now. We got married same time I bought the paper and moved here. What are you doing here, Pete?”

“Business. Just here overnight. See a man named Wilcox.”

“Oh, Wilcox. Our local screwball—but don’t get me wrong; he’s a smart guy all right. Well, you can see him tomorrow. You’re coming home with me now, for dinner and to stay overnight. Maisie’ll be glad to see you. Come on, my buggy’s over here.”

“Sure. Finished whatever you were here for?”

“Yep, just to pick up the news on who came in on the train. And you came in, so here we go.”

They got in the buggy, and George picked up the reins and said, “Giddup. Bessie,” to the mare. Then, “What are you doing now, Pete?”

“Research. For a gas-supply company. Been working on a more efficient mantle, one that’ll give more light and be less destructible. This fellow Wilcox wrote us he had something along that line; the company sent me up to look it over. If it’s what he claims, I’ll take him back to New York with me, and let the company lawyers dicker with him.”

“How’s business, otherwise?”

“Great, George. Gas-, that’s the coming thing. Every new home’s being piped for it, and plenty of the old ones. How about you?”

“We got it. Luckily we had one of the old Linotypes that ran the metal pot off a gas burner, so it was already piped in. And our home is right over the office and print shop, so all we had to do was pipe it up a flight. Great stuff, gas. How’s New York?”

“Fine, George. Down to its last million people, and stabilizing there, No crowding and plenty of room for everybody. The air —why, it’s better than Atlantic City, without gasoline fumes.”

“Enough horses to go around yet?”

“Almost. But bicycling’s the craze; the factories can’t turn out enough to meet the demand. There’s a cycling club in almost every block and all the able-bodied cycle to and from work. Doing ’em good, too; a few more years and the doctors will go on short rations.”

“You got a bike?”

“Sure, a pre-vader one. Average five miles a day on it, and I eat like a horse.” George Bailey chuckled. “I’ll have Maisie include some hay in the dinner. Well, here we are. Whoa, Bessie.”

An upstairs window went up, and Maisie looked out and down. She called out, “Hi, Pete!”

“Extra plate, Maisie,” George called. “We’ll be up soon as I put the horse away and show Pete around downstairs.”

He led Pete from the barn and into the back door of the newspaper shop. “Our Linotype!” he announced proudly, pointing.

“How’s it work? Where’s your steam engine?”

George grinned. “Doesn’t work yet; we still hand set the type. I could get only one steamer and had to use that on the press. But I’ve got one on order for the Lino, and coming up in a month or so. When we get it, Pop Jenkins, my printer, is going to put himself out of a job teaching me to run it. With the Linotype going, I can handle the whole thing myself.”

“Kind of rough on Pop?”

George shook his head. “Pop eagerly awaits the day. He’s sixty-nine and wants to retire. He’s just staying on until I can do without him. Here’s the press—a honey of a little Miehle; we do some job work on it, too. And this is the office, in front. Messy, but efficient.”

Mulvaney looked around him and grinned. “George, I believe you’ve found your niche. You were cut out for a small-town editor.”

“Cut out for it? I’m crazy about it. I have more fun than everybody. Believe it or not, I work like a dog, and like it. Come on upstairs.”

On the stairs, Pete asked, “And the novel you were going to write?”

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