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N. Jemisin: The Fifth Season

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N. Jemisin The Fifth Season

The Fifth Season: краткое содержание, описание и аннотация

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This is the way the world ends. Again. Three terrible things happen in a single day. Essun, a woman living an ordinary life in a small town, comes home to find that her husband has brutally murdered their son and kidnapped their daughter. Meanwhile, mighty Sanze — the world-spanning empire whose innovations have been civilization's bedrock for a thousand years — collapses as most of its citizens are murdered to serve a madman's vengeance. And worst of all, across the heart of the vast continent known as the Stillness, a great red rift has been torn into the heart of the earth, spewing ash enough to darken the sky for years. Or centuries. Now Essun must pursue the wreckage of her family through a deadly, dying land. Without sunlight, clean water, or arable land, and with limited stockpiles of supplies, there will be war all across the Stillness: a battle royale of nations not for power or territory, but simply for the basic resources necessary to get through the long dark night. Essun does not care if the world falls apart around her. She'll break it herself, if she must, to save her daughter.

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* * *

The shake that passes will echo. The wave that recedes will come back. The mountain that rumbles will roar.

— Tablet One, “On Survival,” verse five

2 Damaya, in winters past

THE STRAW IS SO WARM that Damaya doesn’t want to come out of it. Like a blanket, she thinks through the bleariness of half-sleep; like the quilt her great-grandmother once sewed for her out of patches of uniform cloth. Years ago and before she died, Muh Dear worked for the Brevard militia as a seamstress, and got to keep the scraps from any repairs that required new cloth. The blanket she made for Damaya was mottled and dark, navy and taupe and gray and green in rippling bands like columns of marching men, but it came from Muh Dear’s hands, so Damaya never cared that it was ugly. It always smelled sweet and gray and a bit fusty, so it is easy now to imagine that the straw — which smells mildewy and like old manure yet with a hint of fungal fruitiness — is Muh’s blanket. The actual blanket is back in Damaya’s room, on the bed where she left it. The bed in which she will never sleep again.

She can hear voices outside the straw pile now: Mama and someone else talking as they draw closer. There’s a rattle-creak as the barn door is unlocked, and then they come inside. Another rattle as the door shuts behind them. Then Mother raises her voice and calls, “DamaDama?”

Damaya curls up tighter, clenching her teeth. She hates that stupid nickname. She hates the way Mother says it, all light and sweet, like it’s actually a term of endearment and not a lie.

When Damaya doesn’t respond, Mother says: “She can’t have gotten out. My husband checked all the barn locks himself.”

“Alas, her kind cannot be held with locks.” This voice belongs to a man. Not her father or older brother, or the comm headman, or anyone she recognizes. This man’s voice is deep, and he speaks with an accent like none she’s ever heard: sharp and heavy, with long drawled o’s and a’s and crisp beginnings and ends to every word. Smart-sounding. He jingles faintly as he walks, so much so that she wonders whether he’s wearing a big set of keys. Or perhaps he has a lot of money in his pockets? She’s heard that people use metal money in some parts of the world.

The thought of keys and money makes Damaya curl in on herself, because of course she’s also heard the other children in creche whisper of child-markets in faraway cities of beveled stone. Not all places in the world are as civilized as the Nomidlats. She laughed off the whispers then, but everything is different now.

“Here,” says the man’s voice, not far off now. “Fresh spoor, I think.”

Mother makes a sound of disgust, and Damaya burns in shame as she realizes they’ve seen the corner she uses for a bathroom. It smells terrible there, even though she’s been throwing straw down as a cover each time. “Squatting on the ground like an animal. I raised her better.”

“Is there a toilet in here?” asks the child-buyer, in a tone of polite curiosity. “Did you give her a bucket?”

Silence from Mother, which stretches on, and belatedly Damaya realizes the man has reprimanded Mother with those quiet questions. It isn’t the sort of reprimand Damaya is used to. The man hasn’t raised his voice or called anyone names. Yet Mother stands still and shocked as surely as if he’d followed the words with a smack to the head.

A giggle bubbles up in her throat, and at once she crams her fist into her mouth to stop it from spilling out. They’ll hear Damaya laugh at her mother’s embarrassment, and then the child-buyer will know what a terrible child she really is. Is that such a bad thing? Maybe her parents will get less for her. That alone almost makes the giggles break free, because Damaya hates her parents, she hates them, and anything that will make them suffer makes her feel better.

Then she bites down on her hand, hard, and hates herself, because of course Mother and Father are selling Damaya if she can think such thoughts.

Footsteps nearby. “Cold in here,” says the man.

“We would have kept her in the house if it was cold enough to freeze,” says Mother, and Damaya almost giggles again at her sullen, defensive tone.

But the child-buyer ignores Mother. His footsteps come closer, and they’re… strange. Damaya can sess footsteps. Most people can’t; they sess big things, shakes and whatnot, but not anything so delicate as a footfall. (She has known this about herself all her life but only recently realized it was a warning.) It’s harder to perceive when she’s out of direct contact with the ground, everything conveyed through the wood of the barn’s frame and the metal of the nails holding it together — but still, even from a story up, she knows what to expect. Beat beat, the step and then its reverberation into the depths, beat beat, beat beat. The child-buyer’s steps, though, go nowhere and do not echo. She can only hear them, not sess them. That’s never happened before.

And now he’s coming up the ladder, to the loft where she huddles under the straw.

“Ah,” he says, reaching the top. “It’s warmer up here.”

“DamaDama!” Mother sounds furious now. “Get down here!”

Damaya scrunches herself up tighter under the straw and says nothing. The child-buyer’s footsteps pace closer.

“You needn’t be afraid,” he says in that rolling voice. Closer. She feels the reverberation of his voice through the wood and down to the ground and into the rock and back again. Closer. “I’ve come to help you, Damaya Strongback.”

Another thing she hates, her use name. She doesn’t have a strong back at all, and neither does Mother. All “Strongback” means is that her female ancestors were lucky enough to join a comm but too undistinguished to earn a more secure place within it. Strongbacks get dumped same as commless when times get hard, her brother Chaga told her once, to tease her. Then he’d laughed, like it was funny. Like it wasn’t true. Of course, Chaga is a Resistant, like Father. All comms like to have them around no matter how hard the times, in case of sickness and famine and such.

The man’s footsteps stop just beyond the straw pile. “You needn’t be afraid,” he says again, more softly now. Mother is still down on the ground level and probably can’t hear him. “I won’t let your mother hurt you.”

Damaya inhales.

She’s not stupid. The man is a child-buyer, and child-buyers do terrible things. But because he has said these words, and because some part of Damaya is tired of being afraid and angry, she uncurls. She pushes her way through the soft warm pile and sits up, peering out at the man through coils of hair and dirty straw.

He is as strange-looking as he sounds, and not from anywhere near Palela. His skin is almost white, he’s so paper-pale; he must smoke and curl up in strong sunlight. He has long flat hair, which together with the skin might mark him as an Arctic, though the color of it — a deep heavy black, like the soil near an old blow — doesn’t fit. Eastern Coasters’ hair is black like that, except fluffy and not flat, but people from the east have black skin to match. And he’s big — taller, and with broader shoulders, than Father. But where Father’s big shoulders join a big chest and a big belly, this man sort of tapers. Everything about the stranger seems lean and attenuated. Nothing about him makes racial sense.

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