Mark de Silva - Square Wave

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Square Wave: краткое содержание, описание и аннотация

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"A novel that looks our technocratic, militarized present in the face,
tells the story of a night watchman who discovers weaponized weather modification technologies. It sounds crazy, but in de Silva’s hands it all makes perfect (and terrifying) sense."
—  "Part mystery, part sci-fi thriller… highly topical for Americans today."
—  "Mark de Silva’s truly accomplished
defies all categories. Provocative, fascinating, and edifying,
is a fiercely intelligent and thrillingly inventive novel."
— Dana Spiotta
"Enticing and enthralling, [
] aims to hit all the literary neurons. This might be the closest we get to David Mitchell on LSD.
is the perfect concoction for the thirsty mind."
—  "The novel of ideas is alive and well in de Silva's high-minded debut, in which the pursuit of art, the exercise of power, and climate control are strangely entwined."
—  "Intriguing. A satisfying twist on more traditional dystopian fare… De Silva manages these varied plots skillfully."
—  "A brilliant debut, ambitious with its ideas, extraordinary in their syntheses and execution, and its stylish prose lit up everywhere by a piercing intelligence."
— Neel Mukherjee
"
is, above all, just excellent. Mark de Silva’s prose is simultaneously uncompromising and unassailable. The resulting work is kinetic with an almost wistful erudition that relentlessly but organically plumbs the intersections between art, politics, and our baser human qualities. Ultimately, the novel's defiance of easy categorization or explication charges the story with a compelling mental resonance that somehow feels instructive."
— Sergio De La Pava
Carl Stagg, a writer researching imperial power struggles in 17th century Sri Lanka, ekes out a living as a watchman in a factionalized America where confidence in democracy has eroded. Along his nightly patrol, Stagg finds a beaten prostitute, one in a series of monstrous attacks. Suspicious of his supervisor's intentions, Stagg partners with a fellow part-time watchman, Ravan, to seek the truth. Ravan hails from a family developing storm-dispersal technologies, whose research is jointly funded by the Indian and American governments.
The watchmen's discoveries put a troubling complexion on Stagg's research, giving it new shape and impetus, just as the weather modification project begins to appear less about dispersing storms than weaponizing them.
By gracefully weaving a study of the psychological effects of a militarized state upon its citizenry with topics as diverse as microtonal music and cloud physics,
signals the triumphant arrival of a young writer certain to be considered one of the most ambitious and intelligent of his generation. Gatefold cover.
Mark de Silva
New York Times
Square Wave

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Penerin got up from his swivel chair. “Your impressions, even the faint ones, are why you’re here. If that’s all you have, then fine, that’s all. But did you check this against the earlier incidents? That at least could mean something eventually — that they’re definitely all related, if they are.”

“I wasn’t working here when they happened, though.”

“But the reports. Did you look them up?”

“This happened yesterday. No.”

“Then we need to check now.”

“I’m going to get something just from comparing names, images? I need to talk to her.”

“We’ll do both,” Penerin said as he got up from his desk. “Anyway, here’s the thing. I have another watch here, from Henning, who’s seen prostitutes harassed or worse recently. I sent him a copy of the report this morning. He thought we should compare notes.” He walked past Stagg to the door that looked only a little like wood and gestured for him to follow.

At the end of an underlit corridor they came to a room of glass. The ceiling was painted a cool green. In the corner was a small desk with a fax machine and a printer. Three folding chairs were laid out around a coffee table in the center of the room. A South Asian sat in the middle chair, slender-framed, long-fingered. His eyes livened when he caught Stagg’s.

“This is Ravan, this is Carl,” Penerin said without gestures. Stagg extended his hand and Ravan received it happily, though without standing.

“So you’ve seen what I’ve seen, something a bit like it anyway,” Ravan said, still shaking his hand. His accent confounded. England was in it, but in a complicated way.

“Really there hasn’t been a case like this in months, in Easton,” Penerin said.

“But yeah,” Stagg interrupted, “I found a woman, beaten but not mugged. She lost nothing,” he said, scanning Penerin’s copy of the report. “Her bag, money, ID, everything was found on her. Just yesterday.”

Ravan pulled on the collar of his polo with two fingers. His sneakers were battered, offsetting the curiously sharp creases in his gray wool trousers. He turned his eyes to the floor and then quickly back to Stagg. “Lately there’s been quite a lot of this, in the more unpleasant parts of Henning, where I keep an eye out, the way you do here, I understand. Some even in the better places. Mostly it’s among the girls, the escorts, this.”

“And what’s ‘this’?” Stagg asked, staring at the heavy glass windows that were the room’s walls. There was a small speaker next to one of them, but the glass was untinted and non-reflective, ruling out interrogative uses for the room.

“This violence, that’s never quite fatal,” Ravan replied. “I’ve had at least four of these. You’ve had at least four, even if they were a while ago now. And the report you’ve sent — the physical description of the man is basically consistent with one running across most of the cases for which we have one. There is also the car, its make and color. An uncommon kind of green, actually. You’ll have to check further with her, but it sounds as if your victim is describing a vehicle from another case of mine. I’d have to know more, of course, but I can’t help thinking she’s just the latest. The meaning of it, though, I’ve no idea.

“Some of the beaten girls have disappeared since. That’s worth keeping in mind. We can’t say, of course, if they’ve just left town, gone back to some relative or boyfriend or whatnot. That’s the thing with tarts, isn’t it.” He looked up at Penerin. “A couple of dealers, cocaine mostly, have been roughed up. Put in hospital actually. There have been a few firefights too, which have put them on notice. In a way, well, I tend to think it’s all had its use.”

Penerin shook his head with a resigned smile.

“Well, the police can’t be bothered with this at the moment, right?” Ravan said. “Bigger things afoot. That’s true. And there are certainly, visibly, less girls working now. That must be good. And it can’t not have something to do with this force that looms.”

“Force,” Penerin repeated the euphemism.

“Violence — its possibility,” Ravan said. “Mostly that’s been enough. Except when memories need refreshing, like this, maybe. And isn’t that what the police ordinarily provide? That possibility? Doesn’t someone always?”

No one said anything.

Penerin closed his eyes briefly, as if clearing Ravan’s words from his mind. “Carl is going to talk to Best as soon as he can,” Penerin said. “We’ll be in touch after, Ravan.”

“I think she’ll be out of commission for a while,” Stagg said as he stood. He shook hands again with Ravan, who seemed settled just where he was.

“Whenever you can get access,” Penerin said. “Maybe before she’s discharged if we’re lucky. She can’t disappear on us.”

Stagg and Penerin stood near the door. Finally Ravan got to his feet, almost reluctantly, and the three of them filed out of the glass room with the green ceiling.

6

A hundredth of the city’s substance voided, sixteen months in, and hardly any deaths.

Idle police cars, a fleet of them, rendered down to a veil of sheltering smoke, itself lost in the broader black of night. It took the large-bore beam of a scrambling chopper, gyrating above, the beam and the chopper both, to expose the shroud. A few minutes pass and a gas tank yields to the simmering orange and blue of the lot. White flames dilate twenty feet, spraying metal and glass, plastic and leather, puncturing another tank and setting off another round.

That was the first crack. June of 2027. Stagg had seen it presented with rare pomp, if it could be called that, at a friend’s parent’s place, a duplex downtown. This was in the weeks after Easter term. He was just off a flight from Heathrow, back in Halsley, to work on the closing chapter of his doctoral dissertation, which was not in imperial history but analytic philosophy. There’d been a tie he had yet to find, and he thought it might lie at some distance from the library’s stacks.

That night, though, there would be no writing or reading, no rewriting or rereading, no reflexive mulling, no deleting and restoring verbatim from memory alone. Instead there was Hour of the Wolf . He was told, for this director, that scale was the essence of the thing, his somnolent figures defined in light-eating blacks and silvered whites.

But before they could get the film onto the pearlescent vinyl sheet the very same shade of white as the living-room wall from which it hung, cable news and its smoking lot of police cars came blaring through the digital projector. In the small hours, the two of them would make their way back to the film, to Johan’s chafing spirit, to his arched fingers pinned against the temples. But by then one magnitude had displaced another. Plates were shifting. Bergman could make no impression.

In the months to come a pair of abortion clinics, one attached to the city’s most distinguished university, the other to a Jewish hospital, were abolished by floods, ceiling-high and sewage-laced — the reported cause, exploded mains. A tax court, and across town, an employment office and several check cashers, were razed in sequence. Then it was the churches and mosques, collapsed in alternation, transubstantiated, burned down into shells soon boarded up, some of them metamorphosing along the way into shooting galleries and heroin dens. Simple backpack devices sufficed to cripple the subways and buses. But through all of this, no deaths, just paralysis, erasure, a neutron bomb in a mirror.

Arrests were made, but mostly at the lower levels: the ones who dispatched the devices, lit the fires, sprung the waters. This slowed nothing. Frequently it was impossible to tell whom any of them served.

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