SL Huang - Up and Coming - Stories by the 2016 Campbell-Eligible Authors

On the screen I saw a city, old, like one on Earth from thousands of years ago. A foreign-looking people crossed streets, drove cars, pedaled goods, rode bicycles, as the telescope scanned them, focusing here and there, zooming in and out, panning. Nothing happened for the longest time. Just as I thought the crowd would begin to grumble, a smoldering light flashed across the room, piercing, hot, so bright Lem and I winced.

It was as if the brothers had pointed the telescope towards a star. Then the smoke lifted, and Timmet punched past half a dozen filters until we were seeing through the dust cloud as if it weren’t there.

Thousands of people lay dead in the streets; thousands more walked about, dying, flesh dripping from their stumbling frames. Buildings had become liquefied skeletons stretching up toward the telescope, some still bending and breaking in the firestorm’s wake.

Trager zoomed in on a man burnt so badly that his clothes and skin had become indistinguishable. He staggered as if blind and begging.

For what? Water? A quick death? His family? His lover? He latched on to anyone who passed, but most shoved him off, or avoided him narrowly, searching for families of their own. They were just as blind, just as naked.

There should have been the sappy cry of a solo violin. But there was no sound but the hum of the station and the breathing of its inhabitants. A boy laughed awkwardly, cracking midway. Or was he a man? We existed in that awkward stage somewhere between the two.

I felt Lem’s hot breath on my neck, soft cherry lips kissing my cheek. My jeans stiffened. I glanced back up at the begging, melted man, then filled my existence with Lem.

When all the death and dying and love and lust were over, no pigs came to interrupt us. The boys slowly trickled out of the skip station, drunk and high, whooping and laughing; Cox, the brothers, Todd, Lem and I were the last to skip out.

Cox smiled at Lem and me, “Not bad, yeah? Dark shit. Tell more of your girlfriends to come.”

“Sure, sure.” Lem said, smiling.

Then off we skipped, losing a friend here or there.

Over the next weeks my life consisted of three things: ditching class to explore the stations of the universe with Lem, planning and scouting with Cox and the boys, and lying awake in bed, ignoring mom while dreams of dying cities and planets kept me up.

For the first time in my life I wasn’t making straight As. Truthfully, I didn’t know what kinds of grades I was making. Mostly, I didn’t care, but there was a part of me—maybe the same part that occasionally dreamed of Earthen fields and real food—that tugged at my intestines.

On the occasion that I did go to class, I would sketch. I drew dying worlds on synth-paper, colliding meteors, cracking crust, bloody magma. Then moved on to cities—drowning, burning, screaming, wheezing. I would write captions like “Come See the Lightshow”, or “Watch the Wonders of Dying Worlds—Live!”, imitating movie posters I’d seen on Earth.

During a scouting trip, Cox saw one of my sketches after it had fallen out of my torn pocket. “Cheeky. The Earther’s an artist.” he said. Later he commissioned me to draw more, picked out his favorite design, then, in code, jotted down several skip station coordinates and times on the side, copied it, and passed it to people we trusted—to spread word of the next show.

At some point I suggested to Cox that we should get a band to play live at the next lightshow. He and the boys resisted the idea, but I managed to convince them to at least allow music during the preshow. They agreed, so long as I scrounged together the band. I accepted their challenge.

Earth was inspiring, full of young musicians and would-bes, but the stations weren’t. Luckily, a cramped corner of our school held a music hall where I periodically wandered between classes. I wasn’t looking for the best; we needed trustworthy guys, no one who’d rat us out to the teachers or pigs.

It didn’t take me long to spy and recruit Rodney, a boxy boy with a shock of dull blond fuzz that sprouted in wilting patches on his cheeks. He played saxophone and violin, terribly. An outcast, a rust artist, a pugilist, a perfect recruit. His weak connections in the music hall were enough for me to infiltrate and recruit four more equally qualified musicians on the promise that synth-smokers and some heavy bottles would be provided for their services.

So the next show had live music.

Strings screeched, buzzed, hacked, and coughed; the music was perfect. Rodney and his band played, still making the same mistakes they’d had while rehearsing thirty minutes before, as two dozen excited cohorts skipped into the current show-station.

Cox grabbed me by the shoulder, hard, pointed to the band, and said, nodding, “Aye, new kiddie, you ain’t bad for a peach-skinned Earther.”

I nodded back thinking: They may call me “new kiddie,” but I’m no longer an outsider, no more than anyone else here, haven’t been since the skip home from the first show, since I kicked that officer’s teeth in.

“They’re shit terrible,” Cox said, tossing a clanking rucksack full of bottles at me, “but people seem to like ’em. Give Rodney and ’em jars of piss booze when the show starts. Keep one for you and Lem.”

“Sure, sure.”

Two boys broke out in a fight. Just as I felt, Lem put her arms around me. One of the brawlers fell into a violinist, and was thrust back into the clash. People whooped and hollered, as the two blackened each other’s eyes, until one of the bruisers was too broken and bloody to fight, and Timmet and Trager flipped the projector on to a new preshow.

This time we saw a ghost planet, already dead. Skeleton cities, dried canyons where rivers had once flowed, all living things long ago turned to dust. I wondered, how far away would we have to skip to catch the light and witness the downfall of this civilization?

A tornado lashed the land. Lem traced a finger around my forearm and looked up at me with a devious smile, “Your brown skin’s turned pink. Give it more time and it’ll be as sexy as mine. But…in the meantime, it’s looking a little bare.”

“What do you mean?” I asked.

She jabbed her fingernail into my forearm, “Let’s modify. You’re lacking…tattoos, piercings, implants.”

I laughed nervously. What would my dad think? He was dead. And my mother? Who cared what she thought. “And you have a needle and ink, or some rusty implant gun?”

She smiled, “I told Todd to bring some. He’s just as talented an artist as you. He’s got clean stuff.”

He wasn’t. And he didn’t.

A violin screeched. A quake split a dead desert. And a needle pierced my skin. I’d decided on a tattoo of a planet, and was told it would look cool. It felt like a knife scraping, cutting, digging at my arm. I emptied half a jar of piss alcohol down my throat, lit a synth-cig, and watched the panning ruins of a ghost planet.

When the outline was done, Todd snatched my alcohol and splashed it on my arm.

The lights dimmed. The show started.

Then another show. And another.

So we went on, in whatever abandoned skip stations we found, for months, our posse slowly growing by word of mouth and the handouts I’d designed. Each show a memory with a different tattoo, piercing, scar or glowing implant. The pigs busted us sometimes, catching a few kids too drunk, stoned or slow to skip away.

Our lightshows became more frequent; we needed researchers who knew when and where cosmic tragedies had happened, and people good with equations, and techies, and musicians.