SL Huang - Up and Coming - Stories by the 2016 Campbell-Eligible Authors

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This anthology includes 120 authors—who contributed 230 works totaling approximately
words of fiction. These pieces all originally appeared in 2014, 2015, or 2016 from writers who are new professionals to the SFF field, and they represent a breathtaking range of work from the next generation of speculative storytelling.
All of these authors are eligible for the John W. Campbell Award for Best New Writer in 2016. We hope you’ll use this anthology as a guide in nominating for that award as well as a way of exploring many vibrant new voices in the genre.

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She could feel the dish magnifying the vibration, up through her feet. Sound was powerful. Music could change the world. She had to believe that.

As the strings quieted, Rinna stripped off her mittens, then lifted her conductor’s baton from its velvet-lined case. The polished mahogany grip was comfortable in her hand, despite the chill. The stick itself was carved of mammoth ivory, dug out of the ground centuries ago.

She ran her fingers up and down the smooth white length. It was fitting, using a relic of an extinct animal in this attempt to keep humans from going out the same way.

She stepped onstage, squinting in the stage lights, as the wind instruments began to tune. First the high silver notes of the flutes, then the deep, mournful call of the French horns and low brass. Sounded like the tubas had gotten themselves sorted out.

From up here, the ice spread around stage—not pale and shimmering under the distant stars, but dark and clotted with onlookers. Originally, she’d imagined performing to the quiet, blank landscape—but that was before some brilliantly wacko entrepreneur had started selling tickets and chartering boats into the bitter reaches of the North.

The concert of a lifetime, plus the novelty of cold, drew spectators from all over the planet. No doubt the thrill of the chill had worn off, but the performance, the grand experiment, was still to come.

And truthfully, Rinna was glad for the crowd. Thermo-acoustics aside, she knew from long experience that the energy of playing in front of responsive listeners was different . Call it physics, call it woo-woo, but the audience was an integral part of the performance.

The project director had been reluctant at first, constructing only a small shelter and selling tickets at prices she didn’t even want to contemplate. The enclosed seating held roughly forty people: heads of state, classical music aficionados, those with enough money and sense to try and stay warm. But when the boats started arriving, the tents going up, what could he do?

The spectators all wanted to be here, with the possible exception of Dominic hovering beside the podium.

The crowd caught sight of her striding across the stage, and applause rushed like a wind over the flat, frigid plain. She lifted her hand in acknowledgement. Overhead, the edge of the aurora flickered, a pale fringe of light.

Rinna stepped onto the podium and looked over her orchestra, illuminated by white spotlights and the ruddy glow of the heaters.

She’d bribed and bullied and called in every favor owed her, and this was the result. The best symphony orchestra the entire world could offer. Rehearsals had been the Tower of Babel: Hindi, Chinese, English, French—over a dozen nationalities stirred together in a cacophonous soup. But the moment they started playing, they had one perfect language in common.

Music.

The orchestra quieted. One hundred and five pairs of eyes fixed on her, and Rinna swallowed back the quick burst of nausea that always accompanied her onto the podium. The instant she lifted her baton and scribed the downbeat, it would dissipate. Until then, she’d fake feeling perfectly fine.

“Dominic?” she called, “are the techs ready?”

“Yes,” he said.

“Blow your nose.” No point in marring the opening with the sound of his sniffles.

Pasting a smile on her face, Rinna turned and bowed to the listeners spread out below the curve of the stage. They applauded, sparks of excitement igniting like distant firecrackers.

She pulled in a deep breath, winced as the air stabbed her lungs, and faced the orchestra—all her brave, dedicated musicians poised on the cusp of the most important performance of their lives.

The world premiere of Ice .

The air quieted. Above the orchestra a huge amplifier waited, a tympanic membrane ready to take the sound and feed it into the engine, transmute it to frigidity.

Rinna raised her arms, and the musicians lifted their instruments, their attention focused on her like iron on a magnet. She was their true north. The baton lay smoothly in her right hand—her talisman, her magic wand. If there ever was wizardry in the world, let it come to her now.

Heart beating fast, she let her blood set the tempo and flicked her stick upward. Then down, irrevocably down, into the first beat of Ice .

A millisecond of silence, and then the violins slid up into a melodic line colored with aching, while the horns laid down a base solid enough to carry the weight of the stars. The violas took the melody, letting the violins soar into descant. The hair on the back of her neck lifted at the eerie balance. Yes. Perfect. Now the cellos—too loud. She pushed the sound down slightly with her left hand, and the section followed, blending into the waves of music that washed up and up.

Rinna beckoned to the harp, and a glissando swirled out, a shimmering net cast across dark waters. Was it working? She didn’t dare glance up.

High overhead, the thermo-acoustic engine waited, the enormous tubes and filters ready to take her music and make it corporeal—a thrumming machine built to restore the balance of the world.

It was crazy. It was their best chance.

Ice was not a long piece. It consisted of only one movement, designed along specific, overlapping frequencies. Despite its brevity, it had taken her three years to compose, working with the weather simulations and the best scientific minds in the world. Then testing on small engines, larger ones, until she stood here.

Now Rinna gestured and pulled, molded and begged, and the orchestra gave. Tears glazed her vision, froze on her lashes, but it didn’t matter. She wasn’t working from a score; the music lived in her body, more intimately known to her than her own child.

The clarinets sobbed the melody, grieving for what was already lost. The polar bears. The elephants. The drowned cities. The silenced birds.

Now the kettle-drums, a gradual thunder—raising the old magic, working up to the climax. The air throbbed and keened as Rinna rose onto her toes and lifted her hands higher. Higher. A divine plea.

Save us.

Arms raised high, Rinna held the symphony in her grasp, squeezed its heart for one more drop of musical blood. The musicians gave, faces taut with effort, shiny with sweat even in the chill. Bows flew, a faint sparkle of rosin dust flavoring the air. The trumpets blared, not missing the triad the way they had in rehearsal.

The last note. Hold. Hold. Hold.

She slashed her hand through the air and the sound stopped. Ice ended, yearning and dissonant, the final echo ringing into the frigid sky.

Above, nothing but silence.

Rinna lowered her arms and rocked back on her heels. From the corner of her eye, she saw the techs gesturing frantically, heads shaking, expressions grim.

The bitter taste of failure crept into her mouth, even as the crowd erupted into shouts and applause, a swell of sound washing up and over the open stage. She turned and gave them an empty bow, then gestured to the symphony—the musicians who had given and given. For nothing.

They stood, and one over-exuberant bassoonist let out a cheer and fist-pump. It sent the rest of the orchestra into relieved shouts, and she didn’t have the heart to quiet them. They began stamping their feet, the stage vibrating, humming, low and resonant.

Rinna caught her breath, wild possibility flickering through her.

She gestured urgently to the basses. Three of them began to play, finding the note, expanding it. The rest of the section followed, quickly joined by the tubas—bless the tubas. Rinna opened her arms wide, and the string players hastily sat and took up their instruments again.

“D minor!” she cried. “Build it.”

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