David Means - Hystopia

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Hystopia: краткое содержание, описание и аннотация

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By the early 1970s, President John F. Kennedy has survived several assassination attempts and-martyred, heroic-is now in his third term. Twenty-two-year-old Eugene Allen returns home from his tour of duty in Vietnam and begins to write a war novel-a book echoing
and
-about veterans who have their battlefield experiences "enfolded," wiped from their memories through drugs and therapy. In Eugene's fictive universe, veterans too damaged to be enfolded stalk the American heartland, reenacting atrocities on civilians and evading the Psych Corps, a federal agency dedicated to upholding the mental hygiene of the nation by any means necessary.
This alternative America, in which a veteran tries to reimagine a damaged world, is the subject of
, the long-awaited first novel by David Means. The critic James Wood has written that Means's language "offers an exquisitely precise and sensuous register of an often crazy American reality." Means brings this talent to bear on the national trauma of the Vietnam era in a work that is outlandish, ruefully funny, and shockingly violent. Written in conversation with some of the greatest war narratives from the
to the Rolling Stones' "Gimme Shelter,"
is a unique and visionary novel.

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Ahead the Mackinac Bridge stretched over the straits in the late morning sun. The roadbed, partly metal, partly poured concrete, had been damaged and patched.

“Maybe if I write up an operation report I’ll have to mention those hanging bodies.”

“If you write up an honest report you’ll also have to say that I fucked you into orgasmic unfolding,” she said. “And I’d appreciate it if you put in there that I acted as a nurse, that I relied on those skills, and you should also put that I feel horrifically conflicted about that fact.”

“If this is part of our treatment, then don’t you think the point was nullified at the safe house? I don’t want to believe the Corps would condone that kind of action. Klein would, but not the Corps, not Command.” Singleton guided the car over the rumble strips on the approach. It had been built optimistically and quickly in the teeth of winds roaring between the Upper Peninsula and the Lower, over the conflicting waters of the two Great Lakes, and now it looked thin and reedy. But once they were on the bridge, a tightrope of concrete and steel, they could appreciate its gracefulness and the majestic link it provided between two worlds, one new and connected with the rest of the world, the other separated and primordial.

Wendy had yet another joint going to celebrate the crossing. He slowed down and they took in the view.

“You love the Zomboid and can’t say it and it’s my duty to get you to say it,” Singleton said, suddenly.

“I have said it but not the way you want to hear it.”

“What do I want to hear?” Singleton said, taking a toke. Cars were streaming in the southbound lanes. His side of the bridge, with the exception of one car far ahead, was empty.

“You want to hear that I was fantastically in love, in love the way you can be when he’s your first and he was beautiful — just perfect — and then came back and his legs were missing and he couldn’t really remember who I was, beyond saying to me that I was his girl and that he had carried my picture into battle. You want me to speak of the kind of love that you feel after the object of desire is destroyed and all that’s left is a pulse through deep space. That kind of love,” she said.

“You might be right,” he said. He was feeling disoriented. Had he told her about the exchange of information in the bathroom? Had they talked about that?

The car ahead had stopped, blocking the lane, and two men seemed to be at work prying open a hatch of some kind at the base of one of the towers.

“Those must be jumpers,” he said.

“Jumpers?”

“You get your folks who stop on the bridge and leave the car running and leap. Those are East Coast mainly. Then you got West Coast jumpers, the ones who go out to the Golden Gate, climb atop the railing, and swan dive into the bosom of the bay, which is supposed to have something to do with the womblike nature of the formation, or something like that, and up here, well, it’s more brutal. The state maintains the elevator and all you have to do is know where to go — in that hatch — and you go up to the top and jump.”

They were passing the middle section and began the decline, the two parts of Michigan behind and ahead while far below the straits ran cold and choppy with currents revealed in long, white strings of foam.

His operation plan, attached to his report would be written after the fact, postdated to cover tracks and make it seem preordained. That’s how it was done, Klein had explained. Orders in a plan have a snap and zing, a knowingness, a resonance ahead of the curve. Gumption is what you need to be a commander, Klein had explained. The gumption to go back and revise history. The key to planning an operation is to take the facts and then speculate. When you start an operation, all doubts must be put aside. There was a general in the First World War who understood that. He had to assume that he was one step ahead of the krauts and to make his point, he renamed German trenches ahead of their capture, gave them English names, before the attack. He assumed the win and took it from there, which is what made him a supreme commander even when he lost a battle. And that’s what I intend to become, Klein had said, turning away. Win or lose, I’ll win.

A clump of cars passed coming the other way, a caravan of station wagons and campers loaded with frightened-looking men in madras shirts and housewives with their hair in scarves. Wendy gave them a wave and they waved back sadly.

“What are you thinking?” Wendy said again.

“You keep asking that.”

“I want to know what you’re thinking and I can’t think of another way to put it,” she said.

“I know you want to know, and you know I want to know, so we both know we want to know what we’re thinking all of the fucking time.”

“It helps me to say it out loud. It’s an old nurse thing, if you really want to know. You ask how they’re feeling again and again until they finally tell you, or at least give a hint.”

“Only when the operation is over, Klein said. Only when it’s over can you write a solid operation plan. You write it after the mission and it comes out perfect. That’s what I’m thinking.”

“Sounds like your department. Mine wouldn’t do it that way. We’d tweak it to shed the best light on the Corps, but we would never revise an operation plan after the mission and postdate it,” Wendy said. “We’d stamp it top secret and redact everything in it and stash it away for the future.”

Only when the story is over and the report is written — or not written — can the truth of my love for you be fully known, Singleton thought.

Then he said it aloud as they approached the end of the bridge, easing down into the Upper Peninsula.

“Are you trying to say you love me?” Wendy said.

“I won’t be able to say it until this operation’s over. I mean, of course I do love you, but the kind of love I’m thinking about is something I won’t know until I write up a report and sort through everything that’s happened this summer so that I’ve honestly done it justice.”

“Bullshit, I think you said you love me.”

“I think what I’m saying is that before I can really say it, I mean in the way I want to say it, so you hear it the way I want you to hear it, I’ve got to make sure I know for sure if this entire thing was a fucking setup, something they anticipated, playing matchmaker in a major way, or if it was just a matter of pure chance, the two of us, in the lobby, that first lunch, that second lunch, the whole thing.”

“Rake faked his death so that Status would think he was dead but he’s really alive and Relations would think he’s alive but he’s really dead. Is that the way it’s working?” she said, flicking the lighter and pinching what was left of the joint, holding it to the flame with shaking hands. “Who cares if they knew we were together early on? They understood that we were two trainees who might work well together and find Rake, but the rest…”

“Was set up to fuck with me,” he said. “To fuck with us.”

“One minute you seem to believe in the goals of the Corps. The next minute — usually when you’re high — you say the Corps is just a big structure to hold irony so Kennedy could go on with the war.”

“I didn’t say that. Klein said that early in the summer. When he still sounded reasonable to me, when he was talking World War this, World War that. I didn’t say it. He said it and I told you what he said, and now you quote it back to me.”

“That day you came over to my father’s house.”

“What about it?”

“You seemed pathetic to me.”

His throat got tight. When they were only half in love, Singleton thought, the fights had been petty and fun, a prelude to make-up sex. Now they were heading into a storm. It really did seem to matter who was right and who was wrong.

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