Jonathan Strahan - The Best Science Fiction and Fantasy of the Year. Volume 10

“It isn’t?”

“Nope. What you’re seeing is a Lichtenberg figure created when branching electrical charges run through insulating material. Glass, resin, human skin – you name it. This man was hit by lightning and survived with this stamped on his flesh.”

“What?”

“Yup. It can be created in any modern lab using nonconducting plates. Called electric treeing. Or lightning trees.”

The lightning trees are dying.

“Holy shit,” I said softly.

“Yup.”

I tapped the touch screen to zoom in for a closer look. “How could Gramps know about this? If he made up the stories, how the fuck would he know something like this?”

“No idea. Maybe he knew someone who had this happen to them.”

“But what does it mean?”

“The heck should I know. Anyways, I gotta go. Figured it might help you with whatever you’re looking for.”

“Thanks.”

She hung up. I stared at the pattern on the man’s arm. It was reddish, fernlike, and quite detailed. The illusion was so perfect I could even see buds and leaves. A breathtaking electric foliage. A map of lightning.

A memory of heaven.

I WENT TO sleep early that night.

At five in the morning the Fajar call to prayer woke me up. I lay in bed watching fog drift through the skylight window, listening to the mullah’s sonorous azaan, and suddenly I jolted upright.

The mosque of Ghulam Rasool, the Master of Cats.

Wasn’t that what Gramps had told me a million years ago? That there was a mosque near Bhati Gate that faced his house?

I hadn’t seen any mosques around.

I slipped on clothes and ran outside.

The morning smelled like burnished metal. The light was soft, the shape of early risers gentle in the mist-draped streets. A rooster crowed in the next alley. It had drizzled the night before and the ground was muddy. I half slipped, half leapt my way toward the mullah’s voice rising and falling like an ocean heard in one’s dream.

Wisps of white drifted around me like twilit angels. The azaan had stopped. I stared at the narrow doorway next to a rug merchant’s shop ten feet away. Its entrance nearly hidden by an apple tree growing in the middle of the sidewalk, the place was tucked well away from traffic. Green light spilled from it. Tiny replicas of the Prophet’s Mosque in Medina and Rumi’s shrine in Turkey were painted above the door.

Who would put Rumi here when Data Sahib’s shrine was just across the road?

I took off my shoes and entered the mosque.

A tiny room with a low ceiling set with zero-watt green bulbs. On reed mats the congregation stood shoulder to shoulder in two rows behind a smallish man in shalwar kameez and a turban. The Imam sahib clicked the mute button on the standing microphone in front, touched his earlobes, and Fajar began.

Feeling oddly guilty, I sat down in a corner. Looked around the room. Ninety-nine names of Allah and Muhammad, prayers and Quranic verses belching from the corners, twisting and pirouetting across the walls. Calligrams in the shape of a mynah bird, a charging lion, a man prostrate in sajdah, his hands out before him shaping a beggar’s bowl filled with alphabet vapors. Gorgeous work.

Salat was over. The namazis began to leave. Imam sahib turned. In his hands he held a tally counter for tasbih. Click click! Murmuring prayers, he rose and hobbled toward me.

“Assalam-o-alaikum. May I help you, son?” he said in Urdu.

“Wa Laikum Assalam. Yes,” I said. “Is this Masjid Ghulam Rasool?”

He shook his head. He was in his seventies at least, long noorani beard, white hair sticking out of his ears. His paunch bulged through the stripedflannel kameez flowing past his ankles. “No. That mosque was closed and martyred in the nineties. Sectarian attacks. Left a dozen men dead. Shia mosque, you know. Used to stand in Khajoor Gali, I believe.”

“Oh.” I told myself I’d been expecting this, but my voice was heavy with disappointment. “I’m sorry to bother you then. I’ll leave you to finish up.”

“You’re not local, son. Your salam has an accent,” he said. “Amreekan, I think. You look troubled. How can I help you?” He looked at me, took his turban off. He had a pale scar near his left temple shaped like a climbing vine.

I watched him. His hair was silver. His sharp eyes were blue, submerged in a sea of wrinkles. “I was looking for a house. My late grandfather’s. He lived close to the mosque, next door to a lady named Zeenat Begum. She used to run a tea stall.”

“Zeenat Begum.” His eyes narrowed, the blues receding into shadow. “And your grandfather’s name?” he asked, watching the last of the worshippers rise to his feet.

“Sharif. Muhammad Sharif.”

The oddest feeling, a sort of déjà vu, came over me. Something had changed in the air of the room. Even the last namazi felt it and glanced over his shoulder on his way out.

“Who did you say you were again?” Imam sahib said quietly.

“Salman Ali Zaidi.”

“I see. Yes, I do believe I can help you out. This way.”

He turned around, limping, and beckoned me to follow. We exited the mosque. He padlocked it, parted the bead curtain in the doorway of the rug shop next door, stepped in.

When I hesitated, he paused, the tasbih counter clicking in his hands. “Come in, son. My place is your place.”

I studied the rug shop. It was located between the mosque and a souvenir stall. The awning above the arched doorway was gray, the brick voussoirs and keystone of the arch faded and peeling. The plaque by the entrance said Karavan Kilim.

Kilim is a kind of Turkish carpet. What was a kilim shop doing in Old Lahore?

He led me through a narrow well-lit corridor into a hardwood-floored showroom. Mounds of neatly folded rugs sat next to walls covered in rectangles of rich tapestries, carpets, and pottery-filled shelves. Stunning illustrations and calligraphy swirled across the high wooden ceiling. Here an entranced dervish whirled in blue, one palm toward the sky and one to the ground. There a crowd haloed with golden light held out dozens of drinking goblets, an Urdu inscription spiraling into a vast cloud above their heads: They hear his hidden hand pour truth in the heavens.

A bald middle-aged man dressed in a checkered brown half-sleeve shirt sat behind a desk. Imam Sahib nodded at him. “My nephew Khalid.”

Khalid and I exchanged pleasantries. Imam sahib placed the tasbih counter and his turban on the desk. I gazed around me. “Imam sahib,” I said. “This is a Turkish carpet shop. You run an imported rug business in your spare time?”

“Turkish design, yes, but not imported. My apprentices make them right here in the walled city.” Without looking back, he began walking. “You can call me Bashir.”

We went to the back of the shop, weaving our way through rug piles into a storeroom lit by sunlight from a narrow window. Filled to the ceiling with mountains of fabric rolls and broken looms, the room smelled of damp, rotten wood, and tobacco. In a corner was a large box covered with a bedsheet. Bashir yanked the sheet away and a puff of dust bloomed and clouded the air.

“Sharif,” said the merchant Imam. “He’s dead, huh?”

“You knew him?”

“Of course. He was friends with the Mughal princess. The lady who used to give us tea.”

“How do you know that?” I stared at him. “Who are you?”

His eyes hung like sapphires in the dimness, gaze fixed on me, one hand resting atop the embossed six-foot-long metal trunk that had emerged. He tilted his head so the feeble light fell on his left temple. The twisted pale scar gleamed.

“The boy who fell from the eucalyptus tree,” I whispered. “He gashed his head and the princess bandaged it for him. You’re him.”