Gennadiy Loginov - Hired Self-killer or The Winner’s Trial

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What is inversionism? In simple terms, it is a reversal to ideals, step back from the edge of the cliff. It is not about an ordinary repetition of old ways but about returning updated. It is an attempt (perhaps a little quixotic) to turn the inverted world back. It is the avant-garde without provocation and scandalous tricks. It is art, experimental in form but traditional in the noblest sense of the word, since its goal is reaching out to minds and hearts to make the world slightly better.

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“I can’t guarantee anything. It’s entirely up to you. They don’t come here for answers. They simply come when there is nowhere else to go, and there is no need to go. And everyone leaves, having received something. Or not. Taking some thoughts. Or not taking, but killing time well, after having acquired some aesthetic experience. You just find a reflection of yourself in things and in understanding things, and this can help in your trouble, whatever it is. Well, maybe not. It’s one out of two outcomes. Or maybe more than two,” the raven’s master assured indifferently. “Sometimes, the lessons we learn are fundamentally different from those that somebody is trying to teach us. Perhaps you’ll decide something important for yourself. Or maybe you won’t. Perhaps your inspiration will awaken, and you’ll find a new incentive to live. Or maybe there will be no inspiration, no incentive. At times, even the information which seems senseless or useless by its nature gives us interesting ideas. You can’t deny random knowledge.”

“It all sounds good,” Lucky replied with the same calmness. Having the experience of his non-standard life, with ill-fated fortune and the rich experience as those of a serial self-killer, he wasn’t surprised by the existence of unusual places, objects and people. “Frankly speaking, I’m interested. I didn’t have special plans for this evening anyway, neither for the near future. But who are you?”

“The organ-grinder,” the bearded man answered as if it was obvious. “And my name is Joe Ker.”

“And what have you found here for yourself, Joe Ker?” continued the wanderer, hoping to get more out of his interlocutor. “Has someone appointed you to stand in this place and speak with lost travellers?”

“No, nobody forced or obliged me to do anything. Once, I accidentally wandered here just like you, I liked it here, and I decided to stay. But don’t think that you’ll be able to escape your problems and remain here, waiting for solutions from me or someone else. No, you can only try to sort yourself out. Of course, if you want to. You can even turn around and leave, but bear in mind that someone can wander into this place twice in extremely rare cases: they get here for the first time without such a goal and intention, but they can’t return here at a wish. I had my questions too, and I think, I found the answers. Now I’m doing something that interests me, and I’m where I want to be. I just like it here.” The bearded man slapped the raven, and it rushed up, squawking: “Nevermore! Nevermore! Nevermore!”

“But who created this place and for what purpose? Why do the wanderers end up here?” interrogated Lucky.

“‘Who…’ ‘For what purpose…’ ‘Why…’ By God, what a bore you are. Well, alright, not a bore, a curious person. Yes, of course, the right questions are not only possible but even necessary to ask. Another thing is that it’s sometimes tiring to answer all the same questions for the tenth time. Well, let’s go, if you wish,” the bearded organ-grinder suggested. He turned around and headed to the nondescript door of one of the houses, inviting Lucky to follow.

The door swung open with a creak and flooded the night winter square with a stream of bright rays of the hot summer sun. Behind it, surrounded by a blossoming forest alley, there were tram rails leading somewhere far off, and upon them stood a giant cabinet-tree, with large and small road signs blooming on the branches; there was also a cozy gazebo on wheels. Inside it, there were a couple of hungry armchairs inviting in their open, fanged maws, a wicker five-legged table, on which, in a large bowl, there was a small pond with water lilies; next, stood porcelain cups full of heels and a telescope, which seemed a bit strange and inappropriate to Lucky.

“You have a nice place here. Some others’ are so disgusting, you don’t even want to cross the threshold. And here is not bad at all,” the organ-grinder nodded respectfully. “Well, what next?”

“Shouldn’t I be asking you that?” Lucky said as he crossed the threshold. He turned his face to the sun and, closing his eyes for a moment, took a deep breath filling his lungs with fresh air. A gentle breeze blew. What a grace.

“Well, actually, this is your inner world. And you will show the way. We can take a walk in mine someday if you want to and have the time,” the bearded man said in a deep voice, following Lucky.

“I wonder, who prepared all this and arranged it specially for our arrival?” inquired Lucky, climbing into the gazebo with confidence and landing in one of the maws. Picking up the telescope, he looked at the sky. Here is the sun in the frame of the lampshade. If it interferes with stargazing, then perhaps it’s better to turn off the light. But so far, everything seems visible, although it’s difficult to find a particular star in such a cluster. Lucky put away the telescope for a short time, rubbed the lens and looked again. It worked – now among all the stars in the sky, was the one he needed. Having adjusted the focus of the lens, he suddenly saw himself with a telescope in his hands, looking back at him from the other side.

““If I were you, I wouldn’t ask myself about the ontological status of an object until I met it. Rationalizing the irrational, you…” the raven’s master snapped his fingers, trying to find the right word. “Well, in general, all this exists only in the context of displaying the inner essence of the person’s perception, who can share his vision with others, since this particular part is nothing more than an element that obeys the general rules and laws of the world.”

“Alright,” responded Lucky, not really understanding his words, but not really wanting to understand. He put the device aside, took the cup by the heel and, tasting fresh coffee, gestured to the bearded man to join him. “Please help yourself.”

“Thank you, don’t mind if I do,” the organ-grinder accepted the invitation and took another chair aside. “Well, are we going to sit like this or, maybe, move on little by little?”

“Well, we can go, if you know how,” Lucky agreed without much debate.

“In the same way as you force visions to move in your imagination,” his interlocutor explained.

A pleasant breeze was blowing. Aside from the front door, the mousetrap mechanism suddenly activated, catching the clockwork mouse. On the branch, a flute-beaked bird started to sing; its nest was filled with playing cards, which portrayed dice instead of the usual pictures.

“Let’s ride then,” Lucky ordered, and the gazebo began to move.

Behind the forest, detached sky-blue wallpaper with a distant landscape and horizon could be seen in places. Behind the exfoliated wallpaper, the cosmic darkness gaped. And under the railway, creaked the floorboards. Slowly gaining momentum, the gazebo approached the turn and stopped for a moment, gave way to a bench which ran across the road. Turning and leaving the hallway far behind, the gazebo passed a picturesque waterfall with a bathtub, a water mill and a toilet; bed with a chamber pot, standing on the adjacent rails; a spacious kitchen with boiling pans and alembics, where some homunculi dwelt in bottles of wine, and there was something mermaid-like among the dried fish; and, driving up the staircase, after several flights of stairs, they found themselves on the balcony, continuing the way along the clotheslines, stretched out over the boundless courtyard abyss. Left and right, top and bottom – webs of ropes stretched all around, connecting balconies. All sorts of things could be found on the lines, from chivalric chain mail and jesters’ caps to patricians’ togas and fishing nets. Balconies were also impressive in their diversity – medieval and modern, luxurious and impoverished, royal and petty-bourgeois, well-kept and turned into ivy-twisted ruins. Everything one could imagine was exposed on them, ranging from sculptures and hangers to grazing cattle and harpsichords. Having passed a web of clotheslines, in which the laundry spiders crawled, hanged and collected everything they could, the gazebo came to the middle of a spacious hall, which served as the far edge of a vast forest, spread out on many visible and invisible doors and corridors.

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