Gardner Dozois - Hunter’s Run

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A new benchmark in modern SF. A sharp, clever, funny morality tale that answers the biggest question of all: what makes us human?In a fight outside a bar Ramon Espejo kills a man. Next day, all hell breaks loose. The dead man was a big shot, a diplomat on a mission to the out-world of São Paulo. Ramon goes on the run, heading north toward unexplored territory, land so far only glimpsed from orbit during the first colony surveys.Ramon has gone from being nothing in the hills of Mexico to being nothing on São Paulo. He makes a bare living prospecting for minerals. Maybe God meant him to be poor, or he wouldn't have made him so mean. He can't even remember why he killed the European, only the drinking, and the rage that followed.Better to be alone in the wild landscape … off the map, beyond law and civilization. Each trip out he's sure will be the big one that'll make him rich. This one, too.Instead he finds something else, something terrifying. Or rather, it finds him, and uses him: as humans are used by species more intelligent than themselves. But Ramon Espejo is about to prove what a man is capable of. Ramon is about to demonstrate what it is to be human; to be angry, intelligent and alive. And he is about to discover his function in the broad flow of the universe. And why it was he killed the diplomat in the first place…

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George R.R. Martin, Gardner Dozois and Daniel Abraham

Hunter’s Run

Hunters Run - изображение 1 to Connie Willis who learned everything she knows from Gardner and George and - фото 2

to Connie Willis who learned everything she knows from Gardner and George and taught it all to Daniel

Overture

Ramon Espejo awoke floating in a sea of darkness. For a moment, he was relaxed and mindless, drifting peacefully, and then his identity returned to him lazily, like an unwanted afterthought.

After the deep, warm nothingness, there was no pleasure in recalling who he was. Without coming fully awake, he nonetheless felt the weight of his own being settling on his heart. Despair and anger and the constant gnawing worry sounded in his mind like a man in the next room clearing his throat. For some blissful time, he had been no one, and now he was himself again. His first truly conscious thought was to deny the disappointment he felt at being.

He was Ramon Espejo. He was working a prospecting contract out of Nuevo Janeiro. He was … he was … Ramon Espejo.

Where he had expected the details of his life to rush in – what he had done last night, what he was to do today, what grudges he was nursing, what resentments had pricked him recently – the next thought simply failed him. He knew he was Ramon Espejo – but he did not know where he was. Or how he had got there.

Disturbed, he tried to open his eyes, and found that they were open already. Wherever he was, it was a totally lightless place, darker than the jungle night, darker than the deep caves in the sandstone cliffs near Swan’s Neck.

Or perhaps he was blind.

That thought started a tiny spring of panic within him. There were stories of men who’d got drunk on cheap synthetic Muscat or Sweet Mary and woke up blind. Had he done that? Had he lost that much control of himself? A tiny rivulet of fear traced a cold channel down his spine. But his head didn’t hurt, and his belly didn’t burn. He closed his eyes, blinking them hard several times, irrationally hoping to jar his vision back into existence; the only result was an explosion of bright pastel blobs across his retinas, scurrying colors that were somehow more disturbing than the darkness.

His initial sense of drowsy lethargy slid away from him, and he tried to call out. He felt his mouth moving slowly, but he heard nothing. Was he deaf, too? He tried to roll over and sit up, but could not. He lay back against nothing, floating again, not fighting, but his mind racing. He was fully awake now, but he still couldn’t remember where he was, or how he had got there. Perhaps he was in danger: his immobility was both suggestive and ominous. Had he been in a mine cave-in? Perhaps a rockfall had pinned him down. He tried to concentrate on the feel of his body, sharpening his sensitivity to it, and finally decided that he could feel no weight or pressure, nothing actually pinioning him. You might not feel anything if your spinal cord has been cut , he thought with a flash of cold horror. But a moment’s further consideration convinced him that it could not be so: he could move his body a little, although when he tried to sit up, something stopped him, pulled his spine straight, pulled his arms and shoulders back down from where he’d raised them. It was like moving through syrup, only the syrup pushed back, holding him gently, firmly, implacably in place.

He could feel no moisture against his skin, no air, no breeze, no heat or cold. Nor did he seem to be resting on anything solid. Apparently, his first impression had been correct. He was floating, trapped in darkness, held in place. He imagined himself like an insect in amber, caught fast in the gooey syrup that surrounded him, in which he seemed to be totally submerged. But how was he breathing?

He wasn’t , he realized. He wasn’t breathing .

Panic shattered him like glass. All vestiges of thought blinked out, and he fought like an animal for his life. He clawed the enfolding nothingness, trying to pull his way up toward some imagined air. He tried to scream. Time stopped meaning anything, the struggle consuming him entirely, so that he couldn’t say how long it was before he fell back, exhausted. The syrup around him gently, firmly, pulled him back precisely as he had been – back into place. He felt as if he should have been panting, expected to hear his blood pounding in his ears, feel his heart hammering at his chest – but there was nothing. No breath, and no heartbeat. No burning for air.

He was dead.

He was dead and floating on a vast dry sea that stretched away to eternity in all directions. Even blind and deaf, he could sense the immensity of it, of that measureless midnight ocean.

He was dead and in Limbo, that Limbo that the Pope at San Esteban kept having to repudiate, waiting in darkness for the Day of Judgment.

He almost laughed at the thought – it was better than what the Catholic priest in the tiny adobe church in his little village in the mountains of northern Mexico had promised him; Father Ortega had often assured him that he’d go right to the flames and torments of Hell as soon as he died unshriven – but he could not push the thought away. He had died, and this emptiness – infinite darkness, infinite stillness, trapped alone with only his own mind – was what had always waited for him all his life, in spite of the blessings and benedictions of the Church, in spite of his sins and occasional semi-sincere repentance. None of it had made any difference. Numberless years stretched before him with nothing but his own sins and failures to dwell upon. He had died, and his punishment was to be always and forever himself under the implacable, unseen eye of God.

But how had it happened? How had he died? His memory seemed sluggish, unresponsive as a tractor’s engine on a cold winter morning – hard to start and hard to keep in motion without sputtering and stalling.

He began by picturing what was most familiar. Elena’s room in Diegotown with the small window over the bed, the thick pounded-earth walls. The faucets in the sink, already rusting and ancient though humanity had hardly been on the planet for more than twenty years. The tiny scarlet skitterlings that scurried across the ceiling, multiple rows of legs flailing like oars. The sharp smells of iceroot and ganja , spilled tequila and roasting peppers. The sounds of the transports flying overhead, grinding their way up through the air and into orbit.

Slowly, the recent events of his life took shape, still fuzzy as a badly aligned projection. He had been in Diegotown for the Blessing of the Fleet. There had been a parade. He had eaten roasted fish and saffron rice bought from a street vendor, and watched the fireworks. The smoke had smelled like a strip mine, and the spent fireworks had hissed like serpents as they plunged into the sea. A giant wreathed in flames, waving its arms in agony. Was that real? The smell of lemon and sugar. Old Manuel Griego had been talking about all his plans for when the Enye ships finally emerged from the jump to the colony planet São Paulo. He flushed with the sudden, powerful recollection of the scent of Elena’s body. But that was before …

There had been a fight. He’d fought with Elena, yes. The sound of her voice – high and accusing and mean as a pitbull. He’d hit her. He remembered that. She’d screamed and clawed at his eyes and tried to kick him in the balls. And they’d made up afterwards like they always did. Afterwards, she had run her fingers along the machete scars on his arm as he fell into a sated sleep. Or was that another night? So many of their nights together ended like that …

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