John Sandford - Saturn Run

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Saturn Run: краткое содержание, описание и аннотация

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“Fans of Lucas Davenport and Virgil Flowers will eat this up.”
—Stephen King For fans of THE MARTIAN, an extraordinary new thriller of the future from #1
–bestselling and Pulitzer Prize–winning author John Sandford and internationally known photo-artist and science fiction aficionado Ctein. Over the course of thirty-seven books, John Sandford has proven time and again his unmatchable talents for electrifying plots, rich characters, sly wit, and razor-sharp dialogue. Now, in collaboration with Ctein, he proves it all once more, in a stunning new thriller, a story as audacious as it is deeply satisfying. The year is 2066. A Caltech intern inadvertently notices an anomaly from a space telescope—something is approaching Saturn, and decelerating. Space objects don't decelerate. Spaceships do.
A flurry of top-level government meetings produces the inescapable conclusion: Whatever built that ship is at least one hundred years ahead in hard and soft technology, and whoever can get their hands on it exclusively and bring it back will have an advantage so large, no other nation can compete. A conclusion the Chinese definitely agree with when they find out.
The race is on, and an remarkable adventure begins—an epic tale of courage, treachery, resourcefulness, secrets, surprises, and astonishing human and technological discovery, as the members of a hastily thrown-together crew find their strength and wits tested against adversaries both of this earth and beyond. What happens is nothing like you expect—and everything you could want from one of the world’s greatest masters of suspense. REAL SPACE REAL SCIENCE REAL ADVENTURE

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Becca, in turn, wished the business types had more of an appreciation of the requirements of the real world. She was discovering, to her pleasure, that captains of spaceships entirely appreciated those requirements, probably far better than she did. Space was not tolerant of wishful thinking.

A reactor that failed to perform as designed, for reasons nobody could properly diagnose, was more than merely aggravating. It violated her sense of order. Unpredictable power systems were dangerous power systems. She worried that Reactor 1 would prove similarly unpredictable and possibly considerably more deadly. There was no evidence for this at all, but worrying about hypotheticals was a big part of Becca’s design strategy. It cost her restful nights, but so far it had saved her ass more than once.

There was a more personal peeve. She was damned proud of having solved the propulsion system’s seemingly impossible power dissipation problem, and her engineer’s ego wanted to show it off. Simmering along at a mere half power made her feel like she’d designed the fastest race car on Earth and was limited to using it to commute to work.

Okay, not reasonable. It didn’t stop her from being bugged. Still, it was a small silver lining. The reactor and generator crews wouldn’t need to make any adjustments, and she’d just have to slow down the radiator ribbon velocity a bit to give the molten metal more time to dissipate its heat into space before it was collected by the far booms.

As for the rest of the ship…

Time to rig the sunshades.

The parasols were huge but thin, a mere half micron of metallized Kapton. Their total mass, including the struts to hold them as they swept through their close approach, was a few tonnes. An insignificant amount of extra weight at launch, considering the four thousand–plus-tonne ship it was designed to protect. Once the Nixon was safely distant from the sun again, the parasols would be jettisoned, off on their own unpowered escape trajectory from the solar system.

The parasols—there were two sets, in case there was some kind of failure to deploy the first one—were stowed on the outside of the axle. Each shade assembly came in two sections.

Martinez and the other handymen would be deploying them; the procedure was only semiautomatic.

Six of them went out in eggs, Sandy running his cameras, Fiorella broadcasting from another egg. In theory, one large parasol could have done the job, moving it during the course of solar flyby to keep it positioned between the ship and the sun.

In practice, that would’ve required either bulky external control equipment to move the parasols around, as the angle to the sun changed, or more EVAs much closer to the sun to manually reposition the screen. The latter was vetoed on pure safety grounds; it would stress the service eggs’ cooling systems enough having them operate at sixty million kilometers from the sun. They could not be used safely at forty million, not for very long periods of time, anyway.

Two separate sections that would not have to be moved were both simpler and safer.

The first of the two parasol sections was simply a disk three hundred meters in diameter that would be mounted at the forward end of the axle, about the nose cone that protected the module from micro-meteor impacts.

The gossamer-thin disk would shield all the forward modules—engineering, storage and shuttle bay, living and command—as they approached the sun nearly head-on.

All the egg crews had to do was detach a parasol package from the exterior of the ship, move it to prefabbed attachment points, clamp them in place, pull back to a safe distance, and let Martinez send the triggering signal to activate the packages.

Fang-Castro: “Mr. Martinez?”

“Yes, ma’am. Ready here.”

“Then you are instructed to continue. Mr. Darlington, if you please, we will want at least one camera fully dedicated to documentation, rather than journalism. We will be watching that feed from Engineering and from here in Command and Control.”

“Yes, ma’am.”

Martinez: “Jerry, Lou, slip the buttons and back the pack away.”

“Got that,” one of the crewmen said. Their two separate eggs were already in position, and they simply reached out with mechanical arms and disconnected the first of the parasol packs from the side of the axle.

Martinez and the third crewman, Phil Jakes, in their own eggs, were near the front of the ship, waiting as the first two slowly towed the pack toward them. Fiorella backed away—she was now actually in front of the Nixon , temporarily leading the way toward Saturn; Sandy had her position-locked in his number two camera, while the number one fed the documentation to Command and Control.

When the first two eggs had reached the attachment points, the other two moved up and began jockeying it into place. Before the clamps would fire, each external connection had to be grounded in the base of the clamp, which meant maneuvering the bulky package in three dimensions.

That took five minutes: when all were in place, Martinez said, “Engaging clamps.”

He pushed the “execute” button on the clamps app, and the clamps snapped shut.

“We’re engaged,” he said. “Everybody back off. Cassie, I’m going to bring you around closer to Sandy. I don’t want you out in front of this thing where I can’t see you.”

“All right.”

When everyone was in place, Martinez made a last check, and said, “Popping the clamshell.”

He hit the “execute” on the clamshell app, and the two halves of the package cover folded back, precisely as they’d been designed to.

The final phase of the deployment was the automatic part, and also the most nerve-racking. The parasol had been intricately folded into the clamshell, along with the memory-metal hoop that would support its edge. If it had been folded correctly, and if nothing went wrong, then the parasol should unfold like a flower blossom. If something did go wrong, then, because of the delicate nature of the film shield, it’d probably wind up looking like a box kite that somebody had worked over with a shotgun.

Martinez maneuvered his egg around the open clamshell, inspecting each connection point, a theoretically unnecessary operation, since the monitors showed everything proceeding as expected; but he took no chances.

When he was done with his inspection, he called Command: “Captain, we’re ready to deploy. On your command.”

Purely a courtesy. Fang-Castro: “You may proceed, Mr. Martinez.”

Martinez made one last check to make sure all the personnel were clear, and then said, “Deploying the shade. Three-two-one-fire.”

He pressed a button, the package unzipped, and the parasol unfolded exactly like a metallic flower, and for the first time ever, the Nixon was in the shade.

A minute inspection of the shade showed no tears; a tear could be fixed, but it would be a pain in the ass. No such pain would be experienced.

The second section was larger than the first, a huge rectangle of metallized Kapton to be stretched broadside to the ship on the side that would be facing the sun at closest approach. At four hundred meters in length, it was longer than the entire ship.

Temporary memory-metal support booms were attached to key mount points on the axle, booms, and mast of the Nixon and triggered to unroll. The unpacked parasol would be attached to a rectangular x-frame, whose double handful of sockets would mate with mounting points on the ends of those booms. The process wasn’t fundamentally different from the deployment of the front-end disk. The shell containing the shade was towed into place and attached to one of the support booms.

At Martinez’s command, the package began to blossom, just as the first one had, until nearly half a square kilometer of shiny plastic film and its x-frame floated in space next to the Nixon . The servicing jockeys maneuvered the ungainly oblong into position close enough to the other booms that the mounting teams could drag the couplings on the parasol frame and mounting booms together.

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