Nnedi Okorafor - Binti - The Complete Trilogy

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Binti: The Complete Trilogy: краткое содержание, описание и аннотация

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INCLUDES A BRAND-NEW BINTI STORY! Collected for the first time in an omnibus edition, the Hugo- and Nebula-award-winning Binti trilogy, the story of one extraordinary girl’s journey from her home to distant Oomza University. In her Hugo- and Nebula-winning novella, Nnedi Okorafor introduced us to Binti, a young Himba girl with the chance of a lifetime: to attend the prestigious Oomza University. Despite her family’s concerns, Binti’s talent for mathematics and her aptitude with astrolabes make her a prime candidate to undertake this interstellar journey.
But everything changes when the jellyfish-like Medusae attack Binti’s spaceship, leaving her the only survivor. Now, Binti must fend for herself, alone on a ship full of the beings who murdered her crew, with five days until she reaches her destination.
There is more to the history of the Medusae—and their war with the Khoush—than first meets the eye. If Binti is to survive this voyage and save the inhabitants of the unsuspecting planet that houses Oomza Uni, it will take all of her knowledge and talents to broker the peace.
Collected now for the first time in omnibus form, follow Binti’s story in this groundbreaking sci-fi trilogy.

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“It was there,” he added, kneeling down beside me. “A long time ago.” And as if his words cued it to happen, the world expanded again, but this time, I didn’t feel as if it would repel me into space. Instead, it was as if the sand around us was disappearing, all of it shifting away, and as it shifted, I… we, both Mwinyi and I, lowered. Mwinyi grabbed my arm and I knew that he too was seeing it happen. We both looked around as the stones seemed to grow taller and wider and then their bases became shiny thick very solid gold, as did the ground beneath us. A large imperfect circle about the size of the Root emerged, the semicircle of gold-based stones in the center. I ran a hand over the smooth surface that shined so brightly in the sun we both had to squint and shade our eyes. It was warm.

Mwinyi grasped my arm more tightly and said, “Don’t move. It’s alright.” If he had not done this, I’d have fled for my life, and my confused perspective of what was now and what was decades ago was so skewed, I probably would have run right into one of the stones.

These People had limbs, two arms and two legs, each over twenty feet long and thin like the trunks of palm trees. Their bodies were smooth and long. And they looked made of solid gold. They walked with a slow grace that suggested fluidity. Gold was malleable when it was warm, and they were solar, their form of life might have been energy akin to the currents I could call using mathematics.

They were coming toward the gold plane. They were not slow, but their motions were watery. Had they always been shaped like this, I did not know, for this clearly had been after they’d been around human beings for those few years. The first stepped in the center while the others waited on the sand. It stood up straight and raised its hands above its head. Then its arms then legs fused. I could hear it, soft slurping, ripples running over its flesh as it flattened and smoothed itself out into what looked like a five-foot-high, ten-foot-wide wedge.

The rocks around us began to vibrate and phoom, off the golden wedge shot into the sky, so fast that it was gone in seconds. There was no sonic boom, no smoke, not even a gust of air, like with the Third Fish. But high in the sky, I could see a wink of gold, then nothing. The next one stepped onto the platform and did the same.

“These are the Zinariya, the aliens who gave us the zinariya technology,” Mwinyi said, awed. “We loved them so much we named our tribe after them. I’ve never seen them before. Not like this! I’ve never thought to ask.”

“And this was the launch port,” I said, as we watched the second one shoot into the sky. When the third one stepped onto the platform, it stopped and turned to us. Mwinyi’s hand clenched my arm tighter and we pressed closer to each other. It leaned down and brought forth an arm whose end became a hand with long, long fingers. In its hand was what might have been the golden center of my edan, except its surface was smooth, not fingerprint ridged. As Mwinyi and I watched, silver slivers rose from the golden ground, flipped up, and fitted around it, clicking and clacking, until it became the object that I had known until recently. It dumped the edan to the ground but instead of falling, it hovered before us. Then the world around us shifted, the sand rose, and the Zinariya people disappeared and we were back where we had been.

“Do you know what that meant?” Mwinyi asked.

I shook my head and was about to say more when a ship zoomed in from the north toward my village. I could see its sleek yellow design. It seemed to land nearby. A Khoush ship in Osemba. Unheard of. I started walking home.

CHAPTER 3

When Elephants Fight

The Root was still burning.

It was made of stone and concrete; how was it on fire? The bioluminescent plants that covered it had burned to ash. The solar panels on the roof had wilted like plants, some of them were probably puddles of synthetic steel in the debris. Six generations of my family had lived here. The Root was the oldest house in my village, maybe the oldest in the city. This was where we had family and community gatherings because the living room was so spacious that it could fit a hundred people.

Powerful Khoush weapons had been shot into it, exploding and then burning so hot that they could even combust and melt stone. All the floors of the Root had collapsed, burned, and smoldered into a heap. Chunks of concrete and rubble blown out when the house exploded were littered around the heap. What remained looked like a giant mound of still smoking blackened char.

“Mama!” I called, walking toward it as I looked around wildly. I coughed as smoke wafted in my direction. “Papa!” I stopped yards away, everything around me was silent but the sound of embers crackling and softly popping. I looked away. Then, slowly, I turned to face what was left of my home. Because of me, I thought. And I could feel my okuoko begin to writhe on my head and against my back. My Meduse anger sharpened everything. The Khoush had always seen my people as expendable, tools to use, toy with, and discard, useful animals until we weren’t useful anymore. During war, we were just in the way.

When elephants fight, the grass suffers. ” The green words appearing before me seemed so out of place and the words so profound that I was snapped from my dark thoughts. Mwinyi had sent them to me through the zinariya.

My eye went to the base of the house where the embers were glowing.

“It wasn’t just called the Root because it was a family place,” I said. “Most of the house’s foundation was actually built on the old root of an Undying tree.” My mother had told me this when I was about five years old. I’d been sure she was just joking until the next thunderstorm when I realized the house wasn’t groaning because of the wind. “The cellar was—” I couldn’t say it. I knew what we’d find in the cellar.

Mwinyi left me and walked around the house.

As I stood there, I felt it more than I heard it and every part of me reacted. My okuoko writhed, one of them actually slapping the side of my face as if to say, “Look!” The zinariya contracted and expanded my world and I heard distant voices commenting from a distant place, just softly enough for me not to understand. I automatically called the simple equation that always focused my mind, a 2+ b 2= c 2. Then over and over, I spoke the number that relaxed me, “Five, five, five, five, five, five, five.” I let my mind follow the zipping dancing fives and with each triangular motion, I steadied. When I looked toward the road leading to the Root, I was thankfully calm enough to simply observe what stood there like the spirit it was.

The Night Masquerade. Again. This time during the day ! And now I was seeing it from much closer than I had the first time when I stood in my bedroom a few days ago, before my bedroom had been burned to ash. It looked taller, standing about my father’s height. Its raffia body cracked and snapped as it stretched an arm to point its long finger at me, fingers of gnarled sticks. The wooden mask’s mouth was full of yellow teeth.

Only men were supposed to see the Night Masquerade and it was believed its appearance signified the approach of a big change; whether it brought change with its presence or change came afterward was never clear. The Night Masquerade was the personification of revolution. Its presence marked heroism. To also see it during the day was doubly unheard of. My family was dead; what more change could I endure? What was heroic about this happening? If this was a revolution, it was an awful one.

It spoke in Otjihimba and its voice was like the sound of a vibrating Undying tree during a thunderstorm. “Death is always news,” it said, the acrid smoke billowing from its head thickening.

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