Rich Horton: The Year's Best Science Fiction & Fantasy, 2019 Edition

The boy with the red backpack wasn’t an experienced aisle-wanderer. He prowled, moving too quickly to read the titles, hands hanging empty and uncertain at his sides. The sewing and pattern books (646.2) noted that his jeans were unlaundered and too small, and the neck of his t-shirt was stained grayish-yellow. The cookbooks (641.5) diagnosed a diet of frozen waffles and gas-station pizza. They tssked to themselves.

I sat at the circulation desk, running returns beneath the blinky red scanner light, and breathed him in. I was expecting something like generic Arthurian retelling or maybe teen romance with sword-fighting , but instead I found a howling, clamoring mess of need.

He smelled of a thousand secret worlds, of rabbit-holes and hidden doorways and platforms nine-and-three-quarters, of Wonderland and Oz and Narnia, of anyplace-but-here. He smelled of yearning .

God save me from the yearners. The insatiable, the inconsolable, the ones who chafe and claw against the edges of the world. No book can save them.

(That’s a lie. There are Books potent enough to save any mortal soul: books of witchery, augury, alchemy; books with wand-wood in their spines and moon-dust on their pages; books older than stones and wily as dragons. We give people the books they need most, except when we don’t.)

I sent him a ’70s sword-and-sorcery series because it was total junk food and he needed fattening up, and because I hoped sixteen volumes might act as a sort of ballast and keep his keening soul from rising away into the ether. I let Le Guin shimmer at him, too, because he reminded me a bit of Ged (feral; full of longing).

I ignored The Lion, the Witch, and the Wardrobe , jostling importantly on its shelf; this was a kid who wanted to go through the wardrobe and never, ever come back.

GRAYSON, DR BERNARD—WHEN NOTHING MATTERS ANYMORE: A SURVIVAL GUIDE FOR DEPRESSED TEENS

Once you make it past book four of the Tavalarrian Chronicles , you’re committed at least through book fourteen when the true Sword of Tavalar is revealed and the young farm-boy ascends to his rightful throne. The boy with the red backpack showed up every week or so all summer for the next installment.

I snuck in a few others (all pretty old, all pretty white; our branch director is one of those pinch-lipped Baptists who thinks fantasy books teach kids about Devil worship, so roughly 90% of my collection requests are mysteriously denied): A Wrinkle in Time came back with the furtive, jammed-in-a-backpack scent that meant he liked it but thought it was too young for him; Watership Down was offended because he never got past the first ten pages, but I guess footnotes about rabbit-math aren’t for everyone; and The Golden Compass had the flashlight-smell of 3:00 a.m. on its final chapter and was unbearably smug about it. I’d just gotten an inter-library-loaned copy of Akata Witch —when he stopped coming.

Our display (GET READ-Y FOR SCHOOL!) was filled with SAT prep kits and over-sized yellow For Dummies books. Agnes had cut out blobby construction-paper leaves and taped them to the front doors. Lots of kids stop hanging around the library when school starts up, with all its clubs and teams.

I worried anyway. I could feel the Book I hadn’t given him like a wrong note or a missing tooth, a magnetic absence. Just when I was seriously considering calling Ulysses County High School with a made-up story about an un-returned CD, he came back.

For the first time, there was someone else with him: A squat white woman with a plastic name-tag and the kind of squarish perm you can only get in Southern beauty salons with faded glamor-shots in the windows. The boy trailed behind her looking thin and pressed, like a flower crushed between dictionary pages. I wondered how badly you had to fuck up to get assigned a school counselor after hours, until I read her name-tag: Department of Community-Based Services, Division of Protection and Permanency, Child Caseworker (II).

Oh. A foster kid.

The woman marched him through the nonfiction stacks (the travel guides sighed as she passed, muttering about overwork and recommending vacations to sunny, faraway beaches) and stopped in the 616s. “Here, why don’t we have a look at these?”

Predictable, sullen silence from the boy.

A person who works with foster kids sixty hours a week is unfazed by sullenness. She slid titles off the shelf and stacked them in the boy’s arms. “We talked about this, remember? We decided you might like to read something practical, something helpful?”

Dealing with Depression (616.81 WHI 1998). Beating the Blues: Five Steps to Feeling Normal Again! (616.822 TRE 2011). Chicken Soup for the Depressed Soul (616.9 CAN). The books greeted him in soothing, syrupy voices.

The boy stayed silent. “Look. I know you’d rather read about dragons and, uh, elves,” oh, Tolkien, you have so much to account for, “but sometimes we’ve got to face our problems head-on, rather than running away from them.”

What bullshit . I was in the back room running scratched DVDs through the disc repair machine, so the only person to hear me swear was Agnes. She gave me her patented over-the-glasses shame-on-you look which, when properly deployed, can reduce noisy patrons to piles of ash or pillars of salt (Agnes is a librarian of the second kind, too).

But seriously. Anyone could see that kid needed to run and keep running until he shed his own skin, until he clawed out of the choking darkness and unfurled his wings, precious and prisming in the light of some other world.

His caseworker was one of those people who say the word “escapism” as if it’s a moral failing, a regrettable hobby, a mental-health diagnosis. As if escape is not, in itself, one of the highest order of magics they’ll ever see in their miserable mortal lives, right up there with true love and prophetic dreams and fireflies blinking in synchrony on a June evening.

The boy and his keeper were winding back through the aisles toward the front desk. The boy’s shoulders were curled inward, as if he chafed against invisible walls on either side.

As he passed the juvenile fiction section, a cheap paperback flung itself off the return cart and thudded into his kneecap. He picked it up and rubbed his thumb softly over the title. The Runaway Prince purred at him.

He smiled. I thanked the library cart, silently.

There was a long, familiar sigh behind me. I turned to see Agnes watching me from the circulation desk, aquamarine nails tapping the cover of a Grisham novel, eyes crimped with pity. Oh honey, not another one , they said.

I turned back to my stack of DVDs, unsmiling, thinking things like what do you know about it and this one is different and oh shit .

DUMAS, ALEXANDRE—THE COUNT OF MONTE CRISTO

The boy returned at ten-thirty on a Tuesday morning. It’s official library policy to report truants to the high school, because the school board felt we were becoming “a haven for unsupervised and illicit teenage activity.” I happen to think that’s exactly what libraries should aspire to be, and suggested we get it engraved on a plaque for the front door, but then I was asked to be serious or leave the proceedings, and anyway we’re supposed to report kids who skip school to play League of Legends on our computers or skulk in the graphic novel section.

I watched the boy prowling the shelves—muscles strung wire-tight over his bones, soul writhing and clawing like a caged creature—and did not reach for the phone. Agnes, still wearing her oh honey expression, declined to reprimand me.