Clifford Simak - I Am Crying All Inside - And Other Stories

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A mind-opening collection of short science fiction from one of the genre's most revered Grand Masters. Legendary author Robert A. Heinlein proclaimed, "To read science fiction is to read Simak. A reader who does not like Simak stories does not like science fiction at all." The remarkably talented Clifford D. Simak was able to ground his vast imagination in reality, and then introduce readers to fantastical worlds and concepts they could instantly and completely dig into, comprehend, and enjoy.
People work; folk play. That is how it has been in this country for as long as Sam can remember. He is happy, and he understands that this is the way it should be. People are bigger than folk. They are stronger. They do not need food or water. They do not need the warmth of a fire. All they need are jobs to do and a blacksmith to fix them when they break. The people work so the folk can drink their moonshine, fish a little, and throw horseshoes. But once Sam starts to wonder why the world is like this, his life will never be the same.
Along with the other stories in this collection, “I Am Crying All Inside” is a compact marvel—a picture of an impossible reality that is not so different from our own.
Also included in this volume is the newly published “I Had No Head and My Eyes Were Floating Way Up in the Air,” originally written for Harlan Ellison’s 

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“That’s not the point,” declared Harper. “The company’s got the idea we got to shoot square with everything we trade with, even if it’s nothing but a tree.”

“I know,” said Mackenzie, drily. “I’ve read the manual.”

“Just the same,” said Harper, “Nellie goes along.”

He studied Mackenzie over the bowl of his pipe.

“Just to be sure you don’t forget again,” he said.

The man, who back on Earth had been known as J. Edgerton Wade, crouched on the low cliff that dropped away into Melody Bowl. The dull red sun was slipping toward the purple horizon and soon, Wade knew, the trees would play their regular evening concert. He hoped that once again it would be the wondrous new symphony Alder had composed. Thinking about it, he shuddered in ecstasy—shuddered again when he thought about the setting sun. The evening chill would be coming soon.

Wade had no life blanket. His food, cached back in the tiny cave in the cliff, was nearly gone. His ship, smashed in his inexpert landing on the planet almost a year before, was a rusty hulk. J. Edgerton Wade was near the end of his rope—and knew it. Strangely, he didn’t care. In that year since he’d come here to the cliffs, he’d lived in a world of beauty. Evening after evening he had listened to the concerts. That was enough, he told himself. After a year of music such as that any man could afford to die.

He swept his eyes up and down the little valley that made up the Bowl, saw the trees set in orderly rows, almost as if someone had planted them. Some intelligence that may at one time, long ago, have squatted on this very cliff edge, even as he squatted now, and listened to the music.

But there was no evidence, he knew, to support such a hypothesis. No ruins of cities had been found upon this world. No evidence that any civilization, in the sense that Earth had built a civilization, ever had existed here. Nothing at all that suggested a civilized race had ever laid eyes upon this valley, had ever had a thing to do with the planning of the Bowl.

Nothing, that was, except the cryptic messages on the face of the cliff above the cave where he cached his food and slept. Scrawlings that bore no resemblance to any other writing Wade had ever seen. Perhaps, he speculated, they might have been made by other aliens who, like himself, had come to listen to the music until death had come for them.

Still crouching, Wade rocked slowly on the balls of his feet. Perhaps he should scrawl his own name there with the other scrawlings. Like one would sign a hotel register. A lonely name scratched upon the face of a lonely rock. A grave name, a brief memorial—and yet it would be the only tombstone he would ever have.

The music would be starting soon and then he would forget about the cave, about the food that was almost gone, about the rusting ship that never could carry him back to Earth again—even had he wanted to go back. And he didn’t—he couldn’t have gone back. The Bowl had trapped him, the music had spun a web about him. Without it, he knew, he could not live. It had become a part of him. Take it from him and he would be a shell, for it was now a part of the life force that surged within his body, part of his brain and blood, a silvery thread of meaning that ran through his thoughts and purpose.

The trees stood in quiet, orderly ranks and beside each tree was a tiny mound, podia for the conductors, and beside each mound the dark mouths of burrows. The conductors, Wade knew, were in those burrows, resting for the concert. Being animals, the conductors had to get their rest.

But the trees never needed rest. They never slept. They never tired, these gray, drab music trees, the trees that sang to the empty sky, sang of forgotten days and days that had not come, of days when Sigma Draco had been a mighty sun and of the later days when it would be a cinder circling in space. And of other things an Earthman could never know, could only sense and strain toward and wish he knew. Things that stirred strange thoughts within one’s brain and choked one with alien emotion an Earthman was never meant to feel. Emotion and thought that one could not even recognize, yet emotion and thought that one yearned toward and knew never could be caught.

Technically, of course, it wasn’t the trees that sang. Wade knew that, but he did not think about it often. He would rather it had been the trees alone. He seldom thought of the music other than belonging to the trees, disregarded the little entities inside the trees that really made the music, using the trees for their sounding boards. Entities? That was all he knew. Insects, perhaps, a colony of insects to each tree—or maybe even nymphs or sprites or some of the other little folk that run on skipping feet through the pages of children’s fairy books. Although that was foolish, he told himself—there were no sprites.

Each insect, each sprite contributing its own small part to the orchestration, compliant to the thought-vibrations of the conductors. The conductors thought the music, held it in their brains and the things in the trees responded.

It did sound so pretty that way, Wade told himself. Thinking it out spoiled the beauty of it. Better to simply accept it and enjoy it without explanation.

Men came at times—not often—men of his own flesh and blood, men from the trading post somewhere on the planet. They came to record the music and then they went away. How anyone could go away once they had heard the music, Wade could not understand. Faintly he remembered there was a way one could immunize one’s self against the music’s spell, condition one’s self so he could leave after he had heard it, dull his senses to a point where it could not hold him. Wade shivered at the thought. That was sacrilege. But still no worse than recording the music so Earth orchestras might play it. For what Earth orchestra could play it as he heard it here, evening after evening? If Earth music lovers only could hear it as it was played here in this ancient bowl!

When the Earthmen came, Wade always hid. It would be just like them to try to take him back with them, away from the music of the trees.

Faintly the evening breeze brought the foreign sound to him, the sound that should not have been heard there in the Bowl—the clank of steel on stone.

Rising from his squatting place, he tried to locate the origin of the sound. It came again, from the far edge of the Bowl. He shielded his eyes with a hand against the setting sun, stared across the Bowl at the moving figures.

There were three of them and one, he saw at once, was an Earthman. The other two were strange creatures that looked remotely like monster bugs, chitinous armor glinting in the last rays of Sigma Draco. Their heads, he saw, resembled grinning skulls and they wore dark harnesses, apparently for the carrying of tools or weapons.

Groombridgians! But what would Groombridgians be doing with an Earthman? The two were deadly trade rivals, were not above waging intermittent warfare when their interests collided.

Something flashed in the sun—a gleaming tool that stabbed and probed, stabbed and lifted.

J. Edgerton Wade froze in horror.

Such a thing, he told himself, simply couldn’t happen!

The three across the Bowl were digging up a music tree!

The vine sneaked through the rustling sea of grass, cautious tendrils raised to keep tab on its prey, the queer, clanking thing that still rolled on unswervingly. Came on without stopping to smell out the ground ahead, without zigzagging to throw off possible attack.

Its action was puzzling; that was no way for anything to travel on this planet. For a moment a sense of doubt trilled along the length of vine, doubt of the wisdom of attacking anything that seemed so sure. But the doubt was short lived, driven out by the slavering anticipation that had sent the vicious vegetable from its lair among the grove of rifle trees. The vine trembled a little—slightly drunk with the vibration that pulsed through its tendrils.

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